Bach Edition, Volume 7: Secular Cantatas/Weltliche Kantaten

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

CD 1: BWV 36c, 209
CD 2: BWV 201
CD 3: BWV 202, 210
CD 4: BWV 208, 204
CD 5: Secular Cantatas: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten (Berliner Solisten Choreinstudierung & Kammerorchester Berlin
CD 6: BWV 206, 215
CD 7: Secular Cantatas: Schweigt stille, plaudert nicht (Kaffee-Kantate
#TitleRatingLength
1Cantata, BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativo "Schweigt stille, plaudert nicht"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:44
2Cantata, BWV 211 "Schweigt stille, plaudert nicht": II. Aria "Hat man nicht mit seinen Kindern"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:21
3Cantata, BWV 211 "Schweigt stille, plaudert nicht": III. Rezitativo "Du böses Kind, du loses Mädchen"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:42
4Cantata, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei! wie schmeck der Coffee süße"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
4:51
5Cantata, BWV 211 "Schweigt stille, plaudert nicht": V. Rezitativo "Wenn du mir nicht den Coffee läßt"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
1:12
6Cantata, BWV 211 "Schweigt stille, plaudert nicht": BWV 211 6 Arie: Mädchen, die von harten Sinnen
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
3:06
7Cantata, BWV 211 "Schweigt stille, plaudert nicht": BWV 211 7 Rezitativ: Nun folge, was dein Vater spricht!
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:54
8Cantata, BWV 211 "Schweigt stille, plaudert nicht": BWV 211 8 Arie: Heute noch, lieber Vater
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
7:25
9Cantata, BWV 211 "Schweigt stille, plaudert nicht": BWV 211 9 Rezitativ: Nun geht und sucht den alten Schlendrian
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
0:47
10Cantata, BWV 211 "Schweigt stille, plaudert nicht": BWV 211 10 Chor: Die Katze läßt das Mausen nicht
bass vocals:
Theo Adam (German classical bass-baritone) and Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
5:55
11Cantata, BWV 212 "Mer hahn ein neue Oberkeet": I. Sinfonia
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:34
12Cantata, BWV 212 "Mer hahn ein neue Oberkeet": II. 2 Aria "Mer hahn ein neue Oberkeet"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:38
13Cantata, BWV 212 "Mer hahn ein neue Oberkeet": III. Rezitative "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:56
14Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IV. Aria "Ach, es schmeck doch gar zu gut"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:00
15Cantata, BWV 212 "Mer hahn ein neue Oberkeet": V. Rezitative "Der Herr ist gut"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
16Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VI. Aria "Ach Herr Schlösser, geht nicht gar zu schlimm"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:13
17Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VII. Rezitative "Es bleibt dabei"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:25
18Cantata, BWV 212 "Mer hahn ein neue Oberkeet": VIII. Aria "Unser trefflicher lieber Kammerherr"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:06
19Cantata, BWV 212 "Mer hahn ein neue Oberkeet": IX. Rezitative "Er hilft uns allen, alt und jung"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:29
20Cantata, BWV 212 "Mer hahn ein neue Oberkeet": X. Aria "Das ist galant"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:17
21Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XI. Rezitative "Und unsre gnäd'ge Frau"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:42
22Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XII. Aria "Fünfzig Taler bares Geld"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:47
23Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIII. Rezitative "Im Ernst kein Wort!"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:31
24Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIV. Aria "Zschocher müsse so zart und süße"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:53
25Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XV. Rezitative "Das ist zu klug vor dich"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
26Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVI. Aria "Es nehme zehntausend Dukaten"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:38
27Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVII. Rezitative "Das klingt zu liederlich"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:22
28Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XVIII. Aria "Gib, Scöne, viel Söhne"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:48
29Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XIX. Rezitative "Du hast wohl recht"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
30Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XX. Aria "Dein Wachstum sei feste und lache vor Lust!"
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
6:24
31Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XX1. Rezitative "Und damit sei es auch genug"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:19
32Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXII. Aria "Und daß ihr's alle wißt"
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:51
33Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIII. Rezitative "Mein Schatz, erraten!"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:34
34Cantata, BWV 212 "Mer hahn ein neue Oberkeet": XXIV Chorus "Wir gehn nun, wo der Tudelsack"
bass vocals:
Siegfried Lorenz (baritone)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1975-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:25
CD 8: BWV 213, 214

Credits

Release

conductor:Peter Schreier (German tenor and conductor)
chorus master:Dietrich Knothe (conductor)
bass vocals:Theo Adam (German classical bass-baritone)
Siegfried Lorenz (baritone)
soprano vocals:Edith Mathis (soprano)
tenor vocals:Peter Schreier (German tenor and conductor)
Discogs:https://www.discogs.com/release/1935635 [info]
ASIN:DE: B00002MXXL [info]

Release Group

part of:Bach Edition (number: 7) (order: 7)