Bach 333: Sacred Cantatas II

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

▶ CD 1: Cantatas 105, 46, 179, 50, 69a (1723)
▶ CD 2: Cantatas 77, 25, 119, 138 (1723)
▶ CD 3: Cantatas 95, 148, 48, 109 (1723)
▶ CD 4: Cantatas 89, 60, 90, 70, 40 (1723)
▼ CD 5: Cantatas 64, 190, 153, 65, 154 (1723-1724)
#TitleRatingLength
1Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 1. Chorus: Sehet, welch eine Liebe hat uns der Vater erzeiget
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
2:33
2Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 2. Chorale: Das hat er alles uns getan
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (on 2000-12-27)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:43
3Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 3. Recitative: Geh, Welt! behalte nur das Deine
alto vocals:
Robin Tyson (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:43
4Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 4. Chorale: Was frag ich nach der Welt
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (on 2000-12-27)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:56
5Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 5. Aria: Was die Welt in sich hält
soprano vocals:
Gillian Keith (soprano) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:36
6Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 6. Recitative: Der Himmel bleibet mir gewiss
bass vocals:
Peter Harvey (bass-baritone) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:00
7Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 7. Aria: Von der Welt verlang ich nichts
alto vocals:
Robin Tyson (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:33
8Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 8. Chorale: Gute Nacht, o Wesen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (on 2000-12-27)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:15
9Singet dem Herrn ein neues Lied, BWV 190: 1. [Chorus:] Singet dem Herrn ein neues Lied!
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
4:41
10Singet dem Herrn ein neues Lied, BWV 190: 2. Chorale [& Recitative:] Herr Gott, dich loben wir
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
countertenor vocals:
Robin Blaze (countertenor) (from 2002-02-12 until 2002-02-14)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:31
11Singet dem Herrn ein neues Lied, BWV 190: 3. Aria: Lobe, Zion, deinen Gott
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Robin Blaze (countertenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
2:53
12Singet dem Herrn ein neues Lied, BWV 190: 4. Recitative: Es wünsche sich die Welt
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:22
13Singet dem Herrn ein neues Lied, BWV 190: 5. Aria: Jesus soll mein alles sein
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
3:36
14Singet dem Herrn ein neues Lied, BWV 190: 6. Recitative: Nun, Jesus gebe
producer:
Uli Schneider (producer/engineer)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:42
15Singet dem Herrn ein neues Lied, BWV 190: 7. Chorale: Lass uns das Jahr vollbringen
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:58
16Schau, lieber Gott, wie meine Feind, BWV 153: 1. Chorale: Schau, lieber Gott, wie meine Feind
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:56
17Schau, lieber Gott, wie meine Feind, BWV 153: 2. Recitative: Mein liebster Gott, ach lass dichs doch erbarmen
producer:
Marion Schwebel
alto vocals:
Robin Blaze (countertenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:35
18Schau, lieber Gott, wie meine Feind, BWV 153: 3. Arioso: Fürchte dich nicht, ich bin mit dir
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:17
19Schau, lieber Gott, wie meine Feind, BWV 153: 4. Recitative: Du sprichst zwar, lieber Gott
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:36
20Schau, lieber Gott, wie meine Feind, BWV 153: 5. Chorale: Und ob gleich alle Teufel
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:53
21Schau, lieber Gott, wie meine Feind, BWV 153: 6. Aria: Stürmt nur, stürmt, ihr Trübsalswetter
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:44
22Schau, lieber Gott, wie meine Feind, BWV 153: 7. Recitative: Getrost! Mein Herz, erdulde deinen Schmerz
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:32
23Schau, lieber Gott, wie meine Feind, BWV 153: 8. Aria: Soll ich meinen Lebenslauf
producer:
Marion Schwebel
alto vocals:
Robin Blaze (countertenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:58
24Schau, lieber Gott, wie meine Feind, BWV 153: 9. Chorale: Drum will ich, weil ich lebe noch
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:27
25Sie werden aus Saba alle kommen, BWV 65: 1. [Chorus:] Sie werden aus Saba alle kommen
producer:
Christopher Adler (composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
4:28
26Sie werden aus Saba alle kommen, BWV 65: 2. Chorale: Die Kön’ge aus Saba kamen dar
producer:
Christopher Adler (composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:33
27Sie werden aus Saba alle kommen, BWV 65: 3. Recitative: Was dort Jesaias vorhergesehn
producer:
Christopher Adler (composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:44
28Sie werden aus Saba alle kommen, BWV 65: 4. Aria: Gold aus Ophir ist zu schlecht
producer:
Christopher Adler (composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:13
29Sie werden aus Saba alle kommen, BWV 65: 5. Recitative: Verschmähe nicht, du meiner Seelen Licht
producer:
Christopher Adler (composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:20
30Sie werden aus Saba alle kommen, BWV 65: 6. [Aria:] Nimm mich dir zu eigen hin
producer:
Christopher Adler (composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:12
31Sie werden aus Saba alle kommen, BWV 65: 7. Chorale: Ei nun, mein Gott, so fall ich dir
producer:
Christopher Adler (composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1997-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:14
32Mein liebster Jesus ist verloren, BWV 154: 1. Aria: Mein liebster Jesus ist verloren
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:26
33Mein liebster Jesus ist verloren, BWV 154: 2. Recitative: Wo treff ich meinen Jesum an
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:38
34Mein liebster Jesus ist verloren, BWV 154: 3. Chorale: Jesu, mein Hort und Erretter
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:08
35Mein liebster Jesus ist verloren, BWV 154: 4. Aria: Jesu, lass dich finden
alto vocals:
Michael Chance (British countertenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:11
36Mein liebster Jesus ist verloren, BWV 154: 5. Arioso: Wisset ihr nicht, dass ich sein muss
bass vocals:
Peter Harvey (bass-baritone) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:13
37Mein liebster Jesus ist verloren, BWV 154: 6. Recitative: Dies ist die Stimme meines Freundes
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:55
38Mein liebster Jesus ist verloren, BWV 154: 7. Aria: Wohl mir, Jesus ist gefunden
alto vocals:
Michael Chance (British countertenor) (on 2000-01-09)
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:29
39Mein liebster Jesus ist verloren, BWV 154: 8. Chorale: Meinen Jesum lass ich nicht
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:59
▶ CD 6: Cantatas 73, 81, 83, 144, 181 (1724)
▶ CD 7: Cantatas 18, 66, 134, 67 (1724)
▶ CD 8: Cantatas 104, 166, 86, 37, 44 (1724)
▶ CD 9: Cantatas 173, 184, 194 (1724)

Credits

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]