Collaboration West

~ Release by Teddy Charles, Shorty Rogers (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Variations on a Motive by Bud
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-21)
bass:
Curtis Counce (on 1953-08-21)
drums (drum set):
Shelly Manne (on 1953-08-21)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-21)
vibraphone:
Teddy Charles (on 1953-08-21)
Teddy Charles Quartet4:17
A2Wailing Dervish
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-21)
bass:
Curtis Counce (on 1953-08-21)
drums (drum set):
Shelly Manne (on 1953-08-21)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-21)
vibraphone:
Teddy Charles (on 1953-08-21)
Teddy Charles Quartet4:28
A3Further Out
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-21)
bass:
Curtis Counce (on 1953-08-21)
drums (drum set):
Shelly Manne (on 1953-08-21)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-21)
vibraphone:
Teddy Charles (on 1953-08-21)
Teddy Charles Quartet5:40
B1Etudiez Le Cahier
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-21)
bass:
Curtis Counce (on 1953-08-21)
drums (drum set):
Shelly Manne (on 1953-08-21)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-21)
vibraphone:
Teddy Charles (on 1953-08-21)
Teddy Charles Quartet3:45
B2Margo
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-31)
bass:
Curtis Counce (on 1953-08-31)
drums (drum set):
Shelly Manne (on 1953-08-31)
piano:
Teddy Charles (on 1953-08-31)
saxophone:
Jimmy Giuffre (on 1953-08-31)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-31)
Teddy Charles Quintet4:49
B3Bobalob I, Bobalob II
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-08-31)
bass:
Curtis Counce (on 1953-08-31)
drums (drum set):
Shelly Manne (on 1953-08-31)
piano:
Teddy Charles (on 1953-08-31)
saxophone:
Jimmy Giuffre (on 1953-08-31)
trumpet:
Shorty Rogers (trumpet) (on 1953-08-31)
Teddy Charles Quintet6:56

Credits

Release

liner notes:Ira Gitler
Hall Overton