Annotation

Packaging: Cardboard box that folds open with booklet and nine individual paper sleeves inside

Sub-optimal credits

Transfer from 78s done by (as specified for individual tracks, for discs 1–3):

  • Symphony no. 1 (disc 1, tracks 1–4): Michael J. Dutton
  • Falstaff (disc 1, tracks 5–10): Anthony C. Griffith
  • Symphony no. 2 (disc 2, tracks 1–5): Michael J. Dutton
  • Symphony no. 2 rehearsal (disc 2, track 6): Jerrold Northrop Moore
  • Dream of Gerontius (disc 3, tracks 1–8): Anthony C. Griffith
  • Civic Fanfare (disc 3, track 9): Anthony C. Griffith
  • Dream of Gerontius (disc 3, tracks 10–13): Anthony C. Griffith, Michael J. Dutton
  • Music Makers (disc 3, tracks 14–17): Michael J. Dutton

Transfer and remastering, by disc:

  • CDs 1–3: Mastered by Paul Baily, Michael J. Dutton, and Peter Mew; digitally remastered by Michael J. Dutton and John Holland
  • CDs 4 and 7–9: Transferred from 78s and digitally remastered by Andrew Walter
  • CDs 5 and 6: Digitally remastered by Andrew Walter, Paul Baily, and John Holland. Transferred from 78s by:
    • CD 5, track 14–26: Anthony C. Griffith
    • CD 6, track 4: Anthony C. Griffith
    • The rest: Andrew Walter

Edward Elgar "supervised…via telephone" Lawrance Collingwood conducting Caractacus (disc 9, tracks 10–11).

Source Matrix/Catalogue Numbers

Source matrix no.s/catalogue nos. (HMV unless stated otherwise) of first publication:

  • Symphony no. 1 (disc 1, tracks 1–4): Cc 20675-7 & 20682-9/D 1944-9
  • Falstaff (disc 1, tracks 5–10): 2B 2011-14 & 2017-20/DB 1621-4
  • Symphony no. 2 (disc 2): CR 1268-79/D 1230-35 (no matrix number assigned to track 6/rehearsal, part ℗ 1971 on World Record Club SH 163, part EMI Classics CDS 7 54560 2)
  • Dream of Gerontius (disc 2, tracks 1–8): CR 997–9/Pearl Opal 810; CR 1201/RLS 713; CR 1202/RLS 713; CR 1203/D 1243; CR 1205/D 1242; CR 1206–7/D 1242 & RLS 713; CR 1208/RLS 713; CR 1209–10/RLS 713 & D 1243
  • Civic Fanfare (disc 2, track 9): BR 1137/RLS 708
  • Dream of Gerontius (disc 2, tracks 10–13): BR 1137/RLS 708 and CR 1143, 1145, & 1148–9/D 1350 & 1348
  • Music Makers (disc 2, tracks 14–17): CR 1157, 1159, & 1161/D 1349 & 1347
  • Enigma Variations (disc 4, tracks 1–15): CR 339–45/D 1154–7
  • Violin Concerto in B minor (disc 4, tracks 16–19): 2B 2968–79/DB 1751–6
  • The Wand of Youth (disc 5, tracks 1–7): Cc 15062–6/D 1636–8
  • The Wand of Youth (disc 5, tracks 8–13): Cc 15062–6 & 15067–70/D 1636–8 & 1649–50
  • Nursery Suite (disc 5, tracks 14–21): 2B 558–61/D 1998–9
  • Severn Suite (disc 5, tracks 22–26): 2B 2848–52/DB 1908–10
  • Land of Hope and Glory, It comes from the misty ages, National Anthem, Croft: O God, our help in ages past (disc 6, tracks 1–4): CR 1658/RLS 713; CR 1661/RLS 713; CR 1659/C 1467; CR 1660/C 1467
  • Meditation from the Light of Life (disc 6, track 5): CR 649/D 1157
  • Three Characteristic Pieces (disc 6, tracks 6–8): Bb 18152/Japanese Victor JF 38; Cc 18153/EMI Classics CDS 7 54564 2; 2B 4152/DB 1910
  • Chanson de nuit, Canson de matin (disc 6, tracks 9–10): CR 338 & CR 1280/D 1236
  • Three Bavarian Dances (disc 6, tracks 11–13): CR 1455–6/D 1367 and 2B 576/DB 1667
  • The Crown of India (disc 6, tracks 14–18): Cc 19727–8 & Cc 19741/D 1899–1900
  • Fantasia and Fugue in C minor (disc 6, tracks 19–20): CR 346–7/W 749
  • Froissart (disc 7, track 1): 2B 4149–51/DB 1938–9
  • Cockaigne (disc 7, track 2): CR 332–5/D 1110–11
  • In the South (disc 7, tracks 3–6): Cc 19729–30 & 19742–4/DB 1665–7
  • Interludes from Falstaff (disc 7, tracks 7–8): Cc 18151/D 1863
  • Cello Concerto in E minor (disc 7, tracks 9–12) CR 1754–9/D 1507–9
  • Minuet from Beau Brummel, Rosemary, Salut d’amour, Minuet op. 21, Sérénade lyrique, May Song, Carissima (disc 8, tracks 1–7): Cc 18139/RLS 713, Cc 18138/D 1778, Bb 18150/E 547, Cc 18149/D 1863, Cc 18137/D 1778, Cc 18140/D 1949, and Bb 18141/E 547
  • Minuet from Beau Brummel (disc 8, track 8): Cc 15072/D 1638
  • Five Piano Improvisations (disc 8, tracks 9–13): Bb 18129 and Cc 18130–33/RLS 713
  • Pomp and Circumstance (disc 8, tracks 14–18): CR 336/D 1102, CR 337/D 1102, CD 1454/D 1301, CR 1453/D 1301, and Cc 19740/D 1900
  • Land of Hope and Glory (disc 8, track 19): 2B 2016 (transferred from film soundtrack)/RLS 713
  • Prelude to The Kingdom (disc 9, track 1); Pomp and Circumstance (disc 9, tracks 3–4); and Cockaigne (disc 9, track 5): 2B 4178–9/DB 1934, 2B 3456/DB 1801, 2B 3455/DB 1801, 2B 4177/DB 1936, and 2B 4174–6/DB 1935–6
  • Serenade in E minor (disc 9, tracks 6–8); Elegy (disc 9, track 9): 2B 3553–5/DB 2132–3 and (Elegy only) 2B 3556/DB 1939
  • Caractacus (disc 9, tracks 10–11): 2B 4757/DB 2147 and 2B 4759–60/DB 2142
  • Mina (disc 9, track 12–13): OB 5886/EMI Classics CDS 7 54568 2 and (track 13 only) OEA 957/B 8282
  • Coronation March (disc 9, track 14): 2EA 1019–20/DB 2437
Annotation last modified on 2017-03-04 08:33 UTC.

