Buddy Holly & That’ll Be The Day

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1I’m Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:15
2Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
4.52:30
3Look at Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
percussion [cardboard box]:
Jerry Allison (on 1957-12-19)
piano:
Vi Petty (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
recording of:
Look at Me (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
52:05
4Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
42:23
5Valley of Tears
producer:
Norman Petty
bass:
Joe B. Mauldin
drums (drum set):
Jerry Allison
guitar:
Buddy Holly (1950s rock & roll singer-songwriter)
organ:
Norman Petty
piano:
Vi Petty
vocals:
Buddy Holly (1950s rock & roll singer-songwriter)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Valley of Tears
lyricist and composer:
Antoine Dominique Domino and Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter (publisher) and Travis Music Co.
42:09
6Ready Teddy
recording of:
Ready Teddy
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:33
7Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:11
8Mailman, Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:13
9Words of Love
recording of:
Words of Love (Buddy Holly song)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
1:57
10Baby I Don’t Care
recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
1:37
11Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer-songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
recording of:
Rave On (on 1958-01-25)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.251:50
12Little Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
piano:
C. W. Kendall (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-12-19)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Little Baby (from 1957-05 until 1957-07)
writer:
Buddy Holly (1950s rock & roll singer-songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:54
13You Are My One Desire
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly)
guitar:
Grady Martin (country/rockabilly guitarist)
piano:
Floyd Cramer
tenor saxophone:
Dutch McMillin (saxophonist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
You Are My One Desire
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. and Valley Music Ltd (publisher)
2:24
14Blue Days – Black Nights
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-01-26)
recording of:
Blue Days, Black Nights (on 1956-01-26)
lyricist and composer:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
42:05
15Modern Don Juan
recording of:
Modern Don Juan
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Cedarwood Music and Universal Cedarwood Publishing
2:38
16Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-07-22)
recording of:
Rock Around With Ollie Vee (on 1956-07-22)
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
52:13
17Ting‐a‐ling
recording of:
Ting-a-Ling
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
writer:
Nugetre (US American Songwriter, producer)
publisher:
Carlin Music Corp., Cedarwood Music and Unichappell Music, Inc.
2:42
18Girl on My Mind
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-07-22)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (on 1956-07-22)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
52:20
19That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
22:29
20Love Me
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
2:07
21I’m Changing All Those Changes
recording of:
I'm Changing All These Changes
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
2:14
22Don’t Come Back Knockin’
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-01-26)
recording of:
Don't Come Back Knockin' (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:13
23Midnight Shift
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar:
Sonny Curtis (on 1956-01-26), Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-01-26) and Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (on 1956-01-26)
writer:
Jimmie Ainsworth and Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) and Sony Tree Publishing Co., Inc.
42:11
24Rock Around With Ollie Vee (alternative version)
recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:16