Negotiations and Love Songs: 1971–1986 (BMG club release)

~ Release by Paul Simon (see all versions of this release, 10 available)

Annotation

Sub Optimal Credits:

  • "Mfd. for BMG Direct Marketing, Inc. under License"

This release is neither https://www.discogs.com/Paul-Simon-Negotiations-And-Love-Songs-1971-1986/release/4096052 nor https://www.discogs.com/Paul-Simon-Negotiations-And-Love-Songs-1971-1986/release/7641176. The "D 120461" white rectangle on this release is oriented with the top of the text pointing up on the back of the case of this release unlike on those two releases where the top of the text points left.

Annotation last modified on 2016-10-04 03:01 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Mother and Child Reunion
recording of:
Mother and Child Reunion
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1971)
42:49
2Me and Julio Down by the Schoolyard
producer:
Paul Simon (of Simon & Garfunkel)
bass:
Russell George (bassist/violinist)
guitar:
Paul Simon (of Simon & Garfunkel) and David Spinozza
percussion:
Airto Moreira (percussionist)
vocals:
Paul Simon (of Simon & Garfunkel)
arranger:
Paul Simon (of Simon & Garfunkel)
recording of:
Me and Julio Down by the Schoolyard
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1971)
4.652:44
3Something So Right
engineer:
Phil Ramone
co-producer:
Phil Ramone
producer:
Paul Simon (of Simon & Garfunkel)
double bass [acoustic bass]:
Richard Davis (American jazz bassist)
drums (drum set) [drums]:
Grady Tate
electric bass guitar [elec. bass]:
Bob Cranshaw
guitar:
Alexander Gafa, Paul Simon (of Simon & Garfunkel) and David Spinozza
keyboard:
Bobby James (US jazz keyboardist, arranger and producer)
piano:
Bobby Scott (vocals, piano, US musician & producer)
vibraphone [vibes]:
Don Elliott
strings arranger:
Quincy Jones
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
Something So Right
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC and Paul Simon Music (in 1973)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3.354:30
4St. Judy’s Comet
engineer:
Jerry Masters (US bassist & engineer, in The Hombres)
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
David Hood
guitar:
Paul Simon (of Simon & Garfunkel)
keyboard and vibraphone [vibes]:
Barry Beckett
percussion:
Roger Hawkins
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
St. Judy’s Comet
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
33:17
5Loves Me Like a Rock
recording of:
Loves Me Like a Rock
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
43:18
6Kodachrome
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Phil Ramone
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
David Hood
drums (drum set) [drums]:
Roger Hawkins
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar:
Pete Carr (US guitarist) and Paul Simon (of Simon & Garfunkel)
keyboard:
Barry Beckett
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Kodachrome (in 1973)
publisher:
Paul Simon (of Simon & Garfunkel) (in 1973)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
43:31
7Have a Good Time
recording of:
Have a Good Time
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
43:23
850 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/chapman stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
3.853:32
9Still Crazy After All These Years
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
David Hood
drums (drum set):
Roger Hawkins
electric piano:
Barry Beckett
solo saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
vocals:
Paul Simon (of Simon & Garfunkel)
strings and woodwind arranger:
Bob James (US jazz keyboardist, arranger and producer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Still Crazy After All These Years
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
53:23
10Late in the Evening
recording of:
Late in the Evening (One‐Trick Pony)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
43:54
11Slip Slidin’ Away
recording of:
Slip Slidin’ Away
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1977)
4.54:43
12Hearts and Bones
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar]:
Anthony Jackson (US bassist)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
drums (drum set):
Steve Gadd (drummer)
guitar [hi‐string guitar]:
Dean Parks (American session guitarist)
marimba and vibraphone:
Mike Mainieri
percussion:
Airto Moreira (percussionist)
Rhodes piano:
Richard Tee
mixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Hearts and Bones
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1982)
45:38
13Train in the Distance
recording of:
Train in the Distance
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music
34:22
14Rene and Georgette Magritte With Their Dog After the War
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar]:
Anthony Jackson (US bassist)
electric guitar:
Paul Simon (of Simon & Garfunkel)
piano:
Rob Sabino
Rhodes piano and synthesizer:
Richard Tee
synclavier:
Wells Christie
background vocals:
The Harptones
vocals arranger:
The Harptones
mixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Rene and Georgette Magritte With Their Dog After the War
orchestrator:
Georges Delerue
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher)
33:44
15Diamonds on the Soles of Her Shoes
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
alto saxophone:
Alex Foster (Saxophonist)
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
guitar:
Chikapa “Ray” Phiri and Paul Simon (of Simon & Garfunkel)
percussion:
Assane Thiam (tama player), Babacar Faye and Youssou N’Dour
tenor saxophone:
Leonard Pickett
trumpet:
Earl Gardner
choir vocals:
Ladysmith Black Mambazo
vocals:
Paul Simon (of Simon & Garfunkel)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986-05)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
Diamonds on the Soles of Her Shoes
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
additional writer:
Joseph Shabalala
publisher:
Paul Simon Music (in 1986)
3.65:46
16You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
4.254:40

Credits

Release

manufactured in:United States
printed in:United States
mastering:Greg Calbi (American mastering engineer)
copyrighted (©) by:Paul Simon (of Simon & Garfunkel) (in 1988)
phonographic copyright (℗) by:Paul Simon (of Simon & Garfunkel) (from 1972 until 1988)
manufactured by:WEA Manufacturing Inc.
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States