Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶ CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶ CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶ CD 3: Cantatas 182, 12, 54, 172 (1714)
▶ CD 4: Cantatas 21, 199 (1714)
▶ CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶ CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶ CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶ CD 8: Cantatas 75, 76, 24 (1723)
▶ CD 9: Cantatas 167, 147, 186, 136 (1723)
▶ CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶ CD 11: Cantatas 77, 25, 119, 138 (1723)
▶ CD 12: Cantatas 95, 148, 48, 109 (1723)
▶ CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
▼ CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
#TitleRatingLength
1Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 1. Chorus: Sehet, welch eine Liebe hat uns der Vater erzeiget
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
2:33
2Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 2. Chorale: Das hat er alles uns getan
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (on 2000-12-27)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:43
3Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 3. Recitative: Geh, Welt! behalte nur das Deine
alto vocals:
Robin Tyson (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:43
4Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 4. Chorale: Was frag ich nach der Welt
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (on 2000-12-27)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:56
5Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 5. Aria: Was die Welt in sich hält
soprano vocals:
Gillian Keith (soprano) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:36
6Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 6. Recitative: Der Himmel bleibet mir gewiss
bass vocals:
Peter Harvey (bass-baritone) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:00
7Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 7. Aria: Von der Welt verlang ich nichts
alto vocals:
Robin Tyson (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (on 2000-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:33
8Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64: 8. Chorale: Gute Nacht, o Wesen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-27)
orchestra:
English Baroque Soloists (on 2000-12-27)
conductor:
Sir John Eliot Gardiner (on 2000-12-27)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-27)
live recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (on 2000-12-27)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:15
9Singet dem Herrn ein neues Lied, BWV 190: 1. [Chorus:] Singet dem Herrn ein neues Lied!
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
4:41
10Singet dem Herrn ein neues Lied, BWV 190: 2. Chorale [& Recitative:] Herr Gott, dich loben wir
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
countertenor vocals:
Robin Blaze (countertenor) (from 2002-02-12 until 2002-02-14)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:31
11Singet dem Herrn ein neues Lied, BWV 190: 3. Aria: Lobe, Zion, deinen Gott
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Robin Blaze (countertenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
2:53
12Singet dem Herrn ein neues Lied, BWV 190: 4. Recitative: Es wünsche sich die Welt
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:22
13Singet dem Herrn ein neues Lied, BWV 190: 5. Aria: Jesus soll mein alles sein
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2002-02-12 until 2002-02-14)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
3:36
14Singet dem Herrn ein neues Lied, BWV 190: 6. Recitative: Nun, Jesus gebe
producer:
Uli Schneider (producer/engineer)
tenor vocals:
James Gilchrist (tenor) (from 2002-02-12 until 2002-02-14)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:42
15Singet dem Herrn ein neues Lied, BWV 190: 7. Chorale: Lass uns das Jahr vollbringen
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-02-12 until 2002-02-14)
performer:
Bach Collegium Japan (from 2002-02-12 until 2002-02-14)
balance engineer:
Rita Hermeyer (from 2002-02-12 until 2002-02-14)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-02-12 until 2002-02-14)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 2002-02-12 until 2002-02-14)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
1:58
16Schau, lieber Gott, wie meine Feind, BWV 153: 1. Chorale: Schau, lieber Gott, wie meine Feind
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:56
17Schau, lieber Gott, wie meine Feind, BWV 153: 2. Recitative: Mein liebster Gott, ach lass dichs doch erbarmen
producer:
Marion Schwebel
alto vocals:
Robin Blaze (countertenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:35
