# | Title | Rating | Length |
---|
1 | A Blossom Fell- bass:
- Red Callender (on 1954-12-20)
- bass trombone:
- George Roberts (on 1954-12-20)
- cello:
- Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
- drums (drum set):
- Lee Young (on 1954-12-20)
- flute:
- Harry Klee (on 1954-12-20), Ted Nash (on 1954-12-20) and Champ Webb (on 1954-12-20)
- French horn:
- Vincent DeRosa (on 1954-12-20) and Joseph Eger (on 1954-12-20)
- guitar:
- Al Hendrickson (on 1954-12-20)
- harp:
- Kathryn Julye (on 1954-12-20)
- piano:
- Ray Turner (on 1954-12-20)
- trombone:
- Joe Howard (on 1954-12-20)
- trumpet:
- Harry “Sweets” Edison (on 1954-12-20)
- valve trombone:
- Juan Tizol (on 1954-12-20)
- viola:
- Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
- violin:
- Israel Baker (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (on 1954-12-20)
- vocals:
- Nat King Cole (on 1954-12-20)
- orchestra:
- Nelson Riddle and His Orchestra (on 1954-12-20)
- conductor:
- Nelson Riddle (on 1954-12-20)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-20)
- recording of:
- A Blossom Fell (on 1954-12-20)
- writer and composer:
- Howard Barnes, Harold Cornelius and Dominic John
| 4 | 2:32 |
2 | Unbelievable | | 3:04 |
3 | Blue Gardenia | | 2:57 |
4 | Angel Eyes- alto saxophone:
- Willie Smith (on 1953-01-14)
- bass:
- Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
- bongos and congas:
- Jack Costanzo (on 1953-01-14)
- clarinet and saxophone:
- Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
- drums (drum set):
- John Markham (on 1953-01-14)
- guitar:
- John Collins (on 1953-01-14)
- piano:
- Cliff Fishback (on 1953-01-14)
- tenor saxophone:
- Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
- trombone:
- Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
- trumpet:
- Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
- vocals:
- Nat King Cole (on 1953-01-14)
- orchestra:
- Billy May & His Orchestra (on 1953-01-14)
- conductor:
- Billy May (on 1953-01-14)
- arranger:
- Billy May
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
- cover recording of:
- Angel Eyes (on 1953-01-14)
- lyricist:
- Earl Brent (in 1946)
- composer:
- Matt Dennis (in 1946)
- publisher:
- Bradshaw Music, Inc., Dorsey Bros Music Ltd. , Music Sales Corporation , Onyx Music Corporation and ミュージック・セールス
| | 3:14 |
5 | It Happens to Be Me | | 3:09 |
6 | Smile- producer:
- Lee Gillette
- bass:
- Charlie Harris (on 1954-07-27)
- bass trombone:
- George Roberts (on 1954-07-27)
- cello:
- Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
- drums (drum set):
- Lee Young (on 1954-07-27)
- French horn:
- Vincent DeRosa (on 1954-07-27) and William Hinshaw (on 1954-07-27)
- guitar:
- John Collins (on 1954-07-27)
- percussion:
- Louis Singer (on 1954-07-27)
- piano:
- Bill Miller (on 1954-07-27)
- reeds:
- John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
- trombone:
- Francis Howard (on 1954-07-27)
- viola:
- Stanley Harris (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
- violin:
- Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (on 1954-07-27), Eudice Shapiro (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (on 1954-07-27)
- vocals:
- Nat King Cole (on 1954-07-27)
- orchestra:
- Nelson Riddle and His Orchestra (in 1954)
- conductor:
- Nelson Riddle (on 1954-07-27)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-07-27)
- cover recording of:
- Smile (on 1954-07-27)
- lyricist:
- Geoffrey Parsons and John Turner
- composer:
- Charlie Chaplin
- publisher:
- Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (in 1954)
- sub-publisher:
- Editions Vedette Sprl and 日音 Synch事業部
- is based on:
- Smile
- part of:
- Chaplin
| | 2:53 |
7 | Darling, Je Vous Aime Beaucoup- bass:
- Charlie Harris (on 1953-08-24)
- bass trombone:
- George Roberts (on 1953-08-24)
- cello:
- Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (on 1953-08-24)
- drums (drum set):
- Lee Young (on 1953-08-24)
- flute:
- Jules Kinsler (on 1953-08-24), Ted Nash (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
- French horn:
- Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
- guitar:
- John Collins (on 1953-08-24)
- harp:
- Ann Mason Stockton (on 1953-08-24)
- piano:
- Buddy Cole (on 1953-08-24)
- trombone:
- Milt Bernhart (on 1953-08-24) and Joe Howard (on 1953-08-24)
- viola:
- Lou Kievman (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
- violin:
- Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (on 1953-08-24), Paul Nero (on 1953-08-24), Mischa Russell (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (on 1953-08-24)
- vocals:
- Nat King Cole (on 1953-08-24)
- orchestra:
- Nelson Riddle Orchestra & Chorus (on 1953-08-24)
- conductor:
- Nelson Riddle (on 1953-08-24)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-24)
- cover recording of:
- Darling, je vous aime beaucoup (on 1953-08-24)
- lyricist and composer:
- Anna Sosenko (in 1935)
- publisher:
- Chappell & Co., Inc. and Francis Day S.A.
