Der Rosenkavalier

~ Release by Richard Strauss; Régine Crespin, Wiener Philharmoniker, Sir Georg Solti (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Act I. Introduction
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:31
2Der Rosenkavalier, Op. 59: Act I. "Wie du warst!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:22
3Der Rosenkavalier, Op. 59: Act I. "Marie Theres'!" - "Octavian!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Marie Theres'!" - "Octavian!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:11
4Der Rosenkavalier, Op. 59: Act I. "Quinquin, es ist mein Mann!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:25
5Der Rosenkavalier, Op. 59: Act I. "Selbstverständlich empfängt mich Ihro Gnaden"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Vierter Lakai]:
Leo Heppe (Bob Martin - Austrian singer) (in 1968-11)
other vocals [Dritter Lakai]:
Alexander Maly (in 1968-11)
other vocals [Erster Lakai]:
Hans Pipal (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Zweiter Lakai]:
Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:12
6Der Rosenkavalier, Op. 59: Act I. "Hat Sie schon einmal mit einem Kavalier"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:55
7Der Rosenkavalier, Op. 59: Act I. "Nein, er agiert mir gar zu gut!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Nein, er agiert mir gar zu gut!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
8Der Rosenkavalier, Op. 59: Act I. "I komm' glei"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
contralto vocals [Drei adelige Waisen]:
Rohangiz Yachmi (mezzo-soprano) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Drei adelige Waisen]:
Ingrid Mayr (mezzo-soprano / alto) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Drei adelige Waisen]:
Arleen Augér (soprano) (in 1968-11)
soprano vocals [Eine Modistin]:
Rosl Schwaiger (soprano) (in 1968-11)
tenor vocals [Ein Tierhändler]:
Karl Terkal (Austrian Tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:07
9Der Rosenkavalier, Op. 59: Act I. "Di rigori armato il seno"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:04
10Der Rosenkavalier, Op. 59: Act I. "Als Morgengabe"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Notar]:
Alfred Jerger (bass-baritone) (in 1968-11)
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
11Der Rosenkavalier, Op. 59: Act I. "Mein lieber Hippolyte"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
12Der Rosenkavalier, Op. 59: Act I. "Da geht er hin"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:01
13Der Rosenkavalier, Op. 59: Act I. "Ach! Du bist wieder da!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss6:05
14Der Rosenkavalier, Op. 59: Act I. "Die Zeit ist...Mein schöner Schatz...Ich werde jetzt"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss10:24
15Der Rosenkavalier, Op. 59: Act I. "Ich hab' ihn nicht einmal geküßt"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:04
▼ CD 2
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Act II. Introduction - "Ein ernster Tag"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
tenor vocals [Der Haushofmeister bei Faninal]:
Kurt Equiluz (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier, op. 59: Akt II. Einleitung (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:52
2Der Rosenkavalier, Op. 59: Act II. "In dieser feierlichen Stunde"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:23
3Der Rosenkavalier, Op. 59: Act II. "Mir ist die Ehre widerfahren"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:05
4Der Rosenkavalier, Op. 59: Act II. "Ich kenn' Ihn schon recht wohl"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:03
5Der Rosenkavalier, Op. 59: Act II. "Jetzt aber kommt mein Herr Zukünftiger"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:48
6Der Rosenkavalier, Op. 59: Act II. "Eh bien! Nun plauder' Sie...Wir kommen über Nacht"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:17
7Der Rosenkavalier, Op. 59: Act II. "Wird Sie das Mannsbild da heiraten"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
tenor vocals [Der Haushofmeister bei Faninal]:
Kurt Equiluz (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird Sie das Mannsbild da heiraten" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:07
8Der Rosenkavalier, Op. 59: Act II. "Herr Baron von Lerchenau!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss5:28
9Der Rosenkavalier, Op. 59: Act II. "Mord! Mord! Mein Blut!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Emmy Loose (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mord! Mord! Mein Blut!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:00
10Der Rosenkavalier, Op. 59: Act II. "Herr Schwiegersohn! Wie ist ihm denn?"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Schwiegersohn! Wie ist ihm denn?" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:09
11Der Rosenkavalier, Op. 59: Act II. "Blamage! Mir auseinander meine Eh'"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Blamage! Mir auseinander meine Eh'" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:32
12Der Rosenkavalier, Op. 59: Act II. "Is gut! Is gut! Ein Schluck"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Is gut! Is gut! Ein Schluck" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:01
13Der Rosenkavalier, Op. 59: Act II. "Da lieg' ich!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss5:18
14Der Rosenkavalier, Op. 59: Act II. "Ohne mich, ohne mich jeder Tag dir so bang"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich jeder Tag dir so bang" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:24
▼ CD 3
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Act III. Introduction and Pantomime
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:01
2Der Rosenkavalier, Op. 59: Act III. "Haben Euer Gnaden noch weitre Befehle?"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:01
3Der Rosenkavalier, Op. 59: Act III. "Nein, nein, nein...Die schöne Musi!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:41
4Der Rosenkavalier, Op. 59: Act III. "Es is ja eh all's eins"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Es is ja eh all's eins" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:38
5Der Rosenkavalier, Op. 59: Act III. "Da und da und da und da!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Da und da und da und da!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:06
6Der Rosenkavalier, Op. 59: Act III. "Halt! Keiner rührt sich!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Halt! Keiner rührt sich!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:38
7Der Rosenkavalier, Op. 59: Act III. "Zur Stelle! Was wird von mir gewünscht?"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Zur Stelle! Was wird von mir gewünscht?" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:04
8Der Rosenkavalier, Op. 59: Act III. "Sind desto eher im klaren"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:34
9Der Rosenkavalier, Op. 59: Act III. "Bin glücklich über Maßen...Muss jetzt partout zu ihr"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Bin glücklich über Maßen...Muss jetzt partout zu ihr" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:42
10Der Rosenkavalier, Op. 59: Act III. "Lass er nur gut sein und verschwind' er"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Lass er nur gut sein und verschwind' er" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:31
11Der Rosenkavalier, Op. 59: Act III. "Leopold, wir gehn!"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Hausknecht]:
Hans Reautschnigg (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Leopold, wir gehn!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
12Der Rosenkavalier, Op. 59: Act III. "Mein Gott, es war nicht mehr als eine Farce"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:00
13Der Rosenkavalier, Op. 59: Act III. "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:05
14Der Rosenkavalier, Op. 59: Act III. "Ist ein Traum, kann nicht wirklich sein" - "Spür nur dich"
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:41