| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: IIIa. Credo in unum Deum | Johann Sebastian Bach | | 2:02 |
| 2 | Mass in B minor, BWV 232: IIIb. Patrem omnipotentem- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1993-03)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:52 |
| 3 | Mass in B minor, BWV 232: IIIc. Et in unum Dominum | Johann Sebastian Bach | | 5:09 |
| 4 | Mass in B minor, BWV 232: IIId. Et incarnatus est | Johann Sebastian Bach | | 3:25 |
| 5 | Mass in B minor, BWV 232: IIIe. Crucifixus- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1993-03)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:02 |
| 6 | Mass in B minor, BWV 232: IIIf. Et resurrexit | Johann Sebastian Bach | | 3:56 |
| 7 | Mass in B minor, BWV 232: IIIg. Et in Spiritum Sanctum | Johann Sebastian Bach | | 4:42 |
| 8 | Mass in B minor, BWV 232: IIIh. Confiteor | Johann Sebastian Bach | | 4:55 |
| 9 | Mass in B minor, BWV 232: IIIi. Et expecto resurrectionem mortuorum | Johann Sebastian Bach | | 2:15 |
| 10 | Mass in B minor, BWV 232: IVa. Sanctus | Johann Sebastian Bach | | 5:26 |
| 11 | Mass in B minor, BWV 232: IVb. Osanna- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1993-03)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:33 |
| 12 | Mass in B minor, BWV 232: IVc. Benedictus | Johann Sebastian Bach | | 5:05 |
| 13 | Mass in B minor, BWV 232: IVd. Osanna- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1993-03)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:28 |
| 14 | Mass in B minor, BWV 232: Va. Agnus Dei | Johann Sebastian Bach | | 5:47 |
| 15 | Mass in B minor, BWV 232: Vb. Dona nobis pacem | Johann Sebastian Bach | | 3:08 |
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