Jazz Divas

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Billie Holiday3:30
2(I Love You) for Sentimental Reasons
recorded in:
New York, New York, United States (on 1946-08-29)
double bass [string bass]:
Benny Moten (jazz bassist)
drums (drum set):
Eddie "Mole" Bourne
guitar:
Jimmy Shirley
piano:
René DeKnight
vocals:
The Delta Rhythm Boys (vocal harmony group) and Ella Fitzgerald
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-29)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
Ella Fitzgerald3:12
3You Got to My Head
vocals:
Sarah Vaughan
cover recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Sarah Vaughan3:04
4Them There Eyes
cover recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Peggy Lee2:59
5What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Anita O’Day2:42
6My Old Flame
cover recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Peggy Lee3:11
7It Ain’t Necessarily So
Maxine Sullivan3:37
8Sophisticated Lady
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dinah Shore3:10
9It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Academy Award for Best Original Song (number: 18)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
Sarah Vaughan3:14
10That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:56
11It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald2:44
12Body and Soul
recorded in:
New York, New York, United States (on 1954-04-02)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-04-02)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02)
piano:
John Malachi (on 1954-04-02)
vocals:
Sarah Vaughan (on 1954-04-02)
cover recording of:
Body and Soul (on 1954-04-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Sarah Vaughan3:15
13And Her Tears Flowed Like Wine
recording of:
And Her Tears Flowed Like Wine
lyricist:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
composer:
Stan Kenton and Charles Lawrence
Anita O’Day3:08
14Aren’t You Kind of Glad We Did?
vocals:
Peggy Lee (jazz vocalist) (on 1946-07-23)
orchestra:
Dave Barbour and His Orchestra (on 1946-07-23)
recording of:
Aren’t You Kind of Glad We Did? (on 1946-07-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1946)
Peggy Lee2:59
15You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Dinah Shore2:57
16St Louis Blues
cover recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
Lena Horne3:04
17Night and Day
Maxine Sullivan3:24
18The Way You Look Tonight
vocals:
Peggy Lee (jazz vocalist) (in 1942)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Peggy Lee3:20
19All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Billie Holiday3:04
20Flying Home
recorded in:
New York, New York, United States (on 1945-10-04)
double bass:
Felix Globbe (American jazz (and classical) bassist.) (on 1945-10-04)
drums (drum set):
Irv Kluger (on 1945-10-04)
guitar:
Hy White (on 1945-10-04)
piano:
Moe Wechsler (on 1945-10-04)
saxophone:
Sid Cooper (flute & clarinet player) (on 1945-10-04) and Harry Feldman (on 1945-10-04)
trombone:
William Pritchard (on 1945-10-04)
trumpet:
Chuck Genduso (trumpeter) (on 1945-10-04)
vocals:
Ella Fitzgerald (in 1945, on 1945-10-04)
orchestra:
Vic Schoen and His Orchestra (in 1945)
cover recording of:
Flying Home (on 1945-10-04)
lyricist:
De Lange (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
cover recording of:
Flying Home (instrumental version) (in 1945)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Ella Fitzgerald42:30
▶ CD 3