The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Vol 1. Cantatas CD 1
▶ CD 2: Vol 1. Cantatas CD 2
▶ CD 3: Vol 1. Cantatas CD 3
▶ CD 4: Vol 1. Cantatas CD 4
▶ CD 5: Vol 2. Cantatas CD 1
▶ CD 6: Vol 2. Cantatas CD 2
▶ CD 7: Vol 2. Cantatas CD 3
▶ CD 8: Vol 2. Cantatas CD 4
▶ CD 9: Vol 3. Cantatas CD 1
▶ CD 10: Vol 3. Cantatas CD 2
▶ CD 11: Vol 3. Cantatas CD 3
▶ CD 12: Vol 3. Cantatas CD 4
▶ CD 13: Vol 4. Cantatas CD 1
▶ CD 14: Vol 4. Cantatas CD 2
▶ CD 15: Vol 4. Cantatas CD 3
▶ CD 16: Vol 4. Cantatas CD 4
▶ CD 17: Vol 5. Cantatas CD 1
▶ CD 18: Vol 5. Cantatas CD 2
▶ CD 19: Vol 5. Cantatas CD 3
▶ CD 20: Vol 5. Cantatas CD 4
▶ CD 21: Vol 6. Cantatas CD 1
▶ CD 22: Vol 6. Cantatas CD 2
▶ CD 23: Vol 6. Cantatas CD 3
▶ CD 24: Vol 6. Cantatas CD 4
▶ CD 25: Vol 7. Cantatas CD 1
▶ CD 26: Vol 7. Cantatas CD 2
▶ CD 27: Vol 7. Cantatas CD 3
▶ CD 28: Vol 7. Cantatas CD 4
▶ CD 29: Vol 8. Cantatas CD 1
▶ CD 30: Vol 8. Cantatas CD 2
▶ CD 31: Vol 8. Cantatas CD 3
▶ CD 32: Vol 8. Cantatas CD 4
▶ CD 33: Vol 9. Cantatas CD 1
▶ CD 34: Vol 9. Cantatas CD 2
▶ CD 35: Vol 9. Cantatas CD 3
▶ CD 36: Vol 9. Cantatas CD 4
▶ CD 37: Vol 10. Cantatas CD 1
▶ CD 38: Vol 10. Cantatas CD 2
▶ CD 39: Vol 10. Cantatas CD 3
▶ CD 40: Vol 10. Cantatas CD 4
▶ CD 41: Vol 11. Cantatas CD 1
▶ CD 42: Vol 11. Cantatas CD 2
▶ CD 43: Vol 11. Cantatas CD 3
▶ CD 44: Vol 11. Cantatas CD 4
▶ CD 45: Vol 12. Cantatas CD 1
▶ CD 46: Vol 12. Cantatas CD 2
▶ CD 47: Vol 12. Cantatas CD 3
▶ CD 48: Vol 12. Cantatas CD 4
▶ CD 49: Vol 13. Cantatas CD 1
▶ CD 50: Vol 13. Cantatas CD 2
▶ CD 51: Vol 13. Cantatas CD 3
▶ CD 52: Vol 13. Cantatas - CD 4
▶ CD 53: Vol 14. Cantatas - CD 1
▶ CD 54: Vol 14. Cantatas - CD 2
▶ CD 55: Vol 14. Cantatas - CD 3
▶ CD 56: Vol 14. Cantatas - CD 4
▶ CD 57: Vol 15. Cantatas - CD 1
▶ CD 58: Vol 15. Cantatas - CD 2
▶ CD 59: Vol 15. Cantatas - CD 3
▶ CD 60: Vol 15. Cantatas - CD 4
▶ CD 61: Vol 16. Cantatas CD 1
▶ CD 62: Vol 16. Cantatas CD 2
▶ CD 63: Vol 16. Cantatas CD 3
▶ CD 64: Vol 16. Cantatas CD 4
▶ CD 65: Vol 17. Cantatas CD 1
▶ CD 66: Vol 17. Cantatas CD 2
▶ CD 67: Vol 17. Cantatas CD 3
▶ CD 68: Vol 17. Cantatas CD 4
▶ CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
▶ CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
▶ CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
▶ CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
▶ CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
▶ CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
▶ CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
▶ CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
▶ CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
▶ CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
▶ CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
▶ CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
▶ CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
▶ CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
▶ CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
▶ CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
▶ CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
▶ CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
▶ CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
▶ CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
▶ CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
▼ CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
#TitleRatingLength
1Magnificat Es‐Dur, BWV 243a: I. Coro „Magnificat anima mea Dominum“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:53
2Magnificat Es‐Dur, BWV 243a: IIa. Aria (Sopran II) „Et exsultavit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:17
3Magnificat Es‐Dur, BWV 243a: IIb. Coro (a‐cappella) „Vom Himmel hoch“
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:29
4Magnificat Es‐Dur, BWV 243a: III. Aria (Sopran I) „Quia respexit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:28
5Magnificat Es‐Dur, BWV 243a: IV. Coro „Omnes generationes“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:14
6Magnificat Es‐Dur, BWV 243a: Va. Aria (Bass) „Quia fecit mihi magna“
bass vocals:
Klaus Häger (Bariton)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:02
7Magnificat Es‐Dur, BWV 243a: Vb. Coro „Freut euch und jubiliert“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:20
8Magnificat Es‐Dur, BWV 243a: VI. Aria (Alt, Tenor) „Et misericordia“
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
