Modern American Songbook

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(This is all of them, as of 2020-04-04).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us) 🇺🇲 United States Outlying Islands (um)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg) 🇻🇮 Virgin Islands, U.S. (vi)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇫🇰 Falkland Islands (Malvinas) (fk) 🇬🇸 South Georgia and Sandwich Isl. (gs) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se) 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇭🇷 Croatia (hr) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn) 🇪🇭 Western Sahara (eh) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇸🇩 Sudan (sd)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇮 Cote D’Ivoire (ci) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇪 Kenya (ke) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇿🇦 South Africa (za) 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇸🇾 Syrian Arab Republic (sy) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇮🇳 India (in) 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇱🇰 Sri Lanka (lk) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇨🇳 China (cn) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇧🇳 Brunei Darussalam (bn) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇭🇲 Heard Island & Mcdonald Islands (hm) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇦🇸 American Samoa (as) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇬🇺 Guam (gu) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇲🇵 Northern Mariana Islands (mp) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
  • Antarctica: 🇦🇶 Antarctica (aq) 🇧🇻 Bouvet Island (bv)
Annotation last modified on 2020-04-04 05:13 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1You’re So Vain
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
background vocals [additional background vocals]:
Carly Simon and Doris Troy
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972), Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon4.854:18
2I Love America
miscellaneous support:
Ringo and Carol Saxton (assistant)
engineer:
Lenny DeRose, Bob Ezrin and Robert Hrycyna
associate producer:
Richard Wagner and Ringo Hrycyna
executive producer:
Shep Gordon
producer:
Bob Ezrin
bass guitar and guitar:
Dick Wagner
drums (drum set), keyboard, percussion and synthesizer [Fairlight]:
Bob Ezrin
synthesizer [OBX‐8] and synthesizer [Roland Jupiter]:
Graham Shaw
background vocals:
Bob Ezrin, Graham Shaw and Dick Wagner
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
arranger:
Alice Cooper (the musician Vincent Damon Furnier), Bob Ezrin and Dick Wagner
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Black Widow Inc.
additionally recorded at:
E.S.P. Studios in Buttonville, Markham, Ontario, Canada
recorded at:
Phase One Studios in Toronto, Ontario, Canada
recording of:
I Love America
writer:
Alice Cooper (the musician Vincent Damon Furnier), Bob Ezrin, Graham Shaw and Dick Wagner
publisher:
All by Myself Publishing Company, Irving Music (BMI), Irving Music of Canada, Rightsong Music Inc., Sony/ATV Songs (SOCAN), Spirit One Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Ezra Music Corp. (from 1983 to present), G. Shaw Music Publishing Ltd. (from 1983 to present), Mystery Man Music (from 1983 to present) and Under Cut Music Publishing Co., Inc. (from 1983 to present)
Alice Cooper4.53:48
3(Sittin’ on) The Dock of the Bay
cover recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cher2:41
4Train, Train
recording of:
Train, Train
lyricist and composer:
Shorty Medlock
Blackfoot4.53:37
5Pay My Dues
Blues Image3:49
6Old Virginia
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Old Virginia
lyricist and composer:
Catherine Peek and Dan Peek
America3:32
7Madison Time
piano:
Donald Fagen (in 1991-03)
tenor saxophone:
Cornelius Bumpus (in 1991-03)
trumpet:
Chris Anderson (trumpet player) (in 1991-03)
Donald Fagen with Jeff Young & The Youngsters4:19
8Don’t Let the Sun Catch You Cryin’
engineer:
Allen Sides
producer:
Tommy LiPuma
mixer:
Bill Schnee
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Jeff Porcaro
