The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

CD 1: Vol 1. Cantatas CD 1
CD 2: Vol 1. Cantatas CD 2
CD 3: Vol 1. Cantatas CD 3
CD 4: Vol 1. Cantatas CD 4
CD 5: Vol 2. Cantatas CD 1
CD 6: Vol 2. Cantatas CD 2
CD 7: Vol 2. Cantatas CD 3
CD 8: Vol 2. Cantatas CD 4
CD 9: Vol 3. Cantatas CD 1
CD 10: Vol 3. Cantatas CD 2
CD 11: Vol 3. Cantatas CD 3
CD 12: Vol 3. Cantatas CD 4
CD 13: Vol 4. Cantatas CD 1
CD 14: Vol 4. Cantatas CD 2
CD 15: Vol 4. Cantatas CD 3
CD 16: Vol 4. Cantatas CD 4
CD 17: Vol 5. Cantatas CD 1
CD 18: Vol 5. Cantatas CD 2
CD 19: Vol 5. Cantatas CD 3
CD 20: Vol 5. Cantatas CD 4
CD 21: Vol 6. Cantatas CD 1
CD 22: Vol 6. Cantatas CD 2
CD 23: Vol 6. Cantatas CD 3
CD 24: Vol 6. Cantatas CD 4
CD 25: Vol 7. Cantatas CD 1
CD 26: Vol 7. Cantatas CD 2
CD 27: Vol 7. Cantatas CD 3
CD 28: Vol 7. Cantatas CD 4
CD 29: Vol 8. Cantatas CD 1
CD 30: Vol 8. Cantatas CD 2
CD 31: Vol 8. Cantatas CD 3
CD 32: Vol 8. Cantatas CD 4
CD 33: Vol 9. Cantatas CD 1
CD 34: Vol 9. Cantatas CD 2
CD 35: Vol 9. Cantatas CD 3
CD 36: Vol 9. Cantatas CD 4
CD 37: Vol 10. Cantatas CD 1
CD 38: Vol 10. Cantatas CD 2
CD 39: Vol 10. Cantatas CD 3
CD 40: Vol 10. Cantatas CD 4
CD 41: Vol 11. Cantatas CD 1
CD 42: Vol 11. Cantatas CD 2
CD 43: Vol 11. Cantatas CD 3
CD 44: Vol 11. Cantatas CD 4
CD 45: Vol 12. Cantatas CD 1
CD 46: Vol 12. Cantatas CD 2
CD 47: Vol 12. Cantatas CD 3
CD 48: Vol 12. Cantatas CD 4
CD 49: Vol 13. Cantatas CD 1
CD 50: Vol 13. Cantatas CD 2
CD 51: Vol 13. Cantatas CD 3
CD 52: Vol 13. Cantatas - CD 4
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1Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: I. Coro „Erschallet, ihr Lieder, erklinget, ihr Saiten“
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:10
2Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: II. Recitativo (Bass) „Wer mich liebet, der wird mein Wort halten“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:55
3Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: III. Aria (Bass) „Heiligste Dreieinigkeit“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:59
4Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: IV. Aria (Tenor) „O Seelenparadies“
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:31
5Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: V. Aria (Duetto Sopran, Alt) „Komm, laß mich nicht länger warten“
alto vocals:
Doris Soffel (mezzo soprano)
soprano vocals:
Eva Csapó (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
3:36
6Kantate, BWV 172 „Erschallet, ihr Lieder, erklinget, ihr Saiten“: VI. Choral „Von Gott kömmt mir ein Freudenschein“
choir vocals:
Frankfurter Kantorei
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:30
7Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: I. Recitativo (Tenor) „Erhöhtes Fleisch und Blut“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
0:43
8Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: II. Aria (Tenor) „Ein geheiligtes Gemüte“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:51
9Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: III. Aria (Alt) „Gott will, o! ihr Menschenkinder“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:48
10Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: IV. Aria (Duetto Bass, Sopran) „So hat Gott die Welt geliebt“
bass vocals:
Niklaus Tuller (bass-baritone)
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:29
11Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: V. Recitativo (Sopran, Tenor) „Unendlichster, den man doch Vater nennt“
soprano vocals:
Judith Beckman (American soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:22
12Kantate, BWV 173 „Erhöhtes Fleisch und Blut“: VI. Coro „Rühre, Höchster, unsern Geist“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
2:35
13Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:27
14Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
8:20
15Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
1:29
16Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
4:09
17Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 153)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
1:47
18Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: I. Recitativo (Tenor) „Er rufet seinen Schafen mit Namen“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:26
19Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: II. Aria (Alt) „Komm, leite mich“
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
4:05
20Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: III. Recitativo (Tenor) „Wo find ich dich“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:34
21Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: IV. Aria (Tenor) „Es dünket mich, ich seh dich kommen“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
3:21
22Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: V. Recitativo (Alt, Bass) „Sie vernahmen aber nicht“
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:17
23Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: VI. Aria (Bass) „Öffnet euch, ihr beiden Ohren“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
3:55
24Kantate, BWV 175 „Er rufet seinen Schafen mit Namen“: VII. Choral „Nun, werter Geist, ich folge dir“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:59
CD 53: Vol 14. Cantatas - CD 1
CD 54: Vol 14. Cantatas - CD 2
CD 55: Vol 14. Cantatas - CD 3
CD 56: Vol 14. Cantatas - CD 4
CD 57: Vol 15. Cantatas - CD 1
CD 58: Vol 15. Cantatas - CD 2
CD 59: Vol 15. Cantatas - CD 3
CD 60: Vol 15. Cantatas - CD 4
CD 61: Vol 16. Cantatas CD 1
CD 62: Vol 16. Cantatas CD 2
CD 63: Vol 16. Cantatas CD 3
CD 64: Vol 16. Cantatas CD 4
CD 65: Vol 17. Cantatas CD 1
CD 66: Vol 17. Cantatas CD 2
CD 67: Vol 17. Cantatas CD 3
CD 68: Vol 17. Cantatas CD 4
CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
CD 93: Vol 24. A Book Of Chorale-Settings CD 1
CD 94: Vol 24. A Book Of Chorale-Settings CD 2
CD 95: Vol 24. A Book Of Chorale-Settings CD 3
CD 96: Vol 24. A Book Of Chorale-Settings CD 4
CD 97: Vol 25. Organ Works CD 1
CD 98: Vol 25. Organ Works CD 2
CD 99: Vol 25. Organ Works CD 3
CD 100: Vol 25. Organ Works CD 4
CD 101: Vol 26. Organ Works CD 1
CD 102: Vol 26. Organ Works CD 2
CD 103: Vol 26. Organ Works CD 3
CD 104: Vol 26. Organ Works CD 4
CD 105: Vol 27. Organ Works CD 1
CD 106: Vol 27. Organ Works CD 2
CD 107: Vol 27. Organ Works CD 3
CD 108: Vol 27. Organ Works CD 4
CD 109: Vol 28. Organ Works CD 1
CD 110: Vol 28. Organ Works CD 2
CD 111: Vol 28. Organ Works CD 3
CD 112: Vol 28. Organ Works CD 4
CD 113: Vol 29. Organ Works CD 1
CD 114: Vol 29. Organ Works CD 2
CD 115: Vol 29. Organ Works CD 3
CD 116: Vol 29. Organ Works CD 4
CD 117: Vol 30. Harpsichord Music CD 1
CD 118: Vol 30. Harpsichord Music CD 2
CD 119: Vol 30. Harpsichord Music CD 3
CD 120: Vol 30. Harpsichord Music CD 4
CD 121: Vol 31. Keyboard Works CD 1
CD 122: Vol 31. Keyboard Works CD 2
CD 123: Vol 31. Keyboard Works CD 3
CD 124: Vol 31. Keyboard Works CD 4
CD 125: Vol 32. Keyboard Works CD 1
CD 126: Vol 32. Keyboard Works CD 2
CD 127: Vol 32. Keyboard Works CD 3
CD 128: Vol 32. Keyboard Works CD 4
CD 129: Vol 33. Keyboard Works CD 1
CD 130: Vol 33. Keyboard Works CD 2
CD 131: Vol 33. Keyboard Works CD 2
CD 132: Vol 33. Keyboard Works CD 4
CD 133: Vol 34. Keyboard Works CD 1
CD 134: Vol 34. Keyboard Works CD 2
CD 135: Vol 34. Keyboard Works CD 3
CD 136: Vol 34. Keyboard Works CD 4
CD 137: Vol 35. Keyboard Works CD 1
CD 138: Vol 35. Keyboard Works CD 2
CD 139: Vol 35. Keyboard Works CD 3
CD 140: Vol 35. Keyboard Works CD 4
CD 141: Vol 36. Keyboard Works CD 1
CD 142: Vol 36. Keyboard Works CD 2
CD 143: Vol 36. Keyboard Works CD 3
CD 144: Vol 36. Keyboard Works CD 4
CD 145: Vol 37. Keyboard Works CD 1
CD 146: Vol 37.Keyboard Works CD 2
CD 147: Vol 37. Keyboard Works CD 3
CD 148: Vol 37. Keyboard Works CD 4
CD 149: Vol 38. Orchestral Music CD 1
CD 150: Vol 38. Orchestral Music CD 2
CD 151: Vol 38. Orchestral Music CD 3
CD 152: Vol 38. Orchestral Music CD 4
CD 153: Vol 39. Works For Violin CD 1
CD 154: Vol 39. Works For Violin CD 2
CD 155: Vol 39. Works For Violin CD 3
CD 156: Vol 39. Works For Violin CD 4
CD 157: Vol 40. Harpsichord Concertos CD 1
CD 158: Vol 40. Harpsichord Concertos CD 2
CD 159: Vol 40. Harpsichord Concertos CD 3
CD 160: Vol 40. Harpsichord Concertos CD 4
CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3