Cooking with Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Carmen : Couplets « Votre toast, je peux vous le rendre »
bass-baritone vocals [Escamillo]:
Bryn Terfel (bass-baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:54
2Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" : Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (Engineer of classical recordings)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach4:51
3Carmen : Habanera
mezzo-soprano vocals [Carmen]:
Katherine Jenkins (mezzo-soprano)
orchestra:
The Arcadian Ensemble
conductor:
James Morgan (conductor)
arranger:
James Morgan (conductor) and Juliette Pochin
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet2:48
4Giulio Cesare in Egitto HWV 17 : No.32 Aria "Piangerò la sorte mia"
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel6:04
5Nocturnes, Op. 32: No. 1 in B Major
piano:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto
composer:
Fryderyk Chopin (composer)
part of:
Nocturnes, op. 32
Frédéric Chopin4:33
6Champagne Polka
orchestra:
Wiener Philharmoniker (from 1957-12-04 until 1957-12-06)
conductor:
Willi Boskovsky (violinist and conductor) (from 1957-12-04 until 1957-12-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-12-04 until 1957-12-06)
recording of:
Champagner Polka, op. 211 (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 211)
Johann Strauss II2:06
7Nocturnes, Op. 32: No. 2 in A-Flat Major
piano:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento
composer:
Fryderyk Chopin (composer)
part of:
Nocturnes, op. 32
Frédéric Chopin4:47
8Concerto No. 5 in A Major for Violin and Orchestra, K. 219: II. Adagio
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:25
9Piano Sonata No.11 In A, K.331 -"Alla Turca" : 1. Tema (Andante grazioso) con variazioni
piano:
András Schiff (pianist)
recording of:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: II. Tema con Variazioni. Andante con moto
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1
Wolfgang Amadeus Mozart13:46
10Vide cor meum (from the film "Hannibal") : Vide cor meum
engineer and mixer:
Pete Schwier (producer, mixing and recording engineer) and Leon Zervos
producer:
Nick Patrick
acoustic guitar:
Bryan Adams (Canadian singer/songwriter)
cello:
Adrian Bradbury (British cellist)
choir vocals:
The National Youth Choir of Wales
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
tenor vocals:
Rhys Meirion (welsh tenor)
orchestra:
The Czech Film Orchestra
chorus master:
David Rowland (chorus master)
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Patrick Cassidy24:02
11Rigoletto: La donna è mobile
engineer:
Lars C Bruun
producer, mixer and editor:
James Morgan (conductor) and Juliette Pochin
orchestra:
Danish National Chamber Orchestra
conductor:
James Morgan (conductor)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:41
12A Midsummer Night's Dream, Op. 61 Incidental Music : No. 5 Intermezzo
engineer:
Cyril Windebank (in 1957-02) and Kenneth Wilkinson (engineer) (in 1957-02)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (in 1957-02)
conductor:
Peter Maag (conductor) (in 1957-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-02)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (in 1957-02)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn3:31
13Préludes - Book 1 : 10. La cathédrale engloutie
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:36
14Aida: “Qui Radames verrà!” … “O patria mia“
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
15Rinaldo, HWV 7a : Aria: Lascia ch'io pianga
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:49
16Piano Quartet No. 2 in E Flat, K. 493 : 2. Larghetto
cello:
Bernard Greenhouse (cellist) (in 1983-01)
piano:
Menahem Pressler (pianist) (in 1983-01)
piano trio:
Beaux Arts Trio
viola:
Bruno Giuranna (violist) (in 1983-01)
violin:
Isidore Cohen (violinist) (in 1983-01)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1983-01)
recording of:
Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto (in 1983-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Quartet for Piano no. 2 in E-flat major, K. 493
Wolfgang Amadeus Mozart9:07
17Liebeslieder, Op. 114
orchestra:
Wiener Philharmoniker (from 1957-12-04 until 1957-12-06)
conductor:
Willy Boskovsky (violinist and conductor) (from 1957-12-04 until 1957-12-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-12-04 until 1957-12-06)
recording of:
Liebeslieder, op. 114 (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 114)
live recording of:
Liebeslieder, op. 114 (from 1957-12-04 until 1957-12-06)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 114)
Johann Strauss II6:42
18Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana (german lyrics)
part of:
Cavalleria rusticana
Pietro Mascagni4:16
19'O sole mio
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nicholas Dodd (conductor)
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
part of:
For the First Time (1959 film)