3:25
9Magnificat Es‐Dur, BWV 243a: VIIa. Coro „Fecit potentiam“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:53
10Magnificat Es‐Dur, BWV 243a: VIIb. Coro „Gloria in excelsis Deo“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:02
11Magnificat Es‐Dur, BWV 243a: VIII. Aria (Tenor) „Deposuit potentes“
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:55
12Magnificat Es‐Dur, BWV 243a: IXa. Aria (Alt) „Esurientes implevit bonis“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:55
13Magnificat Es‐Dur, BWV 243a: IXb. Aria (Sopran, Bass) „Virga Jesse floruit“
bass vocals:
Klaus Häger (Bariton)
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:58
14Magnificat Es‐Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) „Suscepit Israel“
alto vocals:
Ingeborg Danz (mezzo soprano)
soprano vocals:
Sibylla Rubens (soprano) and Ruth Sandhoff (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:39
15Magnificat Es‐Dur, BWV 243a: XI. Coro „Sicut locutus est“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:49
16Magnificat Es‐Dur, BWV 243a: XII. Coro „Gloria Patri et filio“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:11
17h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1993-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
2:08
18h‐Moll‐Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) „Et in unum Dominum“
alto vocals:
Ingeborg Danz (mezzo soprano)
soprano vocals:
Christiane Oelze (soprano)
soprano vocals [Soprano I]:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1993-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:01
19Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: II. Recitativo (Bass) „Wie, daß der Liebe hohe Kraft“
bass vocals:
Michael Volle (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe" (early version of BWV 34)
0:39
20Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Tenor) e Recitativo (Alt) „Siehe, also wird gesegnet“
alto vocals:
Anke Vondung (German mezzo-soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe" (early version of BWV 34)
4:58
21Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: VI. Recitativo (Sopran) „Das ist vor dich, o ehrenwürdger Mann“
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": VI. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe" (early version of BWV 34)
0:55
22Kantate, BWV 69a „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Ach, daß ich tausend Zungen hätte“
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
0:53
23Kantate, BWV 69a „Lobe den Herrn, meine Seele“: III. Aria (Tenor) „Meine Seele, auf, erzähle“
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
5:41
24Kantate, BWV 69a „Lobe den Herrn, meine Seele“: IV. Recitativo (Alt) „Gedenk ich nur zurück“
alto vocals:
Anke Vondung (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
1:34
25Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: II. Recitativo (Bass, Tenor) e Coro „Wie wunderbar, o Gott, sind deine Werke“
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge"
3:23
26Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: V. Recitativo (Tenor, Coro) „Herr Zebaoth“
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge"
1:31
27Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VI. Aria (Alt, Tenor) „Herr, fange an und sprich den Segen“
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge"
7:01
28Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VII. Recitativo (Bass) „Der Herr, Herr unser Gott“
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge"
1:35
29Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VIII. Choral „Lobe den Herren“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge"
1:45
30Kantate, BWV 197a „Ehre sei Gott in der Höhe“: V. Recitativo (Bass) „Das Kind ist mein“
bass vocals:
Michael Volle (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:30
31Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VI. Aria (Bass) „Ich lasse dich nicht“
bass vocals:
Michael Volle (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
3:07
32Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VII. Choral „Wohlan! so will ich mich“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:05
▶ CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
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▶ CD 93: Vol 24. A Book Of Chorale-Settings CD 1
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