The Best of Tchaikovsky

~ Release by Пётр Ильич Чайковский (see all versions of this release, 2 available)

Annotation

This is also distributed as disc 5 in the Best of the Classics box set:
Label: Mediaphon Distributor: Madacy Entertainment Group, Inc. - Cat#: BC-2-4435 UPC: 056775 443520

Annotation last modified on 2006-12-02 06:29 UTC.

Tracklist

▼ Medium 1
#TitleRatingLength
11812 Festival Overture, op. 49
orchestra:
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra and Slovak National Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
performer:
Slovak Philharmonic (an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
15:35
2Piano Concerto No. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
20:15
3The Sleeping Beauty Ballet Suite, op. 66: I. Introduction. The Lilac Fairy
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz (musical fraudster), Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty)
3:29
4The Sleeping Beauty Ballet Suite, op. 66: II. Pas d'action
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz (musical fraudster), Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
5:28
5The Sleeping Beauty Ballet Suite, op. 66: III. Panorama
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz (musical fraudster), Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
2:35
6The Sleeping Beauty Ballet Suite, op. 66: IV. Waltz
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz (musical fraudster), Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
4:25
7The Sleeping Beauty Ballet Suite, op. 66: V. Finale
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz (musical fraudster), Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
2:04
8Romeo and Juliet: I. Fantasy - Overture
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz (musical fraudster), Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
18:07