Alfredo Mazzucchi3:33
20Lieder ohne Worte, Op.85 : No. 4. Andante sostenuto in D "Elegy"
recording engineer:
Joachim Niss
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-12)
balance engineer:
Hans-Peter Schweigmann (in 1973-12)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Lied ohne Worte D-Dur, op. 85 Nr. 4 „Elegie” (in 1973-12)
composer:
Felix Mendelssohn (composer) (from 1834 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 192)
part of:
Lieder ohne Worte, op. 85
Felix Mendelssohn2:51
21Die Zauberflöte, K.620 : "Der Hölle Rache kocht in meinem Herze"
producer:
Michael Haas (classical music producer)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano)
spoken vocals [Monostatos]:
Heinz Zednik (tenor)
spoken vocals [Pamina]:
Ruth Ziesak (soprano)
spoken vocals [Sarastro]:
Kurt Moll (operatic bass)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
22Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1
piano:
Claudio Arrau (pianist) (in 1978-03)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto (in 1978-03)
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:44
23Nocturne No. 2 in E Flat, Op. 9 No. 2
piano:
Claudio Arrau (pianist) (in 1978-03)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (in 1978-03)
composer:
Fryderyk Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:45
24Le nozze di Figaro, K.492 : "Voi che sapete"
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1995-01)
orchestra:
The English Concert (in 1995-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1995-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:40
25William Tell: Overture
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Guillaume Tell : Ouverture
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:56
26Clarinet Concerto in A Major, K. 622: II. Adagio
producer:
Michael Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:43
27Turandot : "Nessun dorma!"
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini53:01
28Piano Concerto No. 1 in C Major, Op. 15 : 1. Allegro con brio
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven17:47
29Piano Concerto No. 1 in C Major, Op. 15: II. Largo
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:24
30String Quartet No.10 in E flat major, Op.51 - B.92 : 3. Romanze. Andante con moto
producer:
Franz Christian Wulff
cello:
Jan Širc (cellist, Czech String Trio) (in 1975-01)
string quartet:
Prague String Quartet (in 1975-01)
viola:
Lubomír Malý (in 1975-01)
violin:
Břetislav Novotný (Czech violinist) (in 1975-01) and Karel Přibyl (violinist) (in 1975-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Narodní dům (Žižkov) in Praha, Czechia (in 1975-01)
recording of:
String Quartet no. 10 in E-flat major, op. 51, B. 92: III. Romanza: andante con moto (in 1975-01)
composer:
Antonín Dvořák (composer) (from 1878-12-25 until 1879-03-28)
part of:
String Quartet no. 10 in E-flat major, op. 51, B. 92
Antonín Dvořák6:40
31Gianni Schicchi : "O, mio babbino caro"
soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:32
32Pagliacci : "Recitar!" - "Vesti la giubba"
tenor vocals [Canio]:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:35
33Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance: Allegretto
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 85 in B-flat major, Hob. I:85 "La Reine": II. Romance. Allegretto
composer:
Joseph Haydn (composer)
part of:
Symphony no. 85 in B-flat major, Hob. I:85 "La Reine"
Franz Joseph Haydn7:24
34Schön Rosmarin
recorded in:
New York, New York, United States (in 1961-09)
piano:
Brooks Smith (piano) (in 1961-09)
violin:
Ruggiero Ricci (violinist) (in 1961-09)
recording of:
Schön Rosmarin (for violin and piano) (in 1961-09)
composer:
Fritz Kreisler (violinist / composer)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler1:53
35Sonata in f minor (Andante moderato) K466
piano:
Yuja Wang (pianist)
recording of:
Sonata in F minor, K 466, L 118: Andante moderato
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 118) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 466)
Domenico Scarlatti5:45
36Les contes d'Hoffmann, Act 2: "Belle nuit, ô nuit d'amour" (Barcarolle)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
James Mallinson (producer)
choir vocals:
Chœur de Radio France (from 1986-05 until 1986-06)
mezzo-soprano vocals [Nicklausse]:
Claudia Eder (German mezzo-soprano) (from 1986-05 until 1986-06)
soprano vocals [Giulietta]:
Edita Gruberová (soprano) (from 1986-05 until 1986-06)
orchestra:
Orchestre national de France (RTF / ORTF / Radio France) (from 1986-05 until 1986-06)
conductor:
Seiji Ozawa (conductor and composer) (from 1986-05 until 1986-06)
chorus master:
Jacques Jouineau (chorus master) (from 1986-05 until 1986-06)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1989)
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (from 1986-05 until 1986-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (from 1986-05 until 1986-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:46
