Klara Off Beat: A Jef Neve Jazz Compilation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Sermonette
alto saxophone:
Gene Quill (on 1956-09-14)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1956-09-14)
bass:
Charles Mingus (on 1956-09-14)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-09-14)
piano:
Hank Jones (piano) (on 1956-09-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1956-09-14)
trombone:
Jimmy Cleveland (on 1956-09-14)
trumpet:
Art Farmer (on 1956-09-14)
vibraphone:
Milt Jackson (on 1956-09-14)
woodwind:
Herbie Mann (on 1956-09-14)
conductor:
Quincy Jones (on 1956-09-14)
arranger:
Quincy Jones
recorded at:
Beltone Studios in New York, New York, United States (on 1956-09-14)
Quincy Jones5:58
2Oh, What a Beautiful Morning
cover recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Ray Charles & The Count Basie Orchestra4:36
3These Are the Days
alto saxophone:
Alan Barnes (English jazz musician)
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz-pop artist)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2004)
recording of:
These Are the Days
lyricist and composer:
Ben Cullum
publisher:
Ben Cullum Music Ltd. and EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.53:23
4Organ Grinder's Swing
drums (drum set):
Grady Tate (on 1965-06-14)
guitar:
Kenny Burrell (on 1965-06-14)
organ:
Jimmy Smith (US jazz organist) (on 1965-06-14)
instrumental recording of:
Organ Grinder’s Swing (on 1965-06-14)
lyricist:
Irving Mills and Mitchell Parish
composer:
Will Hudson
publisher:
EMI Mills Music Inc. (ASCAP-affiliated)
Jimmy Smith2:16
5Frim Fram Sauce
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
double bass:
Paul Keller (bass)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1995-10-03 until 1995-10-08)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Diana Krall5:03
6The Lonely SwanThe Branford Marsalis Quartet9:07
7Beyond the MirageJohn McLaughlin, Al Di Meola & Paco de Lucía6:12
8Rolling Car
recording engineer:
Maurizio Guermandi (from 1991-04-14 until 1991-04-15)
assistant engineer:
Nicola Negrini
producer:
François Lemaire (French producer) and Jean‐Jacques Pussiau
bass:
Furio Di Castri (from 1991-04-14 until 1991-04-15)
brass [trumpet, flugelhorn, pocket trumpet]:
Paolo Fresu (from 1991-04-14 until 1991-04-15)
recorded at:
Ritram Studio in Bologna, Bologna, Emilia-Romagna, Italy (from 1991-04-14 until 1991-04-15)
recording of:
Rolling Car (from 1991-04-14 until 1991-04-15)
composer:
Paolo Fresu
Paolo Fresu & Furio Di Castri2:38
9Better Get Hit in Yo' Soul
recorded in:
New York, New York, United States (on 1963-01-20)
recording engineer:
Bob Simpson (US jazz engineer/producer) (from 1963-09-20 to present)
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Eric Dolphy
alto saxophone and flute:
Eric Dolphy (on 1963-01-20)
baritone saxophone and soprano saxophone:
Jerome Richardson (on 1963-01-20)
clarinet and oboe:
Dick Hafer (on 1963-01-20)
double bass:
Charles Mingus (on 1963-01-20)
double bass [bass]:
Charles Mingus
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-01-20)
flute:
Eric Dolphy, Dick Hafer (on 1963-01-20) and Jerome Richardson (on 1963-01-20)
guitar:
Jay Berliner (on 1963-01-20)
piano:
Charles Mingus and Jaki Byard (on 1963-01-20)
tenor saxophone:
Booker Ervin (on 1963-01-20) and Dick Hafer (on 1963-01-20)
trombone:
Britt Woodman (on 1963-01-20)
trumpet:
Eddie Preston (on 1963-01-20) and Richard Williams (jazz trumpeter) (on 1963-01-20)
tuba:
Don Butterfield (on 1963-01-20)
recording of:
Better Git It in Your Soul (on 1963-01-20)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus6:30
10Trio Blues
recording engineer:
James Farber (sound engineer) (from 2006-09 until 2007-05)
assistant engineer:
Justin Gerrish, Brian Montgomery and Anthony Ruotolo (engineer)
engineer:
Tom Camusso
mixer:
James Farber (sound engineer)
baritone saxophone:
Roger Rosenberg (from 2006-09 until 2007-05)
drums (drum set):
Bill Stewart (US jazz drummer) (from 2006-09 until 2007-05)
electric bass guitar:
Steve Swallow (from 2006-09 until 2007-05)
flugelhorn:
John Swana (from 2006-09 until 2007-05)
flute:
Lawrence Feldman (from 2006-09 until 2007-05)
trombone:
Jim Pugh (US trombonist) (from 2006-09 until 2007-05)
phonographic copyright (℗) by:
Sco Biz, Inc.
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2006-09 until 2007-05)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Trio Blues (from 2006-09 until 2007-05)
composer:
John Scofield
John Scofield4:18
11Maple Leaf Rag
assistant engineer:
Lara Persia
engineer:
Stefano Amerio (chief sound engineer/producer at Artesuono Recording Studio)
producer:
Manfred Eicher
solo piano:
Stefano Bollani (pianist) (in 2005-08)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher)
recorded at:
Auditorio Radio Svizzera in Lugano, Ticino, Switzerland (in 2005-08)
mixed at:
Artesuono Recording Studio in Tavagnacco, Udine, Friuli-Venezia Giulia, Italy
cover recording of:
Maple Leaf Rag (piano rag) (in 2005-08)
composer:
Scott Joplin (composer and pianist) (in 1899)
Stefano Bollani2:35
12Mood Indigo
recording engineer:
Rudy van Gelder (on 1962-08-18)
engineer:
Rudy van Gelder
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone and bass clarinet:
Harry Carney (on 1962-08-18)
bass and double bass:
Aaron Bell (jazz double bassist) (on 1962-08-18)
cornet and violin:
Ray Nance (on 1962-08-18)
drums (drum set) and membranophone:
Sam Woodyard (on 1962-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-08-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington and His Cotton Club Orchestra5:58
CD 2