Operatic Masterpieces - Classic Composers Late Romantic 13

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Nabucco: “Va pensiero, sull'ali donate”
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:18
2La traviata: “Libiano né lieti calici”
choir vocals:
Fujiwara Opera Chorus
soprano vocals [Violetta]:
Lucia Aliberti (soprano)
tenor vocals:
Peter Dvorský (tenor)
orchestra:
Tokyo Philharmonic Orchestra
conductor:
Roberto Paternostro
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:04
3Il trovatore: “Vedi! le fosché notturne spoglie”
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“, Nationalchor Sofia and Sofia National Opera Chorus
choir vocals [Gypsies]:
Bulgarian National Choir ‘Svetoslav Obretenov’
vocals:
Bulgarian National Choir "Svetoslav Obretonov”
orchestra:
Bulgarian National Orchestra, Sofia National Opera Orchestra and Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor) and Boris Hinchev (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
3:12
4Rigoletto: “La Donna è mobilé”
tenor vocals [Duca]:
Dénes Gulyás (tenor)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
János Ferencsik (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:14
5Simon Boccanegra: “Come in quest'ora bruna”
recording of:
Simon Boccanegra: Atto I, scena 1. “Come in quest'ora bruna” (Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto I
6:18
6Attila: “Tardo per gli anni e tremulo”
recording of:
Attila: Prologo. N°4 Duetto “Tardo per gli anni, e tremulo” (Attila, Ezio)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
6:19
7Aïda: “Gloria all'Egitto”
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“ and Zbori RTV Slovenija (Pevski Zbori RTV Slovenija, Komorni zbor RTV Slovenija, Mladinski pevski zbor RTV Slovenija, Otroški pevski zbor RTVS. Choirs associated with Simfonični orkester RTV Slovenija.)
orchestra:
Philharmonisches Orchester Sofia and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Georgi Robev (conductor) and Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
12:51
8Un ballo in maschera: “Morro, ma prima in grazia”
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
5:02
9Otello: “Credo in un Dio crudel”
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
4:30
10Messa da Requiem: “Dies irae”
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
2:14
11Messa da Requiem: “Tuba mirum”
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
3:06
12Messa da Requiem: “Rex tremendae”
recording of:
Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
3:51
13Messa da Requiem: “Recordare”
recording of:
Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
4:33
14Messa da Requiem: “Ingemisco”
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
3:58
15Messa da Requiem: “Lacrymosa”
recording of:
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
6:17