| # | Title | Artist | Rating | Length |
|---|
| 1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio- recording engineer:
- Mark Bücker , Stephan Flock and Hans-Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley , Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz , Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross , Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury , Adrian Butterfield , Elizabeth Edwards , Catherine Ford, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard , Stephen Jones , Peter Lissauer, Susie Mészáros, Roy Mowatt , Pamela Munks, Pauline Nobes , Stephen Rouse, Lucy Russell , Anne Schumann , Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | | 6:30 |
| 2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto- recording engineer:
- Mark Bücker , Stephan Flock and Hans-Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley , Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz , Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross , Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury , Adrian Butterfield , Elizabeth Edwards , Catherine Ford, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard , Stephen Jones , Peter Lissauer, Susie Mészáros, Roy Mowatt , Pamela Munks, Pauline Nobes , Stephen Rouse, Lucy Russell , Anne Schumann , Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | | 8:15 |
| 3 | Symphony no. 5 in C minor, op. 67: 3. Allegro - attacca- recording engineer:
- Mark Bücker , Stephan Flock and Hans-Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley , Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz , Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross , Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury , Adrian Butterfield , Elizabeth Edwards , Catherine Ford, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard , Stephen Jones , Peter Lissauer, Susie Mészáros, Roy Mowatt , Pamela Munks, Pauline Nobes , Stephen Rouse, Lucy Russell , Anne Schumann , Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | | 7:12 |
| 4 | Symphony no. 5 in C minor, op. 67: 4. Allegro- recording engineer:
- Mark Bücker , Stephan Flock and Hans-Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley , Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz , Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross , Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury , Adrian Butterfield , Elizabeth Edwards , Catherine Ford, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard , Stephen Jones , Peter Lissauer, Susie Mészáros, Roy Mowatt , Pamela Munks, Pauline Nobes , Stephen Rouse, Lucy Russell , Anne Schumann , Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: IV. Allegro (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | | 9:58 |
| 5 | Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley , Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent , Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield , Ruth Crouch , Catherine Ford, Roger Foxwell, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Lucy Howard , Stephen Jones , Peter Lissauer, Anna McDonald , Stephen Rouse, Stephen Rowlinson, Lucy Russell , Gregory Squire, Maurice Whitaker , Elizabeth Wilcock , Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | | 11:13 |
| 6 | Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto moto- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley , Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent , Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield , Ruth Crouch , Catherine Ford, Roger Foxwell, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Lucy Howard , Stephen Jones , Peter Lissauer, Anna McDonald , Stephen Rouse, Stephen Rowlinson, Lucy Russell , Gregory Squire, Maurice Whitaker , Elizabeth Wilcock , Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | | 12:00 |
| 7 | Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro - attacca- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley , Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent , Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield , Ruth Crouch , Catherine Ford, Roger Foxwell, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Lucy Howard , Stephen Jones , Peter Lissauer, Anna McDonald , Stephen Rouse, Stephen Rowlinson, Lucy Russell , Gregory Squire, Maurice Whitaker , Elizabeth Wilcock , Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | | 4:49 |
| 8 | Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter, Sturm. Allegro - attacca- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley , Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent , Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield , Ruth Crouch , Catherine Ford, Roger Foxwell, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Lucy Howard , Stephen Jones , Peter Lissauer, Anna McDonald , Stephen Rouse, Stephen Rowlinson, Lucy Russell , Gregory Squire, Maurice Whitaker , Elizabeth Wilcock , Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | | 3:39 |
| 9 | Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley , Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent , Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane , Peter Collyer, Alan George , Kate Heller, Annette Isserlis , Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield , Ruth Crouch , Catherine Ford, Roger Foxwell, Miranda Fulleylove , Jane Gillie, Jennifer Godson, Lucy Howard , Stephen Jones , Peter Lissauer, Anna McDonald , Stephen Rouse, Stephen Rowlinson, Lucy Russell , Gregory Squire, Maurice Whitaker , Elizabeth Wilcock , Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | | 9:16 |
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