Midnite Jazz & Blues: Cheek to Cheek

~ Release by Ella Fitzgerald & Louis Armstrong (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1A Fine Romance
instruments:
Instrumental Accompaniment (Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Ella Fitzgerald (in 1957)
performer:
Ella Fitzgerald
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong3:31
2A Fog Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:33
3Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:54
4St. James Infirmary
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
alto saxophone:
Don Redman (on 1928-12-12)
banjo:
Mancy "Peck" Carr (on 1928-12-12)
clarinet:
Don Redman (on 1928-12-12) and Jimmy Strong (on 1928-12-12)
drums (drum set):
Zutty Singleton (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
tenor saxophone:
Jimmy Strong (on 1928-12-12)
trombone:
Fred Robinson (American trombonist) (on 1928-12-12)
trumpet:
Louis Armstrong (on 1928-12-12)
vocals:
Louis Armstrong (on 1928-12-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1928-12-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:20
5Can’t We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Ella Fitzgerald & Louis Armstrong43:45
6Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
Ella Fitzgerald & Louis Armstrong4:58
7I’m Puttin’ All My Eggs in One Basket
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
Ella Fitzgerald & Louis Armstrong3:23
8I’ve Got My Love to Keep You Warm
cover recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Ella Fitzgerald & Louis Armstrong3:06
9How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3:12
10Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong44:13
11Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
cover recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong33:55
12Moonlight in Vermont
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald & Louis Armstrong53:42
13Stars Fell on Alabama
cover recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Ella Fitzgerald & Louis Armstrong3:13
14Tenderly
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ella Fitzgerald & Louis Armstrong45:08
15The Nearness of You
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Ella Fitzgerald & Louis Armstrong5:34
16They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4:32
17I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Ella Fitzgerald & Louis Armstrong2:20
18Hello Dolly
cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Ella Fitzgerald & Louis Armstrong2:28