guitar:
Hugh McCracken
keyboard:
Dr. John (New Orleans blues pianist, singer and songwriter)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter)
instruments arranger:
Marty Paich
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Don’t Let the Sun Catch You Cryin’
lyricist and composer:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) and Universal Music Corp. (USA, affiliated with ASCAP)
Dr. John4:53
9How Sweet It Is (to Be Loved by You)
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
bass:
Lee Sklar
drums (drum set) [drums]:
Jim Keltner and Russ Kunkel
electric guitar:
Danny Kortchmar
piano and Rhodes piano [Fender Rhodes]:
Clarence McDonald
tambourine:
Russ Kunkel
background vocals [vocal harmonies]:
Carly Simon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
James Taylor4.353:34
10Southern Cross
recording engineer:
Steve Gursky and Stanley Johnston
additional producer:
Steve Gursky and Stanley Johnston
producer:
David Crosby, Graham Nash and Stephen Stills
acoustic guitar:
Michael Stergis (in 1981)
acoustic guitar and electric guitar:
Stephen Stills (in 1981)
bass:
George "Chocolate" Perry (bassist) (in 1981)
drums (drum set):
Joe Vitale (in 1981)
keyboard [CP-30]:
Michael Finnigan (keyboardist) (in 1981)
percussion:
Joe Lala (in 1981)
piano and synthesizer:
Richard T. Bear (in 1981)
additional vocals:
Michael Finnigan (keyboardist) (in 1981) and Timothy B. Schmit (in 1981)
vocals:
David Crosby (in 1981), Graham Nash (in 1981) and Stephen Stills (in 1981)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rudy Records in San Francisco, California, United States (in 1981)
recording of:
Southern Cross (in 1981)
lyricist and composer:
Michael Curtis (member of Crazy Horse), Richard Curtis (UK songwriter aka Richard Dew-Curtis) and Stephen Stills
publisher:
Gold Hill Music (BMI) and Three Wise Boys Music LLC
Crosby, Stills & Nash34:41
11Took the Last Train
alto saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
guitar:
Dean Parks (American session guitarist)
Moog and piano:
Larry Knechtel
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Took the Last Train
writer:
David Gates (singer/songwriter, lead singer of Bread)
composer:
David Gates (singer/songwriter, lead singer of Bread) and Larry Knechtel
David Gates4:32
12South California Purples
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1971-04-05 until 1971-04-10)
live recording of:
South California Purples (from 1971-04-05 until 1971-04-10)
lyricist and composer:
Robert Lamm
Chicago15:35
13The River
engineer:
Dick Kunc
producer:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
bass:
John Miller (bassist and music contractor/coordinator)
membranophone:
Jimmy Madison
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley5:49
14Long Tall Sally (single version)
recording engineer:
Eddie Kramer (engineer)
assistant engineer:
John Jansen (US recording engineer and producer) and Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
engineer:
Edwin H. Kramer (engineer)
producer:
Cactus (US hard rock supergroup)
arranger:
Cactus (US hard rock supergroup)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
cover recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Cactus5:55
15It Don’t Matter to Me (single version)
producer:
David Gates (singer/songwriter, lead singer of Bread), James Griffin (soft rock singer/songwriter/guitarist) and Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1969)
recording of:
It Don’t Matter to Me
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
Bread42:50
16Abandoned Luncheonette
recording of:
Abandoned Luncheonette
composer:
Daryl Hall
Daryl Hall & John Oates3:56
17Oh! Sweet Nuthin’
engineer:
Adrian Barber (producer/engineer) and Geoffrey Haslam
producer:
Geoffrey Haslam and Shel Kagan
bass guitar and lead vocals:
Doug Yule
drums (drum set):
Billy Yule
electric guitar:
Sterling Morrison
electric guitar [rhythm guitar]:
Lou Reed
phonographic copyright (℗) by:
Warner Special Products
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-04 until 1970-08)
recording of:
Oh! Sweet Nuthin’
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground3.657:25
18Orleans
