# | Title | Artist | Rating | Length |
---|
1 | Kaffee-Kantate, BWV 211: I. Recitativo (Erzähler): Schweigt stille, plaudert nicht- tenor vocals:
- Gerald English (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 0:39 |
2 | Kaffee-Kantate, BWV 211: II. Aria (Schlendrian): Hat man nicht mit seinen Kindern- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- vocals:
- Elly Ameling
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1964 until 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 3:14 |
3 | Kaffee-Kantate, BWV 211: III. Recitativo (Schlendrian): Du böses Kind, du loses Mädchen- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 0:44 |
4 | Kaffee-Kantate, BWV 211: IV. Aria (Lieschen): Ei, wie schmeckt der Coffee süße- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 4:45 |
5 | Kaffee-Kantate, BWV 211: V. Recitativo (Schlendrian): Wenn du mir nicht den Coffee läßt- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 1:20 |
6 | Kaffee-Kantate, BWV 211: VI. Aria (Schlendrian): Mädchen, die von harten Sinnen- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 3:30 |
7 | Kaffee-Kantate, BWV 211: VII. Recitativo (Schlendrian): Nun folge, was dein Vater spricht- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 0:55 |
8 | Kaffee-Kantate, BWV 211: VIII. Aria (Lieschen): Heute noch, heute noch- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- vocals:
- Siegmund Nimsgern
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1964 until 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- Christian Friedrich Henrici
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 6:55 |
9 | Kaffee-Kantate, BWV 211: IX. Recitativo (Erzähler): Nun geht und sucht der alte Schlendrian- tenor vocals:
- Gerald English (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 0:45 |
10 | Kaffee-Kantate, BWV 211: X. Coro: Die Katze läßt das Mausen nicht- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- tenor vocals:
- Gerald English (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach (from 1734 until 1735)
- librettist:
- [anonymous]
- premiered at:
- Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
- part of:
- Kantate, BWV 211 "Schweigt stille, plaudert nicht"
| Johann Sebastian Bach | | 5:05 |
11 | Bauern-Kantate, BWV 212: I. Sinfonia | Johann Sebastian Bach | | 2:23 |
12 | Bauern-Kantate, BWV 212: II. Duetto: Mer han en neue Oberkeet | Johann Sebastian Bach | | 0:40 |
13 | Bauern-Kantate, BWV 212: III. Recitativo (Basso): Nu, Miecke, gib dein Guschel immer her- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:54 |
14 | Bauern-Kantate, BWV 212: IV. Aria (Soprano): Ach es schmeckt doch gar zu gut | Johann Sebastian Bach | | 1:03 |
15 | Bauern-Kantate, BWV 212: V. Recitativo (Basso): Der Herr ist gut | Johann Sebastian Bach | | 0:26 |
16 | Bauern-Kantate, BWV 212: VI. Aria (Basso): Ach, Herr Schösser, geht nicht gar zu schlimm- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 1:16 |
17 | Bauern-Kantate, BWV 212: VII. Recitativo (Soprano): Es bleibt dabei, daß unser Herr der beste sei | Johann Sebastian Bach | | 0:23 |
18 | Bauern-Kantate, BWV 212: VIII. Aria (Soprano): Unser trefflicher lieber Kammerherr | Johann Sebastian Bach | | 1:53 |
19 | Bauern-Kantate, BWV 212: IX. Recitativo (Basso): Er hilft uns allen, alt und jung- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:29 |
20 | Bauern-Kantate, BWV 212: X. Aria (Soprano): Das ist galant | Johann Sebastian Bach | | 1:17 |
21 | Bauern-Kantate, BWV 212: XI. Recitativo (Basso): Und unsre gnädige Frau ist nicht ein prinkel stolz | Johann Sebastian Bach | | 0:42 |
22 | Bauern-Kantate, BWV 212: XII. Aria (Basso): Fünfzig Taler bares Geld | Johann Sebastian Bach | | 0:50 |
23 | Bauern-Kantate, BWV 212: XIII. Recitativo (Soprano): Im Ernst ein Wort! | Johann Sebastian Bach | | 0:27 |
24 | Bauern-Kantate, BWV 212: XIV. Aria (Soprano): Klein Zschocher müsse so zart und süße | Johann Sebastian Bach | | 6:21 |
25 | Bauern-Kantate, BWV 212: XV. Recitativo (Basso): Das ist zu klug vor dich | Johann Sebastian Bach | | 0:20 |
26 | Bauern-Kantate, BWV 212: XVI. Aria (Basso): Es nehme zehntausend Ducaten | Johann Sebastian Bach | | 0:41 |
27 | Bauern-Kantate, BWV 212: XVII. Recitativo (Soprano): Das klingt zu liederlich | Johann Sebastian Bach | | 0:20 |
28 | Bauern-Kantate, BWV 212: XVIII. Aria (Soprano): Gib, Schöne, viel Söhne von artger Gestalt- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 0:31 |
29 | Bauern-Kantate, BWV 212: XIX. Recitativo (Basso): Du hast wohl recht | Johann Sebastian Bach | | 0:18 |
30 | Bauern-Kantate, BWV 212: XX. Aria (Basso): Dein Wachstum sei feste und lache vor Lust | Johann Sebastian Bach | | 6:15 |
31 | Bauern-Kantate, BWV 212: XXI. Recitativo (Soprano): Und damit sei es auch genug | Johann Sebastian Bach | | 0:20 |
32 | Bauern-Kantate, BWV 212: XXII. Recitativo (Basso): Und daß ihr's alle wißt | Johann Sebastian Bach | | 0:45 |
33 | Bauern-Kantate, BWV 212: XXIII. Aria (Soprano): Mein Schatz, erraten! | Johann Sebastian Bach | | 0:31 |
34 | Bauern-Kantate, BWV 212: XXIV. Coro: Wir gehn nun, wo der Tudelsack- bass vocals:
- Siegmund Nimsgern (from 1964 until 1968)
- soprano vocals:
- Elly Ameling (from 1964 until 1968)
- orchestra:
- Collegium Aureum
- conductor:
- Franzjosef Maier
- performer:
- Collegium Aureum (from 1964 until 1968)
- recorded at:
- Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1968)
- premiered in:
- Leipzig, Sachsen, Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen, Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| Johann Sebastian Bach | | 1:16 |