| # | Title | Artist | Rating | Length |
|---|
| 1 | The Crocodile Rock | Elton John | 3.4 | 3:56 |
| 2 | The Heat Is On | Glenn Frey | 3.35 | 3:47 |
| 3 | The Locomotion | Grand Funk Railroad | | 2:58 |
| 4 | Cocaine | J.J. Cale | 3 | 2:54 |
| 5 | Dreadlock Holiday- engineer:
- Keith Bessey, Eric Stewart and Tony Spath
- producer:
- Graham Gouldman and Eric Stewart
- mixer:
- Eric Stewart
- agogô, congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- bass guitar, cabasa and background vocals and lead vocals:
- Graham Gouldman
- drums (drum set) and tambourine:
- Stuart Tosh
- electric guitar:
- Rick Fenn and Graham Gouldman
- electric piano and maracas:
- Eric Stewart
- organ:
- Rick Fenn and Eric Stewart
- synthesizer [Yamaha Cs80]:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- arranger:
- 10cc
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1978) and Phonogram Ltd. (in 1978)
- recorded at and mixed at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom
- music videos:
- Dreadlock Holiday by 10cc
- recording of:
- Dreadlock Holiday
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Ltd. and Man-Ken Music Ltd.
| 10cc | 4.65 | 4:27 |
| 6 | Addicted to Love | Robert Palmer | 4.75 | 6:00 |
| 7 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Survivor | 4.45 | 4:05 |
| 8 | You Ain’t Seen Nothin’ Yet | Bachman–Turner Overdrive | 4.35 | 3:37 |
| 9 | Cum on Feel the Noize | Slade | 4.15 | 4:30 |
| 10 | Play That Funky Music | Wild Cherry | | 4:51 |
| 11 | Dizzy | Tommy Roe | | 2:52 |
| 12 | Do You Love Me | Brian Poole & The Tremeloes | | 2:24 |
| 13 | Great Balls of Fire | Jerry Lee Lewis | | 2:34 |
| 14 | Wild Thing | The Troggs | 4.6 | 2:36 |
| 15 | Bend Me Shape Me | Amen Corner | | 2:38 |
| 16 | Sweet Little Sixteen | Chuck Berry | 4.25 | 3:01 |
| 17 | That’ll Be the Day- producer:
- Norman Petty
- double bass:
- Larry Welborn (on 1957-02-25)
- drums (drum set):
- Jerry Allison (on 1957-02-25)
- guitar [lead guitar] and lead vocals:
- Buddy Holly (on 1957-02-25)
- guitar [rhythm guitar]:
- Buddy Holly (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
- background vocals:
- June Clark (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
- spoken vocals [dialogue]:
- Wolfman Jack
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
- recording of:
- That’ll Be the Day (on 1957-02-25)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- MPL Communications Inc. , Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music , Wren Music Co. and MPL Communications (in 1976)
| Buddy Holly | 5 | 2:17 |
| 18 | Oh Boy | Buddy Holly | 5 | 2:08 |
| 19 | Anniversary Waltz, Part 2 | Status Quo | | 5:29 |
| 20 | Born to Be Wild | Steppenwolf | 4.15 | 3:27 |
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