Herbert von Karajan: The Complete DECCA Recordings

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

CD 1: Richard Strauss: Also sprach Zarathustra
CD 2: Richard Strauss: Don Juan / Tod und Verklärung / Till Eulenspiegel / Salomes Tanz
CD 3: Beethoven: Symphony No. 7 / Brahms: Symphony No. 1
CD 4: Mozart: Symphony No. 40 / Haydn: Symphony No. 104
CD 5: Mozart: Symphony No. 31 "Jupiter" / Haydn: Symphony No. 103 "Drum Roll"
CD 6: The Vienna of Johann Strauss
CD 7: Holst: The Planets / Peer Gynt Suites Nos. 1 & 2
CD 8: Tchaikovsky: Romeo and Juliet / The Nutcracker Suite
CD 9: Tchaikovsky: Swan Lake Suite / The Sleeping Beauty Suite
CD 10: Adam: Giselle
CD 11: Brahms: Tragic Overture, Symphony No. 3 / Dvořák: Symphony No. 8
CD 12: Christmas with Leontyne Price
CD 13: Verdi: Aida CD1
#TitleArtistRatingLength
1Aida: Preludio
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Preludio (standard opening to the opera, ~4min)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi3:54
2Aida: Atto primo, Quadro primo. Introduzione e scena: "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:39
3Aida: Atto primo, Quadro primo. Romanza: "Se quel guerrier io fossi! ... Celeste Aida" (Radamès)
producer:
John Culshaw
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:03
4Aida: Atto primo, Quadro primo. Duetto: "Quale insolita gioia nel tuo sguardo" (Amneris, Radamès) / Terzetto: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès)
producer:
John Culshaw
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:56
5Aida: Atto primo, Quadro primo. Scena e pezzo d'assieme: "Alta cagion v'aduna ... Su! del Nilo al sacro lido" (Il re dell'Egitto, messaggero, Radamès, Ramfis, sacerdoti, ministri, capitani, Aida, Amneris)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:41
6Aida: Atto primo, Quadro primo. Scena: "Ritorna vincitor!" (Aida)
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:01
7Aida: Atto primo, Quadro secondo. Gran scena della consacrazione e finale I: "Possente, possente Fthà ... Tu che dal nulla" (una sacerdotessa, sacerdotesse, Ramfix, saverdoti) / Danza sacra delle saverdotesse
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
soprano vocals [Una sacerdotessa]:
Eugenia Ratti (soprano)
vocals:
Eugenia Ratti (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:21
8Aida: Atto primo, Quadro secondo. Gran scena della consacrazione e finale I: "Mortal, diletto ai numi" (Ramfis, sacerdoti) / "Nume, custode e vindice" (Ramfis, Radamès, sacerdoti, saverdotesse)
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:21
9Aida: Atto secondo, Quadro primo. Introduzione - Scena e coro di donne: "Chi mai fra gl'inni e i plausi" (schiave, Amneris) / Danza di piccoli schiavi mori - "Vieni, sul crin ti piovano" (schiave, Amneris)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:14
10Aida: Atto secondo, Quadro primo. Scena e duetto: "Fu la sorte dell'armi a' tuoi funesta ... Pietà ti prenda del mio dolor" (Amneris, Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:04
11Aida: Atto secondo, Quadro primo. "Su! del Nilo al sacro lido ... Numi, pietà" (popolo, Amneris, Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:46
12Aida: Atto secondo, Quadro secondo. Gran finale II: "Gloria all'Egittom ad Iside" (popolo, Ramfis, sacerdoti)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:40
13Aida: Atto secondo, Quadro secondo. Marcia trionfale - Ballabile
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi6:20
14Aida: Atto secondo, Quadro secondo. "Vieni, o guerriero vindice" (popolo, Ramfis, sacerdoti)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:30
15Aida: Atto secondo, Quadro secondo. "Salvator della patria" (Il re dell'Egitto, Radamès, Ramfis, sacerdoti)
producer:
John Culshaw
bass vocals [Il re] and bass vocals [Ramfis]:
Fernando Corena (operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
16Aida: Atto secondo, Quadro secondo. "Che veggo! Egli? Mio padre!" (Aida, tutti, Amneris, Amonasro, il re dell'Egitto)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi0:56
17Aida: Atto secondo, Quadro secondo. "Quest'assisa ch'io vesto vi dica" (Amonasro)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Cornell MacNeil (American baritone) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:05
18Aida: Atto secondo, Quadro secondo. "Ma tu, re, tu signore possente" (Amonastro, Aida, schiave, prigionieri, Ramfis, sacerdoti, Amneris, il re dell'Egitto, popolo, Radamès)
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:25
CD 14: Verdi: Aida CD2
CD 15: J. Strauss II: Die Fledermaus CD1
CD 16: J. Strauss II: Die Fledermaus CD2
CD 17: Verdi: Otello CD1
CD 18: Verdi: Otello CD2
CD 19: Puccini: Tosca CD1
CD 20: Puccini: Tosca CD2
CD 22: Bizet: Carmen CD1
CD 24: Bizet: Carmen CD2
CD 25: Bizet: Carmen CD3
CD 26: Mussorgsky: Boris Godunov CD1
CD 27: Mussorgsky: Boris Godunov CD2
CD 28: Mussorgsky: Boris Godunov CD3
CD 29: Verdi: La Bohème CD1
CD 30: Verdi: La Bohème CD2
CD 31: Puccini: Madame Butterfly CD1
CD 32: Puccini: Madame Butterfly CD2
CD 33: Mozart: Figaro CD1
CD 34: Mozart: Figaro CD2
CD 35: Mozart: Figaro CD3

Credits

Release Group

includes:Die Fledermaus (1960 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); The Vienna Philharmonic Orchestra, Vienna State Opera Chorus, Herbert von Karajan (conductor)