The Yellow Guide: Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1: 1
#TitleArtistRatingLength
1Missa papae marcelli, Kyrie
producer:
Gerd Ploebsch
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
balance engineer:
Hans-Peter Schweigmann (in 1985-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Missa Papae Marcelli: I. Kyrie (in 1985-02)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina4:05
2L’Orfeo: Act I. “In questo lieto e fortunato giorno”
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (soprano) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. In questo lieto e fortunato giorno (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Muse, onor di Parnaso (Ninfa) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:36
3“The Four Seasons”, op. 8: Concerto no. 4 in F minor, RV 297, “Winter”: I. Allegro non molto
recording engineer:
Wolf-Dieter Karwatky
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1993-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1993-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1993-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1993-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:24
4Messiah: “Hallelujah Chorus”
sound engineer:
Hans-Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02
5Suite no. 3 in D major, BWV 1068: II. Air
producer and balance engineer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (in 1985-05)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-05)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-05)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1985-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach54:40
6String Quartet no. 62 in C major “Emperor”, op. 76 no. 3: II. Poco adagio. Cantabile
producer and balance engineer:
Wolfgang Mitlehner
cello:
Martin Lovett (cellist) (in 1982-11)
string quartet:
Amadeus Quartet (in 1982-11)
viola:
Peter Schidlof (violist) (in 1982-11)
violin [violin I]:
Norbert Brainin (violinist) (in 1982-11)
violin [violin II]:
Siegmund Nissel (violinist) (in 1982-11)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1982-11)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1982-11)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:56
7Requiem, K. 626: Lacrimosa
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:22
8Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer and balance engineer:
Hans-Peter Schweigmann
producer:
Hans Weber (producer/engineer)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Los Angeles Philharmonic (in 1981-11)
conductor:
Carlo Maria Giulini (conductor) (in 1981-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (from 1982 to present)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1981-11)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1981-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
9Caprice no. 24 in A minor
producer:
Wolfgang Stengel
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1981-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1981-12)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1981-12)
recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 24 in A minor: Tema con variazioni. Quasi presto (in 1981-12)
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini6:24
10William Tell Overture (excerpt)
partial recording of:
Guillaume Tell : Ouverture
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:15
11Piano Quintet in A major, D. 667 “The Trout”: IV. Andantino - Allegretto
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1975-08 until 1975-09)
double bass:
Rainer Zepperitz (German double bass player) (from 1975-08 until 1975-09)
piano:
Emil Gilels (pianist) (from 1975-08 until 1975-09)
string trio:
Amadeus Quartet (from 1975-08 until 1975-09)
viola:
Peter Schidlof (violist) (from 1975-08 until 1975-09)
violin:
Norbert Brainin (violinist) (from 1975-08 until 1975-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon")
recorded at:
Turun konserttitalo in Turku, Varsinais-Suomi, Finland (from 1975-08 until 1975-09)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1975-08 until 1975-09)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“
Franz Schubert8:01
12Symphonie Fantastique, op. 14: II. Un bal
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
editor:
Jürgen Bulgrin (Sound engineer) and Reinhard Lagemann
orchestra:
The Cleveland Orchestra (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-03)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1996-03)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:07
13A Midsummer Night’s Dream, op. 61: IX. Wedding March
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn5:12
14Étude, op. 25 no. 6 in G-sharp minor
piano:
Ivo Pogorelich (pianist) (in 1981-02)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1981-02)
recording of:
Étude in G-sharp minor, op. 25 no. 6 "Thirds": Allegro (in 1981-02)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Frédéric Chopin2:18
15Kinderszenen, op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
CD 2: 2
CD 3: 3