37Piano Trio in B-Flat Major, Op. 97, "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist)
string quartet:
Borodin Quartet
recording of:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto
composer:
Ludwig van Beethoven (German composer) (from 1810 until 1811)
part of:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”
Ludwig van Beethoven13:05
38Rigoletto : "Questa o quella" (Ballata)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:48
39Don Giovanni, ossia Il dissoluto punito, K.527 : "Dalla sua pace"
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor)
orchestra:
Chamber Orchestra of Europe
conductor:
Claudio Abbado (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
40Alt-Wiener Tanzweisen (Old Viennese Melodies): I. Liebesleid (Love's Sorrow)
producer:
Wolfgang Stengel
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
balance engineer:
Wolfgang Mitlehner (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem, Yerushalayim, Jerusalem, Israel, West Bank, Palestine (in 1980-06)
recording of:
Liebesleid (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (violinist / composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:56
41Miniatures, Op. 75a: Romanza
orchestra:
Budapest Festival Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Miniatures, op. 75a, B. 149: III. Romanza. Allegro (for 2 violins and viola)
composer:
Antonín Dvořák (composer) (in 1887-01)
part of:
Miniatures, op. 75a, B. 149 (for 2 violins and viola)
Antonín Dvořák2:47
42La gazza ladra : Overture
orchestra:
Los Angeles Philharmonic
conductor:
Gustavo Dudamel (conductor and violinist)
recording of:
La gazza ladra: Ouverture
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:45
43Lieder ohne Worte, Op.19 : No. 1 in E (Andante con moto) "Sweet Remembrance"
recording engineer:
Hans-Rudolf Müller
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans-Peter Schweigmann (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b
Felix Mendelssohn3:06
44Piano Trio No.5 in D, Op.70 No.1 - "Geistertrio" : 2. Largo assai ed espressivo
instruments:
Beaux Arts Trio
recording of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
Ludwig van Beethoven10:26
45Symphony No.9 in D minor, Op.125 - "Choral" : 2. Molto vivace
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Vienna Philharmonic Orchestra (from 1964-05-08 until 1964-05-12)
conductor:
Hans Schmidt‐Isserstedt (from 1964-05-08 until 1964-05-12)
balance engineer:
James Lock (engineer) (from 1965-12-08 until 1965-12-12)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1965-12-08 until 1965-12-12)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 1964-05-08 until 1964-05-12)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:13
46String Quartet No. 2 in G, Op. 18 No. 2 : 3. Scherzo (Allegro)
cello:
Franco Rossi (classical cellist)
string quartet:
Quartetto Italiano (1945—1980)
viola:
Piero Farulli (Italian violinist and viola player)
violin:
Paolo Borciani (violinist) and Elisa Pegreffi (violinist)
recording of:
String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
String Quartet no. 2 in G major, op. 18 no. 2
Ludwig van Beethoven4:24
474 Impromptus Op.142, D.935 : No.3 in B flat: Theme (Andante) with Variations
producer:
Volker Straus (producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (from 1974-06-04 until 1974-06-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1974-06-04 until 1974-06-08)
recording of:
Impromptu in B-flat major, D. 935 no. 3. Theme (Andante) with variations (from 1974-06-04 until 1974-06-08)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, D. 935
Franz Schubert11:50
48Concerto No. 4 in E-Flat Major for Horn and Orchestra, K. 495: II. Romanza: Andante
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
horn:
David Jolley (French horn) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:53
49Romance in F Minor for Violin and Orchestra, Op. 11
violin:
Pamela Frank (violinist)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic; formerly Czech Philharmonic Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Romance in F minor, op. 11, B. 39 (for violin and orchestra)
premiered in:
Praha, Czechia (on 1877-12-09)
composer:
Antonín Dvořák (composer)
premiered at:
Romance in F minor, op. 11, B. 39 (1877-12-09)
publisher:
N. Simrock (in 1879)
part of:
Works of Antonín Dvořák by opus number (number: op. 11) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 39)
is based on:
String Quartet no. 5 in F minor, op. 9, B. 37: II. Andante con moto quasi allegretto
Antonín Dvořák10:39
50Salut d'amour, Op. 12
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
Salut d’amour, op. 12 (for violin and piano) (in 1985-10)
composer:
Edward Elgar (composer) (in 1888)
dedicated to:
Alice Elgar (English author, married to Edward Elgar)
publisher:
Schott & Co. Ltd. (in 1889)
part of:
Works of Edward Elgar by opus number (number: op. 12)
Edward Elgar2:57