Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 11 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

▶ CD 1: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
▶ CD 2: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
▶ CD 3: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
▶ CD 4: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
▶ CD 5: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
▼ CD 6: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Part I. 30. Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:46
2Matthäus-Passion, BWV 244: Part I. 31. Chorale: “Was mein Gott will, das g'scheh allzeit”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
3Matthäus-Passion, BWV 244: Part I. 32. Recitative: “Und er kam und fand sie aber schlafend” (Evangelist, Jesus, Judas)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:07
4Matthäus-Passion, BWV 244: Part I. 33. Duet with Chorus: “So ist mein Jesus nun gefangen” (soprano, alto) / Chorus: “Sind Blitze, sind Donner in Wolken verschwunden?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:01
5Matthäus-Passion, BWV 244: Part I. 34. Recitative: “Und siehe, einer aus denen, die mit Jesu waren” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:20
6Matthäus-Passion, BWV 244: Part I. 35. Chorale: “O Mensch, bewein dein Sünde groß”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:50
7Matthäus-Passion, BWV 244: Part II. 36. Aria with Chorus: “Ach, nun ist mein Jesus hin!” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals and contralto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:00
8Matthäus-Passion, BWV 244: Part II. 37. Recitative: “Die aber Jesum gegriffen hatten” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
9Matthäus-Passion, BWV 244: Part II. 38. Chorale: “Mir hat die Welt trüglich gericht'”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08) and Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1958-06 until 1958-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
10Matthäus-Passion, BWV 244: Part II. 39. Recitative: “Und wiewohl viel falsche Zeugen herzutraten” (Evangelist, 2 Witnesses, High Priest)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals and bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:28
11Matthäus-Passion, BWV 244: Part II. 40. Recitative: “Mein Jesus schweight zu falschen Lügen stille” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
12Matthäus-Passion, BWV 244: Part II. 41. Aria: “Geduld! Wenn mich falsche Zungen stechen” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:45
13Matthäus-Passion, BWV 244: Part II. 42. Recitative: “Und der Hohepriester antwortete” (Evangelist, High Priest, Jesus) / Chorus: “Er ist des Todes schuldig”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:48
14Matthäus-Passion, BWV 244: Part II. 43. Recitative: “Da speieten sie aus” (Evangelist) / Chorus: “Weissage uns, Christe”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:42
15Matthäus-Passion, BWV 244: Part II. 44. Chorale: “Wer hat dich so geschlagen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:00
16Matthäus-Passion, BWV 244: Part II. 45. Recitative: “Petrus aber saß draußen” (Evangelist, 1st Maid, 2nd Maid, Peter)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
soprano vocals [1st Maid]:
Antonia Fahberg (soprano) (from 1958-06 until 1958-08)
soprano vocals [2nd Maid]:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:58
17Matthäus-Passion, BWV 244: Part II. 46. Chorus: “Wahrlich, du bist auch einer von denen” / Recitative: “Da hub er an, sich zu verfluchen” (Evangelist, Peter)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:40
18Matthäus-Passion, BWV 244: Part II. 47. Aria: “Erbarme dich, mein Gott” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1958-06 until 1958-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:46
19Matthäus-Passion, BWV 244: Part II. 48. Chorale: “Bin ich gleich von dir gewichen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1958-06 until 1958-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
20Matthäus-Passion, BWV 244: Part II. 49. Recitative: “Des Morgens aber hielten alle Hohenpriester” (Evangelist, Judas) / Chorus: “Was gehet uns das an?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:12
21Matthäus-Passion, BWV 244: Part II. 50. Recitative: “Und er warf die Silberlinge in den Tempel” (Evangelist, High Priest)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:49
22Matthäus-Passion, BWV 244: Part II. 51. Aria: “Gebt mir meinen Jesum wieder” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:11
23Matthäus-Passion, BWV 244: Part II. 52. Recitative: “Sie hielten aber einen Rat” (Evangelist, Pilate, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
24Matthäus-Passion, BWV 244: Part II. 53. Chorale: “Befiehl du deine Wege”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
25Matthäus-Passion, BWV 244: Part II. 54. Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Pilate, Pilate's Wife) / Chorus: “Lass ihn kreuzigen!”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Pilate's Wife]:
Antonia Fahberg (soprano) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:44
26Matthäus-Passion, BWV 244: Part II. 55. Chorale: “Wie wunderbarlich ist doch diese Strafe!”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1958-06 until 1958-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
27Matthäus-Passion, BWV 244: Part II. 56. Recitative: “Der Landpfleger sagte” (Evangelist, Pilate)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
28Matthäus-Passion, BWV 244: Part II. 57. Recitative: “Er hat uns allen wohlgetan” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
▶ CD 7: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
▶ CD 8: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
▶ CD 9: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
▶ CD 10: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
▶ CD 11: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
▶ CD 12: Bach: St. John Passion, BWV 245 (Part II cont.)
▶ CD 13: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
▶ CD 14: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
▶ CD 15: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
▶ CD 16: Karl Richter Rehearses Bach's Christmas Oratorio
▶ CD 17: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
▶ CD 18: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
▶ CD 19: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
▶ CD 20: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
▶ CD 21: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
▶ CD 22: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
▶ CD 23: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
▶ CD 24: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
▶ CD 25: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
▶ CD 26: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
▶ CD 27: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
▶ CD 28: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
▶ CD 29: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
▶ CD 30: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
▶ CD 31: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
▶ CD 32: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
▶ CD 33: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
▶ CD 34: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
▶ CD 35: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
▶ CD 36: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
▶ CD 37: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
▶ CD 38: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
▶ CD 39: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
▶ CD 40: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
▶ CD 41: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
▶ CD 42: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
▶ CD 43: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
▶ CD 44: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
▶ CD 45: Bach: 20 Sacred Songs from Schemelli's Song-Book
▶ CD 46: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
▶ CD 47: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
▶ CD 48: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
▶ CD 49: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
▶ CD 50: Bach: Harpsichord Concertos, BWV 1052-1055
▶ CD 51: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
▶ CD 52: Bach: Harpsichord Concertos, BWV 1062-1065
▶ CD 53: Bach: Musical Offering, BWV 1079
▶ CD 54: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
▶ CD 55: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
▶ CD 56: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
▶ CD 57: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
▶ CD 58: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
▶ CD 59: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
▶ CD 60: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
▶ CD 61: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
▶ CD 62: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
▶ CD 63: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
▶ CD 64: Bach: Organ Concertos nos. 1-6, BWV 592-597
▶ CD 65: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
▶ CD 66: Beethoven: Mass in C major, op. 86
▶ CD 67: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
▶ CD 68: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
▶ CD 69: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
▶ CD 70: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
▶ CD 71: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
▶ CD 72: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
▶ CD 73: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
▶ CD 74: Handel: Samson, HWV 57 (Symfony, Act I)
▶ CD 75: Handel: Samson, HWV 57 (Act II)
▶ CD 76: Handel: Samson, HWV 57 (Act III)
▶ CD 77: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
▶ CD 78: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
▶ CD 79: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
▶ CD 80: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
▶ CD 81: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
▶ CD 82: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
▶ CD 83: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
▶ CD 84: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
▶ CD 85: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
▶ CD 86: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
▶ CD 87: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
▶ CD 88: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
▶ CD 89: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
▶ CD 90: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
▶ CD 91: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
▶ CD 92: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
▶ CD 93: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
▶ CD 94: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
▶ CD 95: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
▶ CD 96: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
▶ CD 97: In dulci jubilo: 18 European Christmas Carols
▶ Blu-ray 98: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
▶ Blu-ray 99: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
▶ Blu-ray 100: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]