Cantatas 80 & 140

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

Medium 1
#TitleRatingLength
1Kantate, BWV 80 "Ein feste Burg ist unser Gott": I Chor: 'Ein feste Burg ist unser Gott'
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
7:21
2Kantate, BWV 80 "Ein feste Burg ist unser Gott": II Arie: 'Alles, was von Gott geboren' soprano, bass
bass vocals:
Tom Krause (bass-baritone)
soprano vocals:
Gabriele Fontana (soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:30
3Kantate, BWV 80 "Ein feste Burg ist unser Gott": III Rezitativ: 'Erwäge doch, Kind Gottes' bass
bass vocals:
Tom Krause (bass-baritone)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:31
4Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV Arie: 'Komm in mein Herzenshaus' soprano
soprano vocals:
Gabriele Fontana (soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:51
5Kantate, BWV 80 "Ein feste Burg ist unser Gott": V Choral: 'Und wenn die Welt voll Teufel wär'
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:26
6Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI Rezitativ: 'So stehe denn bei Christi blutgefärbter Fahne' tenor
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:35
7Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII Duett: 'Wie selig sind sie doch' alto, tenor
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:37
8Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII Choral: 'Das Wort sie sollen lassen stahn'
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1984-02-01 until 1984-02-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:28
9Organ Concerto no. 3 in D minor, BWV 974: I Allegro
organ:
Peter Hurford (organist)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: I. (transcription for cembalo by J.S. Bach)
composer:
Alessandro Marcello
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto per oboe, archi e continuo in re minore: I. Andante e spiccato
part of:
Keyboard Concerto no. 3 in D minor after Alessandro Marcello, BWV 974 (transcription for cembalo by J.S. Bach)
5:20
10Organ Concerto no. 3 in D minor, BWV 974: II Adagio
organ:
Peter Hurford (organist)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
composer:
Alessandro Marcello
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto per oboe, archi e continuo in re minore: II. Adagio
part of:
Keyboard Concerto no. 3 in D minor after Alessandro Marcello, BWV 974 (transcription for cembalo by J.S. Bach)
6:30
11Organ Concerto no. 3 in D minor, BWV 974: III Presto
organ:
Peter Hurford (organist)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: III. Presto (transcription for cembalo by J.S. Bach)
composer:
Alessandro Marcello
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto per oboe, archi e continuo in re minore: III. Presto
part of:
Keyboard Concerto no. 3 in D minor after Alessandro Marcello, BWV 974 (transcription for cembalo by J.S. Bach)
3:27
12Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I Choral: 'Wachet auf, ruft uns die Stimme'
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:15
13Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II Rezitativ: 'Er kommt, er kommt' tenor
tenor vocals:
Gösta Winbergh (tenor) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:14
14Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III Duett: 'Wann kommst du, mein Heil?' soprano, bass
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:13
15Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV Choral: 'Zion hört die Wächter singen'
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
3:57
16Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V Rezitativ: 'So geh' herein zu mir' bass
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:41
17Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI Duett: 'Mein Freund ist mein' soprano, bass
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
7:35
18Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII Choral: 'Gloria sei dir gesungen'
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:51

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Release

ASIN:UK: B000024WGZ [info]