20th Century Hits for a New Millennium: 40 Hits of 1965–1969

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Venus
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd. and The International Music Network
is based on:
The Banjo Song
Shocking Blue4.353:03
2In the Year 2525
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans
publisher:
Chelsea Music Publishing and Zerlad Music Enterprises Ltd.
Zager & Evans3.753:17
3Judy in Disguise
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band42:57
4Something Is Happening
recording of:
Something's Happening
composer:
Paolo Bigazzi, Riccardo Del Turco and Jack Fishman
Herman’s Hermits3:11
5Where Do You Go to My Lovely
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
Peter Sarstedt4:43
6Ode to Billy Joe
Billie Jo Spears4:16
7If I Only Had Time
recording of:
If I Only Had Time
lyricist:
Pierre Delanoë
composer:
Jack Fishman and Michel Fugain
translated version of:
Je n’aurai pas le temps
John Rowles2:47
8Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:43
9Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo and Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations42:59
10Ain’t Got No – I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1968-05-13)
phonographic copyright (℗) by:
BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Nina Simone42:17
11Monday Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.23:21
12A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:04
13Ma belle amie
recording of:
Ma belle amie
writer:
Hans van Eijck and Peter Tetteroo (Dutch singer and composer)
Tee-Set3:18
14The Israelites
producer:
Leslie Kong
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc. and Sparta Music (publisher) (in 1978)
Desmond Dekker42:30
15Happy Together
performer:
The Turtles (late 60s US rock band)
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.652:56
16I Can Hear Music
engineer:
Stephen W. Desper
producer:
Carl Wilson (Beach Boys)
lead vocals:
Carl Wilson (Beach Boys)
cover recording of:
I Can Hear Music
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, フジパシフィックミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Beach Boys3.652:40
17The Letter
producer:
Dan Penn
phonographic copyright (℗) by:
Arista Records (not an imprint, use "Arista" for release labels) (in 1967)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Lovolar Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
The Box Tops4.351:53
18Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.653:00
19On the Road Again
engineer:
Dino (US Music engineer) and Lanky (US recording engineer)
producer:
Calvin Carter and Dallas Smith (producer)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968), Liberty (a division of UMG Recordings, Inc.) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1967-09-06)
recording of:
On the Road Again (on 1967-09-06)
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Music (do not use as release label! this is a music publisher), EMI Unart Catalog Inc., EMI United Partnership Ltd., Lawn Music, Metric Music Co (publisher), SBK United Partnership Ltd. and United Partnership Ltd.
Canned Heat3.655:02
20Hush
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (on 1968-05-11)
electric bass guitar:
Nick Simper (on 1968-05-11)
electric guitar:
Ritchie Blackmore (on 1968-05-11)
Hammond organ and background vocals:
Jon Lord (on 1968-05-11)
vocals:
Rod Evans (on 1968-05-11)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1968)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (on 1968-05-11)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher) and Lowery-Chappell Music
Deep Purple44:21

Credits

Release Group

part of:20th Century Hits for a New Millennium (number: 4) (order: 4)