Tracklist

CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
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1“Was Gott tut, das ist wohlgetan”, BWV 98: 1. Chorus: “Was Gott tut, das ist wohlgetan”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohl getan" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Samuel Rodigast (German poet)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:56
2“Was Gott tut, das ist wohlgetan”, BWV 98: 2. Recitative (tenor): “Ach Gott! wenn wirst du mich einmal”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach0:53
3“Was Gott tut, das ist wohlgetan”, BWV 98: 3. Aria (soprano): “Hört, ihr Augen, auf zu weinen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:18
4“Was Gott tut, das ist wohlgetan”, BWV 98: 4. Recitative (alto): “Gott hat ein Herz, das des Erbarmens Überfluss”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach0:55
5“Was Gott tut, das ist wohlgetan”, BWV 98: 5. Aria (bass): “Meinen Jesum lass ich nicht”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum laß ich nicht" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:56
6“Wohl dem, der sich auf seinen Gott”, BWV 139: 1. Chorus: “Wohl dem, der sich auf seinen Gott”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:00
7“Wohl dem, der sich auf seinen Gott”, BWV 139: 2. Aria (tenor): “Gott ist mein Freund; was hilft das Toben”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:03
8“Wohl dem, der sich auf seinen Gott”, BWV 139: 3. Recitative (alto): “Der Heiland sendet ja die Seinen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:36
9“Wohl dem, der sich auf seinen Gott”, BWV 139: 4. Aria (bass): “Das Unglück schlägt auf allen Seiten”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach4:38
10“Wohl dem, der sich auf seinen Gott”, BWV 139: 5. Recitative (soprano): “Ja, trag ich gleich den größten Feind in mir”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:39
11“Wohl dem, der sich auf seinen Gott”, BWV 139: 6. Chorale: “Dahero Trotz der Höllen Heer”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 238)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:52
12“Herr Gott, dich loben wir”, BWV 16: 1. Chorus: “Herr Gott, dich loben wir”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:36
13“Herr Gott, dich loben wir”, BWV 16: 2. Recitative (bass): “So stimmen wir bei dieser frohen Zeit”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:08
14“Herr Gott, dich loben wir”, BWV 16: 3. Aria (chorus, bass): “Lasst uns jauchzen, lasst uns freuen” / “Krönt und segnet seine Hand”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:31
15“Herr Gott, dich loben wir”, BWV 16: 4. Recitative (alto): “Ach, treuer Hort, beschütz auch fernerhin dein wertes Wort”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:16
16“Herr Gott, dich loben wir”, BWV 16: 5. Aria (tenor): “Geliebter Jesu, nur du allein”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach7:24
17“Herr Gott, dich loben wir”, BWV 16: 6. Chorale: “All solch dein Güt wir preisen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:00
CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
CD 22: Beethoven: Symphonies nos. 1 & 2
CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
CD 25: Beethoven: Symphonies nos. 7 & 8
CD 26: Beethoven: Symphony no. 9 “Choral”
CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
CD 28: Beethoven: Piano Concertos nos. 3 & 4
CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
CD 31: Beethoven: Violin Concerto
CD 32: Beethoven: Missa solemnis