Tracklist

CD 1
CD 2
CD 3
CD 4
#TitleRatingLength
1Variations on an Original Theme (“Enigma”), op. 36: Theme
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:43
2Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:55
3Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:44
4Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:27
5Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:31
6Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:54
7Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:22
8Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:54
9Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:40
10Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1926-04-28 until 1926-08-30)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:53
11Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:32
12Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:51
13Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:17
14Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon]
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:03
15Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer)
producer:
Fred Gaisberg
orchestra:
Royal Albert Hall Orchestra (from 1926-04-28 until 1926-08-30)
conductor:
Sir Edward Elgar (composer) (from 1926-04-28 until 1926-08-30)
balance engineer:
Arthur S. Clarke (engineer) (from 1926-04-28 until 1926-08-30), Edward Fowler (engineer) (from 1926-04-28 until 1926-08-30) and G. W. Dillnutt (from 1926-04-28 until 1926-08-30)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-04-28 until 1926-08-30)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1926-04-28 until 1926-08-30)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
4:42
16Violin Concerto in B minor, op. 61: I. Allegro
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown (Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
recording of:
Violin Concerto in B minor, op. 61: I. Allegro (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
17:25
17Violin Concerto in B minor, op. 61: II. Andante
producer:
Fred Gaisberg
solo violin:
Yehudi Menuhin (violinist)
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown (Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
13:01
18Violin Concerto in B minor, op. 61: III. Allegro molto—
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown (Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
partial recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
10:13
19Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto
producer:
Fred Gaisberg
violin:
Yehudi Menuhin (violinist) (from 1932-07-14 until 1932-07-15)
orchestra:
London Symphony Orchestra (from 1932-07-14 until 1932-07-15)
conductor:
Sir Edward Elgar (composer) (from 1932-07-14 until 1932-07-15)
balance engineer:
unknown (Special Purpose Artist – Do not add releases here, if possible.) (from 1932-07-14 until 1932-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1932-07-14 until 1932-07-15)
partial recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1932-07-14 until 1932-07-15)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
9:10
CD 5
CD 6
CD 7
CD 8
CD 9

Credits

Release

liner notes:Richard Abram
miscellaneous support:Lawrance Collingwood
producer:Fred Gaisberg
mastering:Andrew Walter (engineer)
Anthony C. Griffith (engineer)
Paul Baily (audio engineer)
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
John Holland (engineer)
Peter Mew