| # | Title | Artist | Rating | Length |
|---|
| 1 | Go Your Own Way | Fleetwood Mac | 4.35 | 3:38 |
| 2 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4.25 | 3:57 |
| 3 | Listen to the Music (edit) | The Doobie Brothers | | 3:48 |
| 4 | Tiger Feet | Mud | 5 | 3:50 |
| 5 | We Are Family (single edit) | Sister Sledge | | 3:21 |
| 6 | Disco Inferno (single edit) | The Trammps | | 3:12 |
| 7 | Jealous Mind | Alvin Stardust | 5 | 2:42 |
| 8 | Chuck E’s in Love- additional engineer:
- Tom Knox and Roger Nichols
- engineer:
- Loyd Clifft and Lee Herschberg
- producer:
- Russ Titelman and Lenny Waronker
- mixer:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979)
- recorded at:
- The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Chuck E.’s in Love
- lyricist and composer:
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.65 | 3:30 |
| 9 | Crazy Love (1999 remaster)- executive producer:
- Lewis Merenstein
- producer:
- Van Morrison
- mixer:
- Elliot Scheiner (in 1969-12)
- background vocals:
- Judy Clay (in 1969), Emily Houston (in 1969) and Jackie Verdell (in 1969)
- lead vocals:
- Van Morrison (in 1969)
- phonographic copyright (℗) by:
- Warner Bros. Records (in 1970)
- produced for:
- Inherit Productions
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1969)
- mixed at:
- A & R Recording in Manhattan, New York, New York, United States (in 1969-12)
- recording of:
- Crazy Love (in 1969)
- lyricist and composer:
- Van Morrison
- publisher:
- Van-Jan Music, Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music Ltd. , Warner/Chappell North America, Caledonia Soul Music (in 1970) and WB Music Corp. (in 1970)
| Van Morrison | 3.6 | 2:37 |
| 10 | Guitar Man | Bread | 4 | 3:46 |
| 11 | Willin’ | Little Feat | | 2:55 |
| 12 | I Saw the Light | Todd Rundgren | 5 | 3:03 |
| 13 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke , Tony Hicks and Terry Sylvester
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1973) and The Hollies Ltd. (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- recording of:
- The Air That I Breathe
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 4.65 | 4:04 |
| 14 | She’s Gone (single version) | Daryl Hall & John Oates | 4.5 | 3:24 |
| 15 | Cat’s in the Cradle | Harry Chapin | 4 | 3:43 |
| 16 | The Man With the Child in His Eyes- engineer:
- Jon Kelly
- executive producer:
- David Gilmour
- producer:
- Andrew Powell
- piano, background vocals and lead vocals:
- Kate Bush (in 1975-06)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- recording of:
- The Man With the Child in His Eyes (in 1975-06)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush
- arranger:
- Stefan Lievestro
- premiered at:
- Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
- publisher:
- Castle , Ed. Itaipu, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.4 | 2:39 |
| 17 | Never Let Her Slip Away | Andrew Gold | 5 | 3:28 |
| 18 | Undercover Angel | Alan O’Day | | 3:31 |
| 19 | You Are My Love (2012 collection remaster) | Liverpool Express | | 3:15 |
| 20 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:38 |
| 21 | Dance With Me | Orleans | 5 | 3:00 |
| 22 | Softly Whispering I Love You | The Congregation | 2 | 3:02 |
| 23 | If You Could Read My Mind | Gordon Lightfoot | 5 | 3:49 |
| 24 | A Message to You Rudy | The Specials feat. Rico | 4 | 2:54 |
| 25 | Cold as Ice- associate engineer:
- Jimmy Douglass , Michael Getlin, Kevin Herron and Randy Mason
- engineer:
- Gary Lyons
- co-producer:
- Mick Jones and Ian McDonald
- producer:
- Gary Lyons and John Sinclair
- mixer:
- Jimmy Douglass , Mick Jones and Ian McDonald
- bass guitar:
- Ed Gagliardi
- drums (drum set):
- Dennis Elliott
- guitar:
- Mick Jones and Ian McDonald
- horn:
- Ian McDonald
- keyboard:
- Al Greenwood and Ian McDonald
- synthesizer:
- Al Greenwood
- background vocals:
- Ed Gagliardi , Mick Jones , Ian Lloyd and Ian McDonald
- lead vocals:
- Lou Gramm
- vocals:
- Ed Gagliardi , Mick Jones and Ian McDonald
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1977) and Rhino Entertainment Company (in 2009)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Somerset Songs Publishing Inc., Warner/Chappell Music Japan, Synch division, WB Music Corp. , Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 3.9 | 3:20 |
| 26 | Baker Street (edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
| Gerry Rafferty | 4 | 4:08 |
| 27 | Magic | Pilot | 4.75 | 3:06 |
| 28 | December, 1963 (Oh What a Night!) | Frankie Vallie & The Four Seasons | | 3:32 |
| 29 | Every 1’s a Winner | Hot Chocolate | 4.35 | 4:04 |
