Super Oldies Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

No copyright year.

Annotation last modified on 2012-12-24 10:37 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.33:03
2Yesterday Man
producer:
Peter Columbus
recording of:
Yesterday Man
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:34
3My Bonnie
Tony Sheridan2:09
4Ain't That a Shame
recording of:
Ain’t That a Shame
writer:
Antoine Domino and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino2:32
5With a Girl Like You
recording of:
With a Girl Like You
writer:
Reg Presley
The Troggs4.42:10
6Sugar, Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6) and Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Archies3.62:50
7You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Mick Avory (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.32:14
8Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
9C'Mon Everybody
recording of:
C’mon Everybody
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Unart Catalog Inc. and Metric Music Co (publisher)
Eddie Cochran1:57
10Maybelline
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry3.852:22
11Carrie-Anne
recording of:
Carrie Anne
lyricist:
Allan Clarke (of The Hollies)
writer:
Tony Hicks and Graham Nash
The Hollies2:57
12You Don't Have to Say You Love Me
producer:
John Franz
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 491)
recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Dusty Springfield3.72:49
13Detroit City
producer:
Chet Atkins
cover recording of:
Detroit City (on 1963-04-18)
writer:
Danny Dill and Mel Tillis
Bobby Bare52:50
14Wig-Wam Bam
edit of:
Wig‐Wam Bam by The Sweet (UK glam rock band)
recording of:
Wig Wam Bam
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
The Sweet52:57
15Ramona
The Blue Diamonds2:34
16Reveille Rock
recording of:
Reveille Rock
writer:
Carl Conatser and Tom King (50s & 60s songwriter)
Johnny and the Hurricanes2:22