18Schau, lieber Gott, wie meine Feind, BWV 153: 3. Arioso: Fürchte dich nicht, ich bin mit dir
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:17
19Schau, lieber Gott, wie meine Feind, BWV 153: 4. Recitative: Du sprichst zwar, lieber Gott
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:36
20Schau, lieber Gott, wie meine Feind, BWV 153: 5. Chorale: Und ob gleich alle Teufel
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:53
21Schau, lieber Gott, wie meine Feind, BWV 153: 6. Aria: Stürmt nur, stürmt, ihr Trübsalswetter
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:44
22Schau, lieber Gott, wie meine Feind, BWV 153: 7. Recitative: Getrost! Mein Herz, erdulde deinen Schmerz
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:32
23Schau, lieber Gott, wie meine Feind, BWV 153: 8. Aria: Soll ich meinen Lebenslauf
producer:
Marion Schwebel
alto vocals:
Robin Blaze (countertenor) (from 2001-03-10 until 2001-03-15)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:58
24Schau, lieber Gott, wie meine Feind, BWV 153: 9. Chorale: Drum will ich, weil ich lebe noch
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2001-03-10 until 2001-03-15)
performer:
Bach Collegium Japan (from 2001-03-10 until 2001-03-15)
balance engineer:
Ingo Petry (from 2001-03-10 until 2001-03-15)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2001-03-10 until 2001-03-15)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (from 2001-03-10 until 2001-03-15)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:27
25Sie werden aus Saba alle kommen, BWV 65: 1. [Chorus:] Sie werden aus Saba alle kommen
producer:
Christopher Adler (composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
4:28
26Sie werden aus Saba alle kommen, BWV 65: 2. Chorale: Die Kön’ge aus Saba kamen dar
producer:
Christopher Adler (composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:33
27Sie werden aus Saba alle kommen, BWV 65: 3. Recitative: Was dort Jesaias vorhergesehn
producer:
Christopher Adler (composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:44
28Sie werden aus Saba alle kommen, BWV 65: 4. Aria: Gold aus Ophir ist zu schlecht
producer:
Christopher Adler (composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:13
29Sie werden aus Saba alle kommen, BWV 65: 5. Recitative: Verschmähe nicht, du meiner Seelen Licht
producer:
Christopher Adler (composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:20
30Sie werden aus Saba alle kommen, BWV 65: 6. [Aria:] Nimm mich dir zu eigen hin
producer:
Christopher Adler (composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:12
31Sie werden aus Saba alle kommen, BWV 65: 7. Chorale: Ei nun, mein Gott, so fall ich dir
producer:
Christopher Adler (composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1997-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:14
32Mein liebster Jesus ist verloren, BWV 154: 1. Aria: Mein liebster Jesus ist verloren
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:26
33Mein liebster Jesus ist verloren, BWV 154: 2. Recitative: Wo treff ich meinen Jesum an
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:38
34Mein liebster Jesus ist verloren, BWV 154: 3. Chorale: Jesu, mein Hort und Erretter
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:08
35Mein liebster Jesus ist verloren, BWV 154: 4. Aria: Jesu, lass dich finden
alto vocals:
Michael Chance (British countertenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:11
36Mein liebster Jesus ist verloren, BWV 154: 5. Arioso: Wisset ihr nicht, dass ich sein muss
bass vocals:
Peter Harvey (bass-baritone) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:13
37Mein liebster Jesus ist verloren, BWV 154: 6. Recitative: Dies ist die Stimme meines Freundes
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:55
38Mein liebster Jesus ist verloren, BWV 154: 7. Aria: Wohl mir, Jesus ist gefunden
alto vocals:
Michael Chance (British countertenor) (on 2000-01-09)
tenor vocals:
James Gilchrist (tenor) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:29
39Mein liebster Jesus ist verloren, BWV 154: 8. Chorale: Meinen Jesum lass ich nicht
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-09)
orchestra:
English Baroque Soloists (on 2000-01-09)
conductor:
Sir John Eliot Gardiner (on 2000-01-09)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (on 2000-01-09)
live recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (on 2000-01-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:59
▶ CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶ CD 16: Cantatas 18, 66, 134, 67 (1724)
▶ CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶ CD 18: Cantatas 173, 184, 194 (1724)
▶ CD 19: Cantatas 20, 2, 7, 135 (1724)
▶ CD 20: Cantatas 10, 93, 107, 178 (1724)
