Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Water Music
▶ CD 2: Music for the Royal Fireworks; Sinfonias
▶ CD 3: Concerti grossi Op. 3
▶ CD 4: Concerti grossi Op. 6 Nos. 1-4
▶ CD 5: Concerti grossi Op. 6 Nos. 5-8
▶ CD 6: Concerti grossi Op. 6 Nos. 9-12
▶ CD 7: Concerti a due cori
▶ CD 8: Organ Concertos I
▶ CD 9: Organ Concertos II; Harp Concerto
▶ CD 10: Organ Concertos III
▶ CD 11: Organ Concertos IV
▶ CD 12: Organ Concertos V
▶ CD 13: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
▶ CD 14: Flute Sonatas
▶ CD 15: Violin and Oboe Sonatas
▶ CD 16: Trio Sonatas I - Op. 2
▶ CD 17: Trio Sonatas II - Op. 5
▶ CD 18: Trio Sonatas III
▶ CD 19: Recorder Sonatas
▶ CD 20: Suites de pièces pour le clavecin I
▶ CD 21: Suites de pièces pour le clavecin II
▶ CD 22: Suites de pièces pour le clavecin III
▶ CD 23: Suites de pièces pour le clavecin IV
▶ CD 24: Harpsichord Music I
▶ CD 25: Harpsichord Music II
▶ CD 26: Harpsichord Music III
▶ CD 27: Harpsichord Music IV
▶ CD 28: Romantic Organ Transcriptions
▶ CD 29: Nine German Arias
▶ CD 30: Cantatas for soprano solo I
▶ CD 31: Cantatas for soprano solo II
▶ CD 32: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
▶ CD 33: Cantatas for soprano solo IV
▶ CD 34: Cantatas for soprano solo V
▶ CD 35: Italian Duets
▶ CD 36: The Alchemist; Apollo e Dafne
▶ CD 37: Aci, Galatea e Polifemo (beginning)
▶ CD 38: Aci, Galatea e Polifemo (conclusion)
▶ CD 39: Alexander's Feast (beginning)
▶ CD 40: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
▶ CD 41: Coronation Anthems
▶ CD 42: Dettingen Te Deum
▶ CD 43: Friedensode; Utrechter Te Deum
▶ CD 44: Ode for St. Cecilia's Day
▶ CD 45: Messiah (beginning)
▶ CD 46: Messiah (conclusion)
▶ CD 47: La Resurrezione (beginning)
▶ CD 48: La Resurrezione (conclusion)
▶ CD 49: Jephtha (beginning)
▶ CD 50: Jephtha (continuation)
▶ CD 51: Jephtha (conclusion)
▶ CD 52: Israel in Egypt (beginning)
▶ CD 53: Israel in Egypt (conclusion)
▶ CD 54: Judas Maccabaeus (beginning)
▶ CD 55: Judas Maccabaeus (conclusion)
▼ CD 56: Samson (beginning)
#TitleRatingLength
1Samson, HWV 57: 1. Act 1 Sinfonia
harpsichord and organ:
Dr. Alexander Schreiner
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Samson, HWV 57: Act I. Sinfonia
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act I
7:25
2Samson, HWV 57: 2. Act 1 "This day, a solemn feast to Dagon held" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitative. This day, a Solemn Feast to Dagon Held (Samson). Chorus. Awake the Trumpet’s Lofty Sound!
part of:
Samson, HWV 57: Act I
2:22
3Samson, HWV 57: 3. Act 1 "Ye men of Gaza, hither bring the merry pipe and pleasing string" [Dalila]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Air. Ye Men of Gaza (Philistine Woman)
part of:
Samson, HWV 57: Act I
3:39
4Samson, HWV 57: 4. Act 1 "Awake the trumpet's lofty sound" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Chorus. Awake the Trumpet’s Lofty Sound!