- medley of:
- La Vie en rose
- recording of:
- Darling, je vous aime beaucoup
- lyricist and composer:
- Anna Sosenko (in 1935)
- publisher:
- Chappell & Co., Inc. and Francis Day S.A.
- medley of:
- La Vie en rose
| | 2:50 |
8 | Alone Too Long | | 2:56 |
9 | My One Sin | | 2:58 |
10 | Return to Paradise | | 2:57 |
11 | If Love Is Good to Me | | 2:46 |
12 | The Sand and the Sea- bass:
- Red Callender (on 1954-12-20)
- bass trombone:
- George Roberts (on 1954-12-20)
- cello:
- Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
- drums (drum set):
- Lee Young (on 1954-12-20)
- flute:
- Harry Klee (on 1954-12-20), Ted Nash (on 1954-12-20) and Champ Webb (on 1954-12-20)
- French horn:
- Vincent DeRosa (on 1954-12-20) and Joseph Eger (on 1954-12-20)
- guitar:
- Al Hendrickson (on 1954-12-20)
- harp:
- Kathryn Julye (on 1954-12-20)
- piano:
- Ray Turner (on 1954-12-20)
- trombone:
- Joe Howard (on 1954-12-20)
- trumpet:
- Harry “Sweets” Edison (on 1954-12-20)
- valve trombone:
- Juan Tizol (on 1954-12-20)
- viola:
- Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
- violin:
- Israel Baker (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (on 1954-12-20)
- vocals:
- Nat King Cole (on 1954-12-20)
- orchestra:
- Nelson Riddle and His Orchestra (on 1954-12-20)
- conductor:
- Nelson Riddle (on 1954-12-20)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-20)
- recording of:
- The Sand and the Sea (on 1954-12-20)
- writer:
- Hal Hester and Barry Parker
- publisher:
- Barry Parker Music (on 1955-02-10)
| | 2:33 |
13 | If I May- bass:
- Red Callender (on 1954-12-20)
- bass trombone:
- George Roberts (on 1954-12-20)
- cello:
- Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
- drums (drum set):
- Lee Young (on 1954-12-20)
- flute:
- Harry Klee (on 1954-12-20), Ted Nash (on 1954-12-20) and Champ Webb (on 1954-12-20)
- French horn:
- Vincent DeRosa (on 1954-12-20) and Joseph Eger (on 1954-12-20)
- guitar:
- Al Hendrickson (on 1954-12-20)
- harp:
- Kathryn Julye (on 1954-12-20)
- piano:
- Ray Turner (on 1954-12-20)
- trombone:
- Joe Howard (on 1954-12-20)
- trumpet:
- Harry “Sweets” Edison (on 1954-12-20)
- valve trombone:
- Juan Tizol (on 1954-12-20)
- viola:
- Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
- violin:
- Israel Baker (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (on 1954-12-20)
- vocals:
- Nat King Cole (on 1954-12-20) and The Four Knights (on 1954-12-20)
- orchestra:
- Nelson Riddle and His Orchestra (on 1954-12-20)
- conductor:
- Nelson Riddle (on 1954-12-20)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-20)
- recording of:
- If I May (on 1954-12-20)
- writer:
- Rose Marie McCoy and Charles Singleton
| | 3:03 |
14 | United | | 3:19 |
15 | I Envy | | 2:41 |
16 | Why Can't We Try Again? | | 3:06 |
17 | Why | | 2:53 |
18 | I'll Never Settle for Less | | 3:05 |
19 | Marilyin | | 2:45 |
20 | For a Moment of Your Love | | 3:15 |
21 | I'll Always Be Remembering | | 2:54 |