Pelléas et Mélisande

~ Release by Claude Debussy; Maria Ewing, François Le Roux, José van Dam, Jean-Philippe Courtis, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Actes I - III (Sc. 2)
▼ CD 2: Actes III (Sc. 3) - V
#TitleArtistRatingLength
1Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude / «Ah! Je respire enfin!»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
Claude Debussy4:15
2Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy1:07
3Pelléas et Mélisande: Troisième Acte, Scène 4. «Viens, nous allons nous asseoir ici, Yniold»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy5:13
4Pelléas et Mélisande: Troisième Acte, Scène 4. «Qu'ils s'embrassent, petit père?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy4:21
5Pelléas et Mélisande: Quatrième Acte, Scène 1. «Où vas-tu?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
Claude Debussy2:49
6Pelléas et Mélisande: Quatrième Acte, Scène 2. «Maintenant que le père de Pelléas est sauvé»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy5:47
7Pelléas et Mélisande: Quatrième Acte, Scène 2. «Pelléas part ce soir»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy2:54
8Pelléas et Mélisande: Quatrième Acte, Scène 2. «Ne mettez pas ainsi votre main à la gorge»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:25
9Pelléas et Mélisande: Quatrième Acte, Scène 2. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:55
10Pelléas et Mélisande: Quatrième Acte, Scène 2. «Oh! Cette pierre est lourde»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Un berger]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy4:04
11Pelléas et Mélisande: Quatrième Acte, Scène 4. «C'est le dernier soir»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:25
12Pelléas et Mélisande: Quatrième Acte, Scène 4. «Nous sommes venus ici il y a bien longtemps»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy1:46
13Pelléas et Mélisande: Quatrième Acte, Scène 4. «On dirait que ta voix a passé sur la mer au printemps»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:48
14Pelléas et Mélisande: Quatrième Acte, Scène 4. «Quel est ce bruit?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:07
15Pelléas et Mélisande: Cinquième Acte,. «Ce n'est pas de cette petite blessure qu'elle peut mourir»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:54
16Pelléas et Mélisande: Cinquième Acte,. «Attention; je crois qu'elle s'éveille»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy5:18
17Pelléas et Mélisande: Cinquième Acte,. «Mélisande, as-tu pitié de moi comme j'ai pitié de toi?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93
Claude Debussy2:40
18Pelléas et Mélisande: Cinquième Acte,. «Non, non, nous n'avons pas été coupables»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy1:55
19Pelléas et Mélisande: Cinquième Acte,. «Qu'avez-vous fait?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:34
20Pelléas et Mélisande: Cinquième Acte,. «Qu'y a-t-il?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:24
21Pelléas et Mélisande: Cinquième Acte,. «Attention... attention. Il faut parler à voix basse, maintenant»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy6:42