101 Girls Night

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
CD 3
#TitleArtistRatingLength
1Waterloo
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1973-12-17)
bass guitar:
Rutger Gunnarsson (on 1973-12-17)
drums (drum set):
Ola Brunkert (on 1973-12-17, on 1974-02-20)
guitar:
Janne Schaffer (on 1973-12-17, on 1974-02-20)
Moog, mellotron and piano:
Benny Andersson (ABBA) (on 1973-12-17)
tenor saxophone:
Christer Eklund (on 1974-01-04)
phonographic copyright (℗) by:
Polar Music AB (in 1974) and Polar Music International AB (in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län, Sweden (on 1973-12-17, on 1974-01-04, on 1974-02-20)
part of:
Sweden in the Eurovision Song Contest (number: 1974), Winners of the Eurovision Song Contest (number: 1974) and The Downloader’s Music Source Book (number: 64)
recording of:
Waterloo (English version) (from 1973-12-17 until 1974-01)
writer:
Stig Anderson, Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Overseas Songs (ended), Polar Music AB (ended), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal‐Songs of PolyGram International, Inc., EMI Waterford Music (from 1974 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1974 to present) and Universal/Union Songs Musikförlag AB (from 1974 to present)
translated version of:
Waterloo (Swedish version)
part of:
Mamma Mia! (1999 musical)
ABBA3.652:44
2If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.654:00
3Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:25
4Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
Academy Award for Best Original Song (number: 56)
Irene Cara3.83:49
5Get It OnT. Rex4:26
6Common PeoplePulp2.44:05
7The Tide Is High
Atomic Kitten3:21
8Upside DownDiana Ross3:37
9You’re the First, the Last, My EverythingBarry White3.653:21
10The Grease Mega‐mix
lead vocals:
Olivia Newton‐John (British–Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (Duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
performer:
Olivia Newton‐John (British–Australian singer, actress and activist) and John Travolta (American actor and singer)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990, in 2003)
DJ-mix of and mash-up of:
Greased Lightnin’ by John Travolta (American actor and singer), Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British–Australian singer, actress and activist) & Cast (Special Purpose Artist - Do not add releases here, if possible.) and You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British–Australian singer, actress and activist)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.654:48
11Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:58
12Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Soft Cell3.92:41
13Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) and Virgin Music (Publishers) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.43:24
14Pull Up to the BumperGrace Jones3:38
15All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert (singer–songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America, Sony/ATV Tunes LLC, WB Music Corp. (1929–2019) and Zen of Iniquity
Sheryl Crow3.854:33
16Mr Rock & Roll
assistant recording engineer:
Guy Katsav
keyboard programming and piano programming:
Pete Wilkinson
engineer:
Joe Fields (American jazz producer)
additional producer:
Joe Fields (American jazz producer)
executive producer:
Paul Adam
mixer:
Bob Clearmountain
editor:
Beatriz Artola
acoustic guitar and lead vocals:
Amy Macdonald (Scottish singer/songwriter)
bass guitar:
Jamie Sefton
cello:
Audrey Riley
drums (drum set):
Adam Falkner
electric guitar:
Jolyon Dixon
keyboard and piano:
Pete Wilkinson
percussion:
Adam Falkner and Pete Wilkinson
viola:
Susan Dench (violist) and Chris Tumbling
violin family:
Richard George (violinist), Jonathan Hill (violinist) and Laura Melhuish (British violinist)
background vocals:
Sarah Erasmus
conductor:
Audrey Riley
strings arranger:
Pete Wilkinson
phonographic copyright (℗) by:
Melodramatic Records Ltd. (in 2007)
recorded at:
Brooklands Road Studio in London (Greater London), England, United Kingdom and Soho Recording Studios in London (Greater London), England, United Kingdom
recording of:
Mr Rock & Roll
lyricist and composer:
Amy Macdonald (Scottish singer/songwriter)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Amy Macdonald33:35
17It’s My Party
programming:
Colino Fresh
assistant engineer:
Joel Peters (mixing, mastering, engineer) and Justin Pancione
engineer:
Mark “Exit” Goodchild and John Hanes (audio engineer, mixer) (task: engineered for mix)
additional producer:
Colino Fresh
producer:
Johnny BLK and Claude Kelly (task: and vocals)
mixer:
Serban Ghenea
bass and drums (drum set) and guitar:
Johnny BLK
vocals:
Jessie J (English singer-songwriter)
produced for:
Carousel Music Entertainment, LLC, Impact Records, LLC, Make Moves Management, Inc. and Studiobeast, LLC
recorded at:
KMA Studios in New York, New York, United States and SARM Studios in London (Greater London), England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
It’s My Party
writer:
Jessica Cornish (English singer-songwriter), Claude Kelly, John Lardieri and Colin Norman
publisher:
3M Holdings, Bat Radar Music, John Lardieri LLC, Norman Colin A, Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) and Warner Tamerlane (publisher; do NOT use as release label)
sub-publisher:
3M Holdings LLC, Kobalt Music Copyrights (UK) Ltd, Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Kobalt Music Services Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Notting Dale Songs, Inc., Notting Hill Music (UK) Ltd., Sony Music Publishing (Germany) GmbH, Sony/ATV Music Publishing, LLC (1995–2020), Warner Bros., Inc. (not for release label use!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jessie J23:39
18She Works Hard for the Money
producer:
Michael Omartian
recording of:
She Works Hard for the Money
writer:
Michael Omartian and Donna Summer (soul/disco diva)
publisher:
See This House Music (from 1983 to present) and Sweet Summer Night Music (from 1983 to present)
Donna Summer54:33
19Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:35
20Dreams
producer:
Richie Fermie
mixer:
John Brough
guitar family:
Paul Noble (member of "Warm Jets")
phonographic copyright (℗) by:
Go Beat Ltd. (in 1993) and Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
writer:
Tim Laws and Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle2.653:48
CD 4
CD 5

Credits

Release Group

part of:101 Hits (UMC (Universal Music Catalogue UK) Series) (number: Girls Night) (order: 12)
Allmusic:https://www.allmusic.com/album/mw0003127158 [info]