Bach Edition, Volume 14: Cantatas/Kantaten, Volume VII

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

99373/* are the individual disc cat#s. The discs might have individual barcodes as well.

Annotation last modified on 2014-04-11 23:43 UTC.

Tracklist

CD 1: BWV 198, 110
CD 2: BWV 73, 125, 157
CD 3: BWV 9, 91 & 47
CD 4: BWV 152, 121, 166
#TitleRatingLength
1Cantata, BWV 152 "Tritt auf die Glaubensbahn": I. Concerto
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:22
2Cantata, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:54
3Cantata, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:05
4Cantata, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Soprano) "Stein, der über alle Schätze"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:15
5Cantata, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Basso) "Er ärgre sich die kluge Welt"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:29
6Cantata, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:15
7Cantata, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
3:06
8Cantata, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenore) "O du von Gotte erhöhte Kreatur"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
4:29
9Cantata, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:12
10Cantata, BWV 121 "Christum wir sollen loben schon": IV. Aria (Basso) "Johannis freudenvolles Springen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:19
11Cantata, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Soprano) "Doch wie erblickt es dich in deiner Krippen"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
0:57
12Cantata, BWV 121 "Christum wir sollen loben schon": VI. Coro "Lob, Ehr und Dank sei dir gesagt"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 2000-01 until 2000-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:02
13Cantata, BWV 166 "Wo gehest du hin?": I. Aria (Basso) "Wo gehest du hin?"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
1:45
14Cantata, BWV 166 "Wo gehest du hin?": II. Aria (Tenore) "Ich will an den Himmel denken"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
7:12
15Cantata, BWV 166 "Wo gehest du hin?": III. Choral (Soprano) "Ich bitte dich, Herr Jesu Christ"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
2:48
16Cantata, BWV 166 "Wo gehest du hin?": IV. Recitative (Basso) "Gleichwie die Regenwasser"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:54
17Cantata, BWV 166 "Wo gehest du hin?": V. Aria (Alto) "Man nehme sich in acht"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
3:39
18Cantata, BWV 166 "Wo gehest du hin?": VI. Choral (Coro) "Wer weiß, wie nahe mir mein Ende"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
1:02
CD 5: BWV 36, 184, 129

Credits

Release

ASIN:DE: B00004THF0 [info]

Release Group

part of:Bach Edition (number: 14) (order: 14)