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act I
0:29
5Samson, HWV 57: 5. Act 1 "Loud as the thunder's awful voice" [Philistine]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Air. Loud as the Thunder’s Awful Voice (Philistine Man)
part of:
Samson, HWV 57: Act I
3:30
6Samson, HWV 57: 6. Act 1 "Why by an angel was my birth foretold" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitative and Air. Why by an Angel Was My Birth Foretold (Samson). Torments, Alas! Are Not Confin’d (Samson)
part of:
Samson, HWV 57: Act I
5:54
7Samson, HWV 57: 7. Act 1 "Oh change beyond report, thought or belief!" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitatives. Oh, Change Beyond Report, Thought or Belief! (Micah). Oh, Mirror of Our Fickle State! (Micah). Whom Have I to Complain of but Myself (Samson/Micah)
part of:
Samson, HWV 57: Act I
2:09
8Samson, HWV 57: 8. Act 1 "Total eclipse! no sun, no moon, all dark amidst the blaze of noon!" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Air. Total Eclipse! (Samson)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
3:42
9Samson, HWV 57: 9. Act 1 "Oh first created beam!" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Chorus. Oh First Created Beam!
part of:
Samson, HWV 57: Act I
3:24
10Samson, HWV 57: 10. Act 1 "Brethren and men of Dan, say, where is my son" [Manoah, Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitatives. Brethren and Men of Dan, Say, Where is My Son (Manoah/Micah). Oh Miserable Change! (Manoah)
part of:
Samson, HWV 57: Act I
1:19
11Samson, HWV 57: 11. Act 1 "Thy glorious deeds inspir'd my tongue" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Air. Thy Glorious Deeds Inspir’d My Tongue (Manoah)
part of:
Samson, HWV 57: Act I
4:25
12Samson, HWV 57: 12. Act 1 "Justly these evils have befall'n thy son" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitative and Air. Justly These Evils Have Befall’n Thy Son (Samson). Why Does the God of Israel Sleep? (Samson)
part of:
Samson, HWV 57: Act I
6:14
13Samson, HWV 57: 13. Act 1 "There lies our hope!" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitative and Chorus. There Lies Our Hope! (Micah). Then They Shall Know
part of:
Samson, HWV 57: Act I
2:38
14Samson, HWV 57: 14. Act 1 "For thee, my dearest son" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Recitative. For Thee, My Dearest Son (Manoah/Samson)
part of:
Samson, HWV 57: Act I
1:39
15Samson, HWV 57: 15. Act 1 "Then round about the starry throne" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 1: Chorus. Then Round About the Starry Throne
part of:
Samson, HWV 57: Act I
2:40
16Samson, HWV 57: 16. Act 2 "My evils hopeless are!" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative and Air. My Evils Hopeless Are (Samson/Micah). Relieve Thy Champion (Micah)
part of:
Samson, HWV 57: Act II
4:56
17Samson, HWV 57: 17. Act 2 "To dust his glory they would tread" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Chorus. To Dust His Glory They Would Tread. Air and Chorus. Return, O God of Hosts! (Micah)
part of:
Samson, HWV 57: Act II
3:37
18Samson, HWV 57: 18. Act 2 "But who is this?" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative. But Who Is This, That So Bedeck’d and Gay (Micah/Samson/Delilah)
part of:
Samson, HWV 57: Act II
2:13
19Samson, HWV 57: 19. Act 2 "With plaintive notes and am'rous moan" [Dalila, Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Air. With Plaintive Notes and Am’rous Moan (Delilah)
part of:
Samson, HWV 57: Act II
6:50
20Samson, HWV 57: 20. Act 2 "Did Love constrain thee?" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II, no. 43. Recitative "Did Love Constrain Thee?"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
1:11
21Samson, HWV 57: 21. Act 2 "My - Her faith and truth, oh Samson, prove Dalila" [Dalila, Virgin]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Duet and Chorus. My Faith and Truth (Delilah/A Maiden). Her Faith and Truth
part of:
Samson, HWV 57: Act II
6:35
▶ CD 57: Samson (conclusion)
▶ CD 58: Theodora (beginning)
▶ CD 59: Theodora (conclusion)
▶ CD 60: Saul (beginning)
▶ CD 61: Saul (conclusion)
▶ CD 62: Solomon (beginning)
▶ CD 63: Solomon (conclusion)
▶ CD 64: Semele (beginning)
▶ CD 65: Semele (conclusion)