▶ CD 21: Cantatas 94, 101, 113 (1724)
▶ CD 22: Cantatas 33, 78, 99, 8 (1724)
▶ CD 23: Cantatas 130, 114, 96, 5 (1724)
▶ CD 24: Cantatas 180, 38, 115, 139 (1724)
▶ CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶ CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶ CD 27: Cantatas 124, 3, 111, 92 (1725)
▶ CD 28: Cantatas 125, 126, 127 (1725)
▶ CD 29: Cantatas 1, 6, 42 (1725)
▶ CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶ CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶ CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶ CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶ CD 34: Cantatas 32, 13, 72, 43 (1726)
▶ CD 35: Cantatas 146, 129, 39 (1726)
▶ CD 36: Cantatas 88, 170, 187, 45 (1726)
▶ CD 37: Cantatas 102, 35, 17, 19 (1726)
▶ CD 38: Cantatas 27, 47, 169, 56 (1726)
▶ CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶ CD 40: Cantatas 82, 157, 84 (1727)
▶ CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶ CD 42: Cantatas 171, 156, 159, 120a (1729)
▶ CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶ CD 44: Cantatas 29, 140, 36 (1731)
▶ CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶ CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶ CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶ CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶ CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶ CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶ CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶ CD 52: Magnificat BWV 243, 243a
▶ CD 53: Motets
▶ CD 54: Mass in B minor (1 Mortensen)
▶ CD 55: Mass in B minor (2 Mortensen)
▶ CD 56: Mass in B minor (1 Brüggen)
▶ CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶ CD 58: Missas BWV 234-236
▶ CD 59: St. John Passion (1724) (1 Gardiner)
▶ CD 60: St. John Passion (1724) (2 Gardiner)
▶ CD 61: St. John Passion (1749) (1 Suzuki)
▶ CD 62: St. John Passion (1749) (2 Suzuki)
▶ CD 63: St. Matthew Passion (1 Gardiner)
▶ CD 64: St. Matthew Passion (2 Gardiner)
▶ CD 65: St. Matthew Passion (1 McCreesh)
▶ CD 66: St. Matthew Passion (2 McCreesh)
▶ CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶ CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶ CD 69: Christmas Oratorio (1 Gardiner)
▶ CD 70: Christmas Oratorio (2 Gardiner)
▶ CD 71: Christmas Oratorio (1 Chailly)
▶ CD 72: Christmas Oratorio (2 Chailly)
▶ CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶ CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶ CD 75: Cantatas 36c, 205, 34a (1725-1726)
▶ CD 76: Cantatas 207, 204, 216a (1726-1728)
▶ CD 77: Cantatas 198, 201 (1727-1729)
▶ CD 78: Cantatas 213, 214 (1733)
▶ CD 79: Cantatas 211, 215 (1734)
▶ CD 80: Cantatas 206, 30a (1736-1737)
▶ CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▶ CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
▶ CD 83: Cantatas 56, 82, 4
▶ CD 84: Cantatas 31, 104, 57
▶ CD 85: Cantatas 199, 173, 74, 151
▶ CD 86: Easter Oratorio / Cantata 140
▶ CD 87: Cantatas 170, 159, 102
▶ CD 88: Cantatas 80, 52, 84, 209
▶ CD 89: Cantatas 82, 158, 56
▶ CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶ CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶ CD 92: Cantatas 92, 126, 182 (Easter)
▶ CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶ CD 94: Cantatas 34, 68, 39 (Whitsun)
▶ CD 95: Cantatas 30, 147 (Whitsun)
▶ CD 96: Cantatas 76, 21 (Trinity)
▶ CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶ CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶ CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶ CD 100: St. Matthew Passion (1 Richter)
▶ CD 101: St. Matthew Passion (2 Richter)
▶ CD 102: St. Matthew Passion (3 Richter)
▶ CD 103: Great Singers (1952-1965)
▶ CD 104: Great Singers (1967-2011)
▶ CD 105: Great Singers (Period Instruments)
▶ CD 106: Organ Works (Introduction 1)
▶ CD 107: Organ Works (Introduction 2)
▶ CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶ CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶ CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶ CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶ CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶ CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶ CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶ CD 115: Early Chorale Preludes / Chorale Partitas
▶ CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶ CD 117: Breitkopf Collection, BWV 690-713
▶ CD 118: Orgelbüchlein (Preston)
▶ CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶ CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶ CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶ CD 122: Clavier-Übung III (1) (Preston)
▶ CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶ CD 124: Free Works of Unproven Authenticity
