# | Title | Rating | Length |
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1 | Oster-Oratorium BWV 249 - Sinfonia- recording engineer:
- Martin Fouqué
- producer:
- John Mordler
- orchestra:
- Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
- conductor:
- Karl Münchinger (from 1968-05-01 until 1968-05-13)
- recorded at:
- Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
- recording of:
- Oster-Oratorium, BWV 249: I. Sinfonia (from 1968-05-01 until 1968-05-13)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
- part of:
- Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
- part of:
- Oster-Oratorium, BWV 249
| | 4:10 |
2 | Oster-Oratorium BWV 249 - Adagio- recording engineer:
- Martin Fouqué
- producer:
- John Mordler
- orchestra:
- Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
- conductor:
- Karl Münchinger (from 1968-05-01 until 1968-05-13)
- recorded at:
- Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
- recording of:
- Oster-Oratorium, BWV 249: II. Adagio (from 1968-05-01 until 1968-05-13)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
- part of:
- Oster-Oratorium, BWV 249
| | 5:10 |
3 | Oster-Oratorium BWV 249 - Arie (Duett): Kommt, eilet und laufet | | 5:18 |
4 | Oster-Oratorium BWV 249 - Rezitativ: O kalter Männer Sinn- recording engineer:
- Martin Fouqué
- producer:
- John Mordler
- alto vocals:
- Helen Watts (from 1968-05-01 until 1968-05-13)
- bass vocals:
- Tom Krause (from 1968-05-01 until 1968-05-13)
- soprano vocals:
- Elly Ameling (from 1968-05-01 until 1968-05-13)
- tenor vocals:
- Werner Krenn (from 1968-05-01 until 1968-05-13)
- orchestra:
- Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
- conductor:
- Karl Münchinger (from 1968-05-01 until 1968-05-13)
- recorded at:
- Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
- recording of:
- Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1968-05-01 until 1968-05-13)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| | 1:24 |
5 | Oster-Oratorium BWV 249 - Arie: Seele, deine Spezereien | | 12:00 |
6 | Oster-Oratorium BWV 249 - Rezitativ: Hier ist die Gruft- recording engineer:
- Martin Fouqué
- producer:
- John Mordler
- alto vocals:
- Helen Watts (from 1968-05-01 until 1968-05-13)
- bass vocals:
- Tom Krause (from 1968-05-01 until 1968-05-13)
- tenor vocals:
- Werner Krenn (from 1968-05-01 until 1968-05-13)
- orchestra:
- Stuttgarter Kammerorchester (from 1968-05-01 until 1968-05-13)
- conductor:
- Karl Münchinger (from 1968-05-01 until 1968-05-13)
- recorded at:
- Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
- recording of:
- Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1968-05-01 until 1968-05-13)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| | 1:11 |
7 | Oster-Oratorium BWV 249 - Ari:e Sanfte soll mein Todesschlummer | | 6:55 |
8 | Oster-Oratorium BWV 249 - Rezitativ: Indessen seufzen wir | | 0:58 |
9 | Oster-Oratorium BWV 249 - Arie: Saget, Saget Mir Geschwinde | | 7:13 |
10 | Oster-Oratorium BWV 249 - Rezitativ: Wir sind erfreut | | 0:47 |
11 | Oster-Oratorium BWV 249 - Chor: Preis und Dank | | 2:42 |
12 | Magnificat, BWV 243: I. Magnificat | | 3:17 |
13 | Magnificat, BWV 243: II. Et exultavit | | 2:33 |
14 | Magnificat, BWV 243: III. Quia respexit - IV. Omnes generationes- choir vocals:
- Vienna Academy Chorus (in 1968-05)
- contralto vocals:
- Helen Watts (in 1968-05)
- soprano vocals:
- Elly Ameling (in 1968-05)
- orchestra:
- Stuttgarter Kammerorchester (in 1968-05)
- conductor:
- Karl Münchinger (in 1968-05)
- recording of:
- Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
- recording of:
- Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| | 4:22 |
15 | Magnificat, BWV 243: V. Quia fecit mihi magna | | 2:20 |
16 | Magnificat, BWV 243: VI. Et misericordia | | 4:18 |
17 | Magnificat, BWV 243: VII. Fecit Potentiam | | 2:02 |
18 | Magnificat, BWV 243: VIII. Deposuit potentes | | 2:08 |
19 | Magnificat, BWV 243: IX. Esurientes | | 3:11 |
20 | Magnificat, BWV 243: X. Suscepit Israel | | 2:12 |
21 | Magnificat, BWV 243: XI. Sicut locutus est | | 2:02 |
22 | Magnificat, BWV 243: XII. Gloria | | 2:33 |