The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 61-71) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 2: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 3: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 4: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 5: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 6: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶ CD 7: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶ CD 8: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 9: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 10: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▼ CD 11: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)
#TitleArtistRatingLength
1Il Trovatore, Act III Scene 1: Or co' dadi, ma fra poco
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:26
2Il Trovatore, Act III Scene 1: In braccio al mio rival!
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:11
3Il Trovatore, Act III Scene 1: Giorni poveri vivea
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:08
4Il Trovatore, Act III Scene 1: Deh! rallentate, o barbari
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
5Il Trovatore, Act III Scene 1: Quale d'armi fragor
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:01
6Il Trovatore, Act III Scene 1: Ah sì, ben mio, coll'essere io tuo
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:53
7Il Trovatore, Act III Scene 1: L'onda de' suoni mistici pura discenda al cor!
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:28
8Il Trovatore, Act III Scene 1: Di quella pira, l'orrendo foco
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:17
9Il Trovatore, Act IV Scene 1: Siam giunti; ecco la torre
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
10Il Trovatore, Act IV Scene 1: D'amor sull'ali rosee
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:06
11Il Trovatore, Act IV Scene 1: Misere... Quel suon, quelle preci
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
12Il Trovatore, Act IV Scene 1: Di te, di te scordarmi di te
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:37
13Il Trovatore, Act IV Scene 1: Udiste?
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:47
14Il Trovatore, Act IV Scene 1: Mira, d'acerbe lagrime
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:19
15Il Trovatore, Act IV Scene 1: Conte!... Né basti!
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:13
16Il Trovatore, Act IV Scene 1: Colui vivrà... Vivrà! contende il giubilo
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:22
17Il Trovatore, Act IV Scene 2: Madre, non dormi?
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:31
18Il Trovatore, Act IV Scene 2: Sì, la stanchezza m'opprime
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:20
19Il Trovatore, Act IV Scene 2: Ai nostri monti ritorneremo
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:02
20Il Trovatore, Act IV Scene 2: Che! Non m'inganna
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:08
21Il Trovatore, Act IV Scene 2: Parlar non vuoi?... Ha quest'infame l'amor venduto
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:00
22Il Trovatore, Act IV Scene 2: Ti scosta!
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:06
23Il Trovatore, Act IV Scene 2: Prima che d'altri vivere
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Conte]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:29

Credits

Release Group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)