| # | Title | Rating | Length |
|---|
| 1 | It’s Crazy | | 2:26 |
| 2 | You Stepped Out of a Dream | | 2:39 |
| 3 | Funny (Not Much) | | 3:03 |
| 4 | Where Were You | | 2:21 |
| 5 | Summer Is A Comin’ In | | 3:12 |
| 6 | Don’t Let Your Eyes Go Shopping (For Your Heart)- double bass:
- Charlie Harris (on 1952-07-24)
- drums (drum set):
- Archie Freeman (on 1952-07-24)
- guitar:
- John Collins (on 1952-07-24)
- piano:
- Nat King Cole (on 1952-07-24)
- reeds:
- Leo Anthony (on 1952-07-24), Earl Bergman (on 1952-07-24), Jim Schneider (on 1952-07-24), Billy Usselton (on 1952-07-24) and Buddy Wise (on 1952-07-24)
- trombone:
- Keith Butterfield (on 1952-07-24), Dick Reynolds (on 1952-07-24), Walter Shields (on 1952-07-24) and Kenneth Trimble (on 1952-07-24)
- trumpet:
- Bruce Bruckert (on 1952-07-24), Chris Griffin (on 1952-07-24), Dean Henckle (on 1952-07-24), Jack H. Laubach (on 1952-07-24) and Martin White (on 1952-07-24)
- vocals:
- Nat King Cole (on 1952-07-24)
- orchestra:
- Ray Anthony Orchestra (on 1952-07-24)
- conductor:
- Nelson Riddle (on 1952-07-24)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1952-07-24)
- recording of:
- Don’t Let Your Eyes Go Shopping (for Your Heart) (on 1952-07-24)
- writer:
- Billy Austin and Sheldon Smith
| | 2:31 |
| 7 | Angel Eyes- alto saxophone:
- Willie Smith (on 1953-01-14)
- bass:
- Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
- bongos and congas:
- Jack Costanzo (on 1953-01-14)
- clarinet and saxophone:
- Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
- drums (drum set):
- John Markham (on 1953-01-14)
- guitar:
- John Collins (on 1953-01-14)
- piano:
- Cliff Fishback (on 1953-01-14)
- tenor saxophone:
- Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
- trombone:
- Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
- trumpet:
- Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
- vocals:
- Nat King Cole (on 1953-01-14)
- orchestra:
- Billy May & His Orchestra (on 1953-01-14)
- conductor:
- Billy May (on 1953-01-14)
- arranger:
- Billy May
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
- cover recording of:
- Angel Eyes (on 1953-01-14)
- lyricist:
- Earl Brent (in 1946)
- composer:
- Matt Dennis (in 1946)
- publisher:
- Bradshaw Music, Inc., Dorsey Bros Music Ltd. , Music Sales Corporation , Onyx Music Corporation and ミュージック・セールス
| | 3:15 |
| 8 | Lover, Come Back to Me- alto saxophone:
- Willie Smith (on 1953-01-14)
- bass:
- Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
- bongos and congas:
- Jack Costanzo (on 1953-01-14)
- clarinet and saxophone:
- Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
- drums (drum set):
- John Markham (on 1953-01-14)
- guitar:
- John Collins (on 1953-01-14)
- piano:
- Cliff Fishback (on 1953-01-14)
- tenor saxophone:
- Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
- trombone:
- Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
- trumpet:
- Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
- choir vocals:
- [unknown] (on 1953-01-14)
- vocals:
- Nat King Cole (on 1953-01-14)
- orchestra:
- Billy May & His Orchestra (on 1953-01-14)
- conductor:
- Billy May (on 1953-01-14)
- arranger:
- Billy May
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
- cover recording of:
- Lover, Come Back to Me (on 1953-01-14)
- lyricist:
- Oscar Hammerstein II (in 1928)
- writer:
- Sigmund Romberg
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The New Moon: Act II
| | 2:32 |
| 9 | Can’t I? | | 3:16 |
| 10 | Almost Like Being in Love- bongos:
- Jack Costanzo (on 1953-01-28)
- double bass:
- Charlie Harris (on 1953-01-28)
- drums (drum set):
- Lee Young (on 1953-01-28)
- guitar:
- John Collins (on 1953-01-28)
- piano:
- Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
- saxophone:
- Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (on 1953-01-28) and Buck Skalak (on 1953-01-28)
- trombone:
- Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
- trumpet:
- Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
- vocals:
- Nat King Cole (on 1953-01-28)
- orchestra:
- Nelson Riddle and His Orchestra (on 1953-01-28)
- conductor:
- Nelson Riddle (on 1953-01-28)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-28)
- recording of:
- Almost Like Being in Love (on 1953-01-28)
- lyricist:
- Alan Jay Lerner
- composer:
- Frederick Loewe
- publisher:
- EMI Music , EMI U Catalog Inc. , Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company , WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- Brigadoon
| | 1:56 |
| 11 | This Can’t Be Love- bongos:
- Jack Costanzo (on 1953-01-28)
- double bass:
- Charlie Harris (on 1953-01-28)
- drums (drum set):
- Lee Young (on 1953-01-28)
- guitar:
- John Collins (on 1953-01-28)