| 30 | Everybody Dance (edit version) | Chic | | 3:58 |
| 31 | That’s the Way (I Like It) (edit) | KC and the Sunshine Band | 4.4 | 3:04 |
| 32 | Spacer | Sheila | | 3:47 |
| 33 | Street Player | Chicago | | 4:22 |
| 34 | I’m Every Woman | Chaka Khan | 3.5 | 4:05 |
| 35 | Wear It Out (edit) | Stargard | | 3:40 |
| 36 | The Rubberband Man (single version) | The Spinners | 4.65 | 3:33 |
| 37 | Then Came You | Dionne Warwick & The Spinners | 4.5 | 4:01 |
| 38 | Wishing on a Star (edit) | Rose Royce | 4 | 3:57 |
| 39 | Ghetto Child | The Spinners | 5 | 3:47 |
| 40 | Supernatural Thing | Ben E. King | 4 | 3:24 |
| 41 | The Mexican (edit) | Babe Ruth | | 3:27 |
| 42 | I’m Gonna Run Away From You | Tami Lynn | | 2:49 |
| 43 | Dancing in the City | Marshall Hain | | 3:47 |
| 44 | Midnight at the Oasis | Maria Muldaur | 4 | 3:50 |
| 45 | Breezin’- recording engineer:
- Al Schmitt (from 1976-01-06 until 1976-01-08)
- assistant engineer:
- Don Henderson
- assistant producer:
- Noel Newbolt
- producer:
- Tommy LiPuma
- mixer:
- Al Schmitt
- bass guitar and guitar [rhythm guitar]:
- Phil Upchurch (from 1976-01-06 until 1976-01-08)
- clavinet and piano:
- Jorge Dalto (from 1976-01-06 until 1976-01-08)
- drums (drum set):
- Harvey Mason (from 1976-01-06 until 1976-01-08)
- guitar [lead guitar]:
- George Benson (from 1976-01-06 until 1976-01-08)
- Minimoog [mini-moog] and electric piano:
- Ronnie Foster (from 1976-01-06 until 1976-01-08)
- percussion:
- Ralph MacDonald (from 1976-01-06 until 1976-01-08)
- conductor:
- Claus Ogerman (from 1976-01-06 until 1976-01-08)
- orchestrator:
- Claus Ogerman
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1976)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Breezin’ (from 1976-01-06 until 1976-01-08)
- composer:
- Bobby Womack
- publisher:
- Unart Music Corp. (ended), ABKCO Music, Inc. , EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス and 日本アブコ音楽出版
| George Benson | | 5:42 |
| 46 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax, Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 47 | Can the Can | Suzi Quatro | 4.35 | 3:34 |
| 48 | Just What I Needed | The Cars | 4.35 | 3:46 |
| 49 | Can’t Get Enough (single version) | Bad Company | | 3:26 |
| 50 | Life’s Been Good | Joe Walsh | 4 | 4:39 |
| 51 | Cindy Incidentally | Faces | 4 | 2:39 |
| 52 | Tush | ZZ Top | 4.5 | 2:17 |
| 53 | Wishing Well | Blackfoot | | 3:13 |
| 54 | I Hear You Knocking | Dave Edmunds | 4.35 | 2:48 |
| 55 | Doctor Doctor (edit) | UFO | 4 | 2:45 |
| 56 | Milk and Alcohol | Dr. Feelgood | 4.65 | 2:49 |
| 57 | Elected (single version) | Alice Cooper | 4.35 | 3:43 |
| 58 | No More Heroes (radio edit) | The Stranglers | 5 | 2:56 |
| 59 | Whole Lotta Love | C.C.S. | 5 | 3:33 |
| 60 | Venus | Television | 5 | 3:49 |
| 61 | Ships in the Night | Be Bop Deluxe | 5 | 4:03 |
| 62 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ and keyboard:
- Jon Lord (in 1970-05)
- vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.35 | 3:27 |
| 63 | Bang Bang (2012 remaster) | BA Robertson | | 3:21 |
| 64 | Brass in Pocket | Pretenders | 4.25 | 3:04 |
| 65 | Werewolves of London | Warren Zevon | 4.9 | 3:28 |
| 66 | Journey | Duncan Browne | 5 | 3:16 |
| 67 | Jesus Was a Cross Maker | Judee Sill | | 3:27 |
| 68 | Wonderous Stories- assistant engineer:
- David Richards
- engineer:
- John Timperley
- executive producer:
- Brian Lane
- producer:
- Yes
- bass guitar:
- Chris Squire (from 1976 until 1977)
- drums (drum set) and percussion:
- Alan White (from 1976 until 1977)
- Moog [Polymoog]:
- Rick Wakeman (from 1976 until 1977)
- Portuguese guitar [Vachalia] and electric guitar:
- Steve Howe (from 1976 until 1977)
- background vocals:
- Steve Howe (from 1976 until 1977) and Chris Squire (from 1976 until 1977)
- lead vocals:
- Jon Anderson (from 1976 until 1977)
- arranger:
- Yes
- phonographic copyright (℗) by:
- Atlantic (in 1977), Atlantic Recording Corporation (in 1977) and WEA International Inc. (in 1977)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1976 until 1977)
- partial recording of:
- Wonderous Stories (from 1976 until 1977)
- lyricist and composer:
- Jon Anderson
- publisher:
- Rondor Music (London) Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music Ltd. , Warner Chappell Music, Inc., Warner/Chappell North America Limited and Topographic Music, Ltd. (in 1977)
| Yes | 4.35 | 3:49 |
| 69 | Mr Radio (7″ single version) | Electric Light Orchestra | | 3:54 |
| 70 | The Prince | Madness | | 2:30 |
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