| # | Title | Rating | Length |
|---|
| 1 | Estimated Prophet- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- Lyricon and saxophone:
- Tom Scott
- strings:
- The Martyn Ford Orchestra
- vocals:
- The English Choral
- conductor:
- Martyn Ford and Robert Howes
- orchestrator:
- Paul Buckmaster
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London , England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Estimated Prophet (from 1977-02 until 1977-06)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 4.35 | 5:38 |
| 2 | Passenger- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London , England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Passenger (from 1977-02 until 1977-06)
- lyricist:
- Peter Monk
- composer:
- Phil Lesh
- publisher:
- Ice Nine Publishing Company, Inc.
| 4.5 | 2:49 |
| 3 | Samson & Deliliah- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London , England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- cover recording of:
- Samson and Delilah (from 1977-02 until 1977-06)
- lyricist:
- [traditional]
- composer:
- [traditional] and Reverend Gary Davis
- version of:
- If I Had My Way I’d Tear the Building Down
| 4 | 3:29 |
| 4 | Terrapin Station/Lady With a Fan/Terrapin Station/Terrapin/Terrapin Transit/At a Siding/Terrapin Flyer/Refrain- engineer:
- Dave DeVore and Keith Olsen
- producer:
- Keith Olsen
- strings:
- The Martyn Ford Orchestra
- vocals:
- The English Choral
- conductor:
- Martyn Ford and Robert Howes
- orchestrator:
- Paul Buckmaster
- additionally recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Automated Sound Studios in New York, New York, United States, Trident Studios in Soho, Westminster, London , England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1977-05)
- recorded at:
- Sound City Studios in Van Nuys, California, United States (from 1977-02 until 1977-06)
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Terrapin Station, Part 1 (from 1977-02 until 1977-06)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia , Mickey Hart and Bill Kreutzmann
- publisher:
- Ice Nine Publishing Company, Inc.
| 4.5 | 16:22 |
| 5 | Good Lovin’- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen , Steve Parish , Harry Popick, Ram Rod , Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- cover recording of:
- Good Lovin’ (from 1978-07-31 until 1978-08-18)
- writer:
- Rudy Clark and Arthur Resnick
- publisher:
- Alley Music Corp., Carlin Music Corporation, Hudson Bay Music and Trio Music Company
| 5 | 4:51 |
| 6 | Shakedown Street- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen , Steve Parish , Harry Popick, Ram Rod , Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- phonographic copyright (℗) by:
- Grateful Dead Productions (in 1978)
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Shakedown Street (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| 4 | 5:00 |
| 7 | Fire on the Mountain- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen , Steve Parish , Harry Popick, Ram Rod , Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- guest harp:
- Matthew Kelly
- guest percussion and percussion:
- Jordan Amarantha
- harp:
- Matt Kelly
- horn arranger:
- John Kahn
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Fire on the Mountain (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Mickey Hart
- publisher:
- Ice Nine Publishing Company, Inc.
- written at:
- Mickey Hart’s Ranch in Novato, California, United States
| 3 | 3:48 |
| 8 | I Need a Miracle- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen , Steve Parish , Harry Popick, Ram Rod , Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- I Need a Miracle (from 1978-07-31 until 1978-08-18)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 4 | 3:34 |
| 9 | Alabama Getaway | 4 | 3:36 |
| 10 | Far From Me | 3 | 3:41 |
| 11 | Saint of Circumstance | 4 | 5:44 |
| 12 | Dire Wolf | | 3:21 |
| 13 | Cassidy- recording engineer:
- Betty Cantor‐Jackson (on 1970-10-14) and Betty Cantor-Jackson (on 1980-10-14)
- assistant engineer:
- Gregg Mann , Michael Peri and Billy Rothschild
- engineer:
- John Cutler , Dennis Leonard and Don Pearson
- producer:
- Betty Cantor-Jackson, Jerry Garcia and Dan Healy
- mixer:
- Dan Healy
- recorded at:
- Warfield Theatre in San Francisco, California, United States (on 1970-10-14) and Warfield Theatre in San Francisco, California, United States (on 1980-10-14)
- mixed at:
- Club Front in San Rafael, California, United States
- live recording of:
- Cassidy (on 1980-10-14)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| | 4:33 |
| 14 | Feel Like a Stranger | 4 | 5:47 |
| 15 | Franklin’s Tower | 4 | 5:38 |
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