# | Title | Artist | Rating | Length |
---|
1 | Zoom-Zoom-Zoom | [unknown] | | 2:11 |
2 | Get Set | Taxiride | | 3:13 |
3 | Mrs. Robinson | The Lemonheads | 4 | 3:45 |
4 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:06 |
5 | Mustang Sally | Wilson Pickett | 4 | 3:08 |
6 | Zoom-Zoom-Zoom | [unknown] | | 0:32 |
7 | Johnny B. Goode | Chuck Berry | 4.25 | 2:40 |
8 | Wild Wild West | The Escape Club | | 4:06 |
9 | Drive | The Cars | 4 | 3:54 |
10 | Bamba, La | Los Lobos | | 2:51 |
11 | She Drives Me Crazy | Fine Young Cannibals | | 3:36 |
12 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.45 | 5:25 |
13 | Roll Up to See the Man | [unknown] | | 0:30 |