▶ CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶ CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶ CD 127: Keyboard Works (Introduction 2: Piano)
▶ CD 128: Early Fugues & Capriccios
▶ CD 129: Early Suites & Sonatas
▶ CD 130: Toccatas, BWV 910-916
▶ CD 131: Virtuoso Fantasias & Fugues
▶ CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶ CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶ CD 134: English Suites 1-3 (Dreyfus)
▶ CD 135: English Suites 4-6 (Dreyfus)
▶ CD 136: French Suites 1-4 (Hogwood)
▶ CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶ CD 138: Partitas 1, 2, 6 (Rousset)
▶ CD 139: Partitas 3-5 (Rousset)
▶ CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶ CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶ CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶ CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶ CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶ CD 145: Goldberg Variations (Rousset)
▶ CD 146: Goldberg Variations (Esfahani)
▶ CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶ CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶ CD 149: French Suites 1-3 (Perahia)
▶ CD 150: French Suites 4-6 (Perahia)
▶ CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶ CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶ CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶ CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶ CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶ CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶ CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶ CD 158: Goldberg Variations (Schiff)
▶ CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶ CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶ CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶ CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶ CD 163: Orgelbüchlein (Walcha)
▶ CD 164: Brandenburg Concertos 1-6 (Goebel)
▶ CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶ CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶ CD 167: Orchestral Suites 1-3 (Goebel)
▶ CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶ CD 169: Orchestral Suites 1-4 (Pinnock)
▶ CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶ CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶ CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶ CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶ CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶ CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶ CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶ CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶ CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶ CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶ CD 180: Concertos (Alternative Instrumentations)
▶ CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶ CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶ CD 183: Suites for "Lute"
▶ CD 184: Cello Suites 1, 3, 5 (Watkin)
▶ CD 185: Cello Suites 2, 4, 6 (Watkin)
▶ CD 186: Violin Sonatas BWV 1014-1018
▶ CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶ CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶ CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶ CD 190: Musical Offering / Canons (Goebel)
▶ CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶ CD 192: The Art of Fugue (Aimard)
▶ CD 193: The Art of Fugue (1742) (Gilbert)
▶ CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶ CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶ CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶ CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶ CD 198: Cello Suites 1-3 (Fournier)
▶ CD 199: Cello Suites 4-6 (Fournier)
▶ CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶ CD 201: Clavier-Büchlein W. F. Bach (1)
▶ CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶ CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶ CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶ CD 205: Schemelli Gesangbuch BWV 439-474
▶ CD 206: Schemelli Gesangbuch BWV 475-507
▶ CD 207: Bach: Early Influences
▶ CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶ CD 209: Concertos at Weimar (Vivaldi)
▶ CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶ CD 211: The Bach Family
▶ CD 212: Bach & Other Composers (c. 1715-1730)
▶ CD 213: Bach & Other Composers (c. 1730-1742)
▶ CD 214: Bach & Other Composers (1742-1750)
▶ CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶ CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶ CD 217: Bach Orchestrated (Reger to Stokowski)
▶ CD 218: Inspired by Bach (Gounod to Pärt)
▶ CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶ CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶ CD 221: Bach à la Jazz
▶ CD 222: New Colours of Bach
▶ DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]