recording of:
Orleans
lyricist and composer:
[traditional] (special purpose artist)
David Crosby1:56
19Better Be Good to Me
percussion programming:
Rupert Hine
producer:
Rupert Hine
bass and keyboard:
Rupert Hine
drums (drum set):
Trevor Morais
guitar:
Jamie West-Oram
background vocals:
Cy Curnin and Rupert Hine
background vocals and lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
cover recording of:
Better Be Good to Me
writer:
Mike Chapman (Australian producer and songwriter), Nicky Chinn and Holly Knight
publisher:
Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
Tina Turner3.755:12
20Expecting to Fly
recording engineer:
Bruce Botnick (on 1967-05-06)
engineer:
Bruce Botnick
producer:
Jack Nitzsche (American musician and score composer) and Neil Young (Canadian singer, songwriter & musician)
bass and bass guitar:
Carol Kaye (on 1967-05-06)
cor anglais, strings, timpani and vibraphone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-05-06)
drums (drum set):
Dewey Martin and Jim Gordon (US drummer with Derek and the Dominos) (on 1967-05-06)
electric piano:
Jack Nitzsche (American musician and score composer) (on 1967-05-06)
grand piano:
Don Randi
guitar:
Russ Titelman (on 1967-05-06) and Neil Young (Canadian singer, songwriter & musician) (on 1967-05-06)
harpsichord, harpsichord and piano and piano:
Don Randi (on 1967-05-06)
choir vocals:
Merry Clayton (on 1967-05-06), Brenda Holloway (on 1967-05-06), Patrice Holloway (on 1967-05-06), Gloria Jones (US singer/songwriter, known for “Tainted Love”) (on 1967-05-06), Gloria Jones (vocalist for Aquarian Dream) (on 1967-05-06), Sherlie Matthews (US vocalist) (on 1967-05-06) and Gracia Nitzsche (on 1967-05-06)
vocals:
Richie Furay and Neil Young (Canadian singer, songwriter & musician) (on 1967-05-06)
strings arranger:
Jack Nitzsche (American musician and score composer)
arranger:
Jack Nitzsche (American musician and score composer) and Neil Young (Canadian singer, songwriter & musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-05-06)
recording of:
Expecting to Fly (on 1967-05-06)
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Hipgnosis Side B, Richie Furay Music (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield4.53:44
21The Harder They Come
producer:
Skip Taylor
cover recording of:
The Harder They Come
lyricist and composer:
Jimmy Cliff
publisher:
Ackee Music Inc., Universal‐Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Canned Heat2:48
22Waiting for a Train
recording engineer:
Marlin Greene ('60s teen artist, writer & engineer) (from 1969-05-05 until 1969-05-10)
engineer:
Rob Grenell
producer:
Marlin Greene ('60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
bass guitar:
David Hood (from 1969-05-05 until 1969-05-10)
drums (drum set):
Roger Hawkins (from 1969-05-05 until 1969-05-10)
fiddle:
Al Lester (from 1969-05-05 until 1969-05-10)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1969-05-05 until 1969-05-10)
piano:
Barry Beckett (from 1969-05-05 until 1969-05-10)
resonator guitar [dobro]:
Duane Allman (from 1969-05-05 until 1969-05-10)
vocals:
Boz Scaggs (from 1969-05-05 until 1969-05-10)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-05-05 until 1969-05-10)
cover recording of:
Waiting for a Train (from 1969-05-05 until 1969-05-10)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
Boz Scaggs2:42
23Torch Song
producer:
Todd Rundgren
instruments:
Todd Rundgren
arranger:
Todd Rundgren
recording of:
Torch Song
writer:
Todd Rundgren
Todd Rundgren42:53
24One Star Shining
Carole Bayer Sager3:39
25Hard to Handle
cover recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Tony Joe White2:54
26Crazy Little Thing
engineer:
Donn Landee
producer:
Ted Templeman
recording of:
Crazy Little Thing
lyricist and composer:
Don van Vliet
publisher:
Green Bump Music, Inc
Captain Beefheart & His Magic Band42:39
27Leader of the Pack
recording of:
Leader of the Pack
writer:
Jeff Barry, Ellie Greenwich and George "Shadow" Morton
publisher:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal‐Songs of PolyGram International, Inc. and ミュージカル・ライツ・東京
Twisted Sister3:45
28Crazy Woman (U.K. single version)
Alan Hull2:57