- piano:
- Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
- saxophone:
- Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (on 1953-01-28) and Buck Skalak (on 1953-01-28)
- trombone:
- Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
- trumpet:
- Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
- vocals:
- Nat King Cole (on 1953-01-28)
- orchestra:
- Nelson Riddle and His Orchestra (on 1953-01-28)
- conductor:
- Nelson Riddle (on 1953-01-28)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-28)
- recording of:
- This Can’t Be Love (on 1953-01-28)
- lyricist:
- Lorenz Hart (in 1938)
- composer:
- Richard Rodgers (in 1938)
- publisher:
- Warner/Chappell
| | 2:35 |
| 12 | Blue Gardenia | | 3:01 |
| 13 | The Christmas Song- bass trombone:
- George Roberts (on 1953-08-24)
- cello:
- Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (on 1953-08-24)
- double bass:
- Charlie Harris (on 1953-08-24)
- drums (drum set):
- Lee Young (on 1953-08-24)
- flute:
- Jules Kinsler (on 1953-08-24), Ted Nash (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
- French horn:
- Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
- guitar:
- John Collins (on 1953-08-24)
- harp:
- Ann Mason Stockton (on 1953-08-24)
- piano:
- Buddy Cole (on 1953-08-24) and Nat King Cole (on 1953-08-24)
- trombone:
- Milt Bernhart (on 1953-08-24) and Joe Howard (on 1953-08-24)
- viola:
- Lou Kievman (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
- violin:
- Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (on 1953-08-24), Paul Nero (on 1953-08-24), Mischa Russell (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (on 1953-08-24)
- vocals:
- Nat King Cole (on 1953-08-24)
- orchestra:
- Nelson Riddle and His Orchestra (on 1953-08-24)
- conductor:
- Nelson Riddle (on 1953-08-24)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-24)
- cover recording of:
- The Christmas Song (on 1953-08-24)
- writer:
- Mel Tormé (from 1944 until 1945) and Robert Wells (from 1944 until 1945)
- publisher:
- Chappell/Morris Ltd., Sony/ATV Tunes LLC, Warner Chappell Ltd. and E. H. Morris & Co., Inc. (from 1946 to present)
| | 3:17 |
| 14 | Smile- producer:
- Lee Gillette
- bass:
- Charlie Harris (on 1954-07-27)
- bass trombone:
- George Roberts (on 1954-07-27)
- cello:
- Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
- drums (drum set):
- Lee Young (on 1954-07-27)
- French horn:
- Vincent DeRosa (on 1954-07-27) and William Hinshaw (on 1954-07-27)
- guitar:
- John Collins (on 1954-07-27)
- percussion:
- Louis Singer (on 1954-07-27)
- piano:
- Bill Miller (on 1954-07-27)
- reeds:
- John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
- trombone:
- Francis Howard (on 1954-07-27)
- viola:
- Stanley Harris (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
- violin:
- Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (on 1954-07-27), Eudice Shapiro (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (on 1954-07-27)
- vocals:
- Nat King Cole (on 1954-07-27)
- orchestra:
- Nelson Riddle and His Orchestra (in 1954)
- conductor:
- Nelson Riddle (on 1954-07-27)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-07-27)
- cover recording of:
- Smile (on 1954-07-27)
- lyricist:
- Geoffrey Parsons and John Turner
- composer:
- Charlie Chaplin
- publisher:
- Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (in 1954)
- sub-publisher:
- Editions Vedette Sprl and 日音 Synch事業部
- is based on:
- Smile
- part of:
- Chaplin
| | 2:56 |
| 15 | Open Up the Doghouse (Two Cats Are Comin’ in) | | 2:29 |
| 16 | Papa Loves Mambo- bass:
- Joe Mondragon (on 1954-10-18)
- cello:
- Cy Bernard (on 1954-10-18) and Eleanor Slatkin (on 1954-10-18)
- drums (drum set):
- Lee Young (on 1954-10-18)
- guitar:
- Al Hendrickson (on 1954-10-18)
- harp:
- Ann Mason Stockton (on 1954-10-18)
- percussion:
- Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (on 1954-10-18)
- piano:
- Bill Miller (on 1954-10-18)
- reeds:
- Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
- trombone:
- Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
- trumpet:
- Johnny Best (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
- viola:
- Alvin Dinkin (on 1954-10-18) and Stanley Harris (on 1954-10-18)
- violin:
- Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (on 1954-10-18), Eudice Shapiro (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
- choir vocals:
- [unknown] (on 1954-10-18)
- vocals:
- Nat King Cole (on 1954-10-18)
- orchestra:
- Billy May & His Orchestra (on 1954-10-18)
- conductor:
- Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
- arranger:
- Billy May and Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-10-18)
- cover recording of:
- Papa Loves Mambo (on 1954-10-18)
- writer:
- Al Hoffman, Dick Manning and Bickley Reichner
| | 2:42 |
| 17 | Teach Me Tonight- bass:
- Joe Mondragon (on 1954-10-18)
- cello:
- Cy Bernard (on 1954-10-18) and Eleanor Slatkin (on 1954-10-18)
- drums (drum set):
- Lee Young (on 1954-10-18)
- guitar:
- Al Hendrickson (on 1954-10-18)
- harp:
- Ann Mason Stockton (on 1954-10-18)
- percussion:
- Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (on 1954-10-18)
- piano:
- Bill Miller (on 1954-10-18)
- reeds:
- Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
- trombone:
- Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
- trumpet:
- Johnny Best (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
- viola:
- Alvin Dinkin (on 1954-10-18) and Stanley Harris (on 1954-10-18)
- violin:
- Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (on 1954-10-18), Eudice Shapiro (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
- vocals:
- Nat King Cole (on 1954-10-18)
- orchestra:
- Billy May & His Orchestra (on 1954-10-18)
- conductor:
- Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
- arranger:
- Billy May and Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-10-18)
- cover recording of:
- Teach Me Tonight (on 1954-10-18)
- lyricist:
- Sammy Cahn
- composer:
- Gene de Paul
- publisher:
- MCA Music (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
| | 3:13 |
| 18 | Little Girl | | 1:52 |
| 19 | I Surrender Dear | | 3:01 |
| 20 | I Want To Be Happy- alto saxophone:
- Wilbur Schwartz (on 1955-08-27) and Willie Smith (on 1955-08-27)
- baritone saxophone:
- Chuck Gentry (on 1955-08-27)
- bass:
- Charlie Harris (on 1955-08-27)
- bass trombone:
- George Roberts (on 1955-08-27)
- drums (drum set):
- Lee Young (on 1955-08-27)
- guitar:
- John Collins (on 1955-08-27)
- piano:
- Nat King Cole (on 1955-08-27) and Bill Miller (on 1955-08-27)
- tenor saxophone:
- Ted Nash (on 1955-08-27) and Buck Skalak (on 1955-08-27)
- trombone:
- Murray McEachern (on 1955-08-27) and Dick Noel (on 1955-08-27)
- trumpet:
- Frank Beach (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
- valve trombone:
- Juan Tizol (on 1955-08-27)
- orchestra:
- Nelson Riddle and His Orchestra (on 1955-08-27)
- conductor:
- Nelson Riddle (on 1955-08-27)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-27) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-27)
- instrumental cover recording of:
- I Want to Be Happy (on 1955-08-27)
- lyricist:
- Irving Caesar and Otto Harbach
- composer:
- Vincent Youmans
- part of:
- No, No, Nanette
| | 1:46 |
| 21 | I Didn’t Know What Time It Was- bass:
- Charlie Harris (on 1955-08-23)
- bass trombone:
- George Roberts (on 1955-08-23)
- cello:
- Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
- drums (drum set):
- Lee Young (on 1955-08-23)
- guitar:
- John Collins (on 1955-08-23)
- piano:
- Nat King Cole (on 1955-08-23) and Bill Miller (on 1955-08-23)
- reeds:
- Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (on 1955-08-23)
- trombone:
- Joe Howard (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
- trumpet:
- Conrad Gozzo (on 1955-08-23)
- valve trombone:
- Juan Tizol (on 1955-08-23)
- viola:
- Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
- violin:
- Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
- orchestra:
- Nelson Riddle and His Orchestra (on 1955-08-23)
- conductor:
- Nelson Riddle (on 1955-08-23)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23)
- instrumental cover recording of:
- I Didn’t Know What Time It Was (on 1955-08-23)
- lyricist:
- Lorenz Hart (in 1939)
- composer:
- Richard Rodgers (in 1939)
- publisher:
- Lorenz Hart Publishing Co. and Williamson Music Company
- part of:
- Pal Joey
| | 3:12 |
| 22 | Takin’ a Chance on Love | | 2:06 |
| 23 | I See Your Face Before Me- bass:
- Charlie Harris (on 1955-08-18)
- cello:
- Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
- drums (drum set):
- Lee Young (on 1955-08-18)
- French horn:
- Jack Cave (on 1955-08-18)
- guitar:
- John Collins (on 1955-08-18)
- piano:
- Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
- reeds:
- Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
- viola:
- Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
- violin:
- Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
- orchestra:
- Nelson Riddle and His Orchestra (on 1955-08-18)
- conductor:
- Nelson Riddle (on 1955-08-18)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
- instrumental cover recording of:
- I See Your Face Before Me (on 1955-08-18)
- lyricist and composer:
- Howard Dietz and Arthur Schwartz
- publisher:
- Arthur Schwartz Music Ltd. and Chappell & Co.
| | 2:33 |
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