Get Born (expanded edition)

~ Release by Jet (see all versions of this release, 18 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Last Chance
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Last Chance
writer:
Chris Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.51:52
2Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.73:35
3Rollover D.J.
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Rollover D.J.
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.53:16
4Look What You’ve Done
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and piano:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Look What You've Done
lyricist and composer:
Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.253:53
5Get What You Need
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get What You Need
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.54:08
6Move On
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and harp:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Andre Warhurst
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Move On
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
44:21
7Radio Song
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Radio Song
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.354:32
8Get Me Outta Here
additional engineer:
Greg Gordon (producer/engineer)
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get Me Outta Here
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.62:56
9Cold Hard Bitch
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.54:03
10Come Around Again
additional engineer:
Greg Gordon (producer/engineer)
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Come Around Again
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.54:30
11Take It or Leave It
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Take It or Leave It
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
32:23
12Lazy Gun
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lazy Gun
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:42
13Timothy
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Timothy
lyricist and composer:
Chris Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
24:30
14Sgt. Major
additional engineer:
Greg Gordon (producer/engineer)
engineer:
‘Evil Chris’ and Greg Fidelman
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Sgt. Major
writer:
Chris Cester and Nic Cester
54:00
15Are You Gonna Be My Girl (acoustic)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:49
16Bruises (demo)
2:37
17Move On (live at Sirius Radio)
4:04
18Cold Hard Bitch (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:11
19Are You Gonna Be My Girl (alternate version) (demo)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:36
20Sweet Young Thing
2:55
21Cold Hard Bitch (edit #1) (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:53
22You Don’t Look the Same (demo)
4:39
23Lazy Gun (demo)
3:24
24Ain’t That a Lotta Love
3:34
25Back Door Santa
2:14
26Cold Hard Bitch (edit #2) (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:18
27Are You Gonna Be My Girl (live at AOL Sessions)
live recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:49
28Everlovin’ Man
2:25
29Hey Kids
producer and mixer:
David Sardy (American score composer)
recording of:
Hey Kids
writer:
Chris Cester, Nic Cester and Cameron Muncey
42:59
30Move On (live at Brixton Academy)
5:09
31Cigarettes & Cola (demo)
2:06
32That’s Alright Mama (live at the Sirius Studios, New York, 5/29/2003)
5:27
33Are You Gonna Be My Girl (live from XFM)
live recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:53
34Cold Hard Bitch (live 8/7/03)
live recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
5:00
35Take It or Leave It (live in Hamburg)
2:55