Live at Art D'Lugoff's: Top of the Gate

~ Release by Bill Evans (see all versions of this release, 3 available)

Tracklist

CD 1
CD 2
#TitleRatingLength
1Yesterdays
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:48
2Emily (alternate version)
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
5:08
3In a Sentimental Mood
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
In a Sentimental Mood (on 1968-10-23)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:06
4Round Midnight (alternate version)
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:26
5Autumn Leaves
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1968-10-23)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
5:30
6Someday My Prince Will Come
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Someday My Prince Will Come (on 1968-10-23)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:13
7Mother of Earl
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
Mother of Earl (on 1968-10-23)
composer:
Earl Zindars
4:21
8Here’s That Rainy Day
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Here’s That Rainy Day (on 1968-10-23)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:15

Credits

Release

manufactured in:United States
art direction and design:Burton Yount
photography:Tom Copi (photographer)
Herb Snitzer (photographer)
liner notes:Gary Burton (jazz vibraphonist and composer)
Nat Hentoff
George Klabin (engineer and producer)
Marty Morell (drums)
Eddie Gomez (jazz double bassist) (in 2011-05)
Zev Feldman (producer and author) (in 2012-02)
executive producer:George Klabin (engineer and producer)
mastering:Fran Gala (sound engineer)
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (jazz) (in 2012)
ASIN:US: B007PNS4TY [info]