The Singer, The Song

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Rolling in the Deep
recording engineer:
Mark Rankin (engineer)
engineer:
Mark “Top” Rankin (engineer)
producer:
Paul Epworth
assistant mixer:
Dan Perry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar, bass, electric guitar and percussion and background vocals:
Paul Epworth
drums (drum set):
Leo Taylor
piano:
Neil Cowley
tenor saxophone:
Ray Carless
trumpet:
Noel Langley
lead vocals:
Adele Laurie Blue Adkins (UK soul/jazz singer)
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use it’s imprint XL Recordings instead) (in 2011)
recorded at:
Eastcote Studios in London (Greater London), England, United Kingdom
music videos:
Rolling in the Deep by Adele (UK soul/jazz singer)
part of:
Rolling Stone: The 100 Best Songs of the 2010s (number: 3), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 82) and Pitchfork: The 200 Best Songs of the 2010s (number: 171)
recording of:
Rolling in the Deep
writer:
Adele Adkins (UK soul/jazz singer) and Paul Epworth
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Publishing Ltd. (PRS‐affiliated), Nebo Ridge Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal‐Songs of PolyGram International, Inc.
Adele4.553:48
2She Said
engineer:
Mark “Top” Rankin (engineer)
additional producer:
Eric Appapoulay
producer:
Ben Drew (UK rapper Ben Drew) and David McEwan
mixer:
Eric Appapoulay, Ben Drew (UK rapper Ben Drew) and David McEwan
alto saxophone and baritone saxophone:
Jason Yarde (piano, saxophone)
bass guitar and background vocals:
Eric Appapoulay
cello:
Ian Burdge (cellist)
drums (drum set):
Richard Cassell
flugelhorn and trumpet:
David Priseman
guitar:
Tom Wright-Goss
tenor saxophone:
Zem Audu (Nigerian saxophonist and keyboardist)
trombone:
Harry Brown (U.K. trombonist)
trumpet:
Mark Crown (trumpeter)
viola:
Sonia Slany (violinist) and Bruce White (violist)
violin:
Louisa Fuller (violinist), Sally Herbert (violinist, composer, and conductor), Everton Newson and Warren Zielinski (violinist)
alto saxophone, baritone saxophone, flugelhorn, tenor saxophone, trombone and trumpet arranger:
Jason Yarde (piano, saxophone)
recording of:
She Said
writer:
Ben Drew (UK rapper Ben Drew)
Plan B3.353:28
3Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
4Empire State of Mind, Pt. 2: Broken Down
phonographic copyright (℗) by:
RCA/Jive Label Group (add no releases here!) (in 2009)
recording of:
Empire State of Mind, Part II: Broken Down
writer:
Alexander Shuckburgh (Alexander Shuckburgh; songwriter, musician and producer), Angela Hunte (American-Trinidadian singer-songwriter and producer), Bert Keyes (piano, soul/funk producer/writer), Alicia Keys, Sylvia Robinson, Janette Sewell and Shawn Carter (US rapper)
is based on:
Empire State of Mind
Alicia Keys3.653:36
5I Don’t Want to Talk About It
producer:
Tom Dowd
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher), Crazy Horse Music and Rondor Music
Rod Stewart4.54:49
6Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer ('98-active))
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little and Ken Nelson (UK record producer ('98-active))
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:36
750 Ways to Leave Your LoverPaul Simon3:15
8I’m Yours
producer:
Martin Terefe
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
recording of:
I’m Yours
lyricist and composer:
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.854:02
9Constant Craving
recording of:
Constant Craving
lyricist and composer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang4:36
10Cornflake Girl
recording of:
Cornflake Girl
lyricist and composer:
Tori Amos
publisher:
Sword and Stone
Tori Amos6:32
11Crazy Love
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
background vocals:
Judy Clay (in 1969), Emily Houston (in 1969) and Jackie Verdell (in 1969)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
recording of:
Crazy Love (in 1969)
lyricist and composer:
Van Morrison
publisher:
Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (in 1970) and WB Music Corp. (1929–2019) (in 1970)
Van Morrison3.62:36
12(Something Inside) So Strong
