Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Water Music
▶ CD 2: Music for the Royal Fireworks; Sinfonias
▶ CD 3: Concerti grossi Op. 3
▶ CD 4: Concerti grossi Op. 6 Nos. 1-4
▶ CD 5: Concerti grossi Op. 6 Nos. 5-8
▶ CD 6: Concerti grossi Op. 6 Nos. 9-12
▶ CD 7: Concerti a due cori
▶ CD 8: Organ Concertos I
▶ CD 9: Organ Concertos II; Harp Concerto
▶ CD 10: Organ Concertos III
▶ CD 11: Organ Concertos IV
▶ CD 12: Organ Concertos V
▶ CD 13: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
▶ CD 14: Flute Sonatas
▶ CD 15: Violin and Oboe Sonatas
▶ CD 16: Trio Sonatas I - Op. 2
▶ CD 17: Trio Sonatas II - Op. 5
▶ CD 18: Trio Sonatas III
▶ CD 19: Recorder Sonatas
▶ CD 20: Suites de pièces pour le clavecin I
▶ CD 21: Suites de pièces pour le clavecin II
▶ CD 22: Suites de pièces pour le clavecin III
▶ CD 23: Suites de pièces pour le clavecin IV
▶ CD 24: Harpsichord Music I
▶ CD 25: Harpsichord Music II
▶ CD 26: Harpsichord Music III
▶ CD 27: Harpsichord Music IV
▶ CD 28: Romantic Organ Transcriptions
▶ CD 29: Nine German Arias
▶ CD 30: Cantatas for soprano solo I
▶ CD 31: Cantatas for soprano solo II
▶ CD 32: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
▶ CD 33: Cantatas for soprano solo IV
▶ CD 34: Cantatas for soprano solo V
▶ CD 35: Italian Duets
▶ CD 36: The Alchemist; Apollo e Dafne
▶ CD 37: Aci, Galatea e Polifemo (beginning)
▶ CD 38: Aci, Galatea e Polifemo (conclusion)
▶ CD 39: Alexander's Feast (beginning)
▶ CD 40: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
▶ CD 41: Coronation Anthems
▶ CD 42: Dettingen Te Deum
▶ CD 43: Friedensode; Utrechter Te Deum
▶ CD 44: Ode for St. Cecilia's Day
▶ CD 45: Messiah (beginning)
▼ CD 46: Messiah (conclusion)
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1Handel: Messiah: 24. Part 2: Surely He hath borne our grieves
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:42
2Handel: Messiah: 25. Part 2: And with His stripes we are healed
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:47
3Handel: Messiah: 26. Part 2: All we like sheep
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:43
4Handel: Messiah: 27. Part 2: All they that see Him
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:40
5Handel: Messiah: 28. Part 2: He trusted in God
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:18
6Handel: Messiah: 29. Part 2: Thy rebuke hath broken His heart
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:48
7Handel: Messiah: 30. Part 2: Behold, and see if there be any sorrow
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
1:21
8Handel: Messiah: 31. Part 2: He was cut off out of the land
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:17
9Handel: Messiah: 32. Part 2: But thou didst not leave
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:20
10Handel: Messiah: 33. Part 2: Lift up your heads
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:58
11Handel: Messiah: 34. Part 2: Unto which of the angels
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:18
12Handel: Messiah: 35. Part 2: Let all the angels of God worship Him
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:27
13Handel: Messiah: 36. Part 2: Thou art gone up on high
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:11
14Handel: Messiah: 37. Part 2: The Lord gave the word
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:04
15Handel: Messiah: 38. Part 2: How beautiful are the feet
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
2:02
16Handel: Messiah: 39. Part 2: Their sound is gone out
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
1:29
17Handel: Messiah: 40. Part 2: Why do the nations?
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:25
18Handel: Messiah: 41. Part 2: Let us break their bonds asunder
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:43
19Handel: Messiah: 42. Part 2: He that dwelleth in heaven
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:11
20Handel: Messiah: 43. Part 2: Thou shalt break them
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
1:58
21Handel: Messiah: 44. Part 2: Hallelujah!
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:35
22Handel: Messiah: 45. Part 3: I know that my Redeemer liveth
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
5:47
23Handel: Messiah: 46. Part 3: Since by man came death
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
2:02
24Handel: Messiah: 47. Part 3: Behold, I tell you a mystery
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I Tell you a Mystery” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
0:34
25Handel: Messiah: 48. Part 3: The trumpet shall sound
instruments:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
8:30
26Handel: Messiah: 49. Part 3: Then shall be brought to pass
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
0:16
27Handel: Messiah: 50. Part 3: O death, where is thy sting?
alto vocals:
Hilary Summers (contralto) (in 1994)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
1:02
28Handel: Messiah: 51. Part 3: But thanks be to God
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
2:02
29Handel: Messiah: 52. Part 3: If God be for us
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
5:06
30Handel: Messiah: 53. Part 3: Worthy is the Lamb - Amen
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
6:49
▶ CD 47: La Resurrezione (beginning)
▶ CD 48: La Resurrezione (conclusion)
▶ CD 49: Jephtha (beginning)
▶ CD 50: Jephtha (continuation)
▶ CD 51: Jephtha (conclusion)
▶ CD 52: Israel in Egypt (beginning)
▶ CD 53: Israel in Egypt (conclusion)
▶ CD 54: Judas Maccabaeus (beginning)
▶ CD 55: Judas Maccabaeus (conclusion)
▶ CD 56: Samson (beginning)
▶ CD 57: Samson (conclusion)
▶ CD 58: Theodora (beginning)
▶ CD 59: Theodora (conclusion)
▶ CD 60: Saul (beginning)
▶ CD 61: Saul (conclusion)
▶ CD 62: Solomon (beginning)
▶ CD 63: Solomon (conclusion)
▶ CD 64: Semele (beginning)
▶ CD 65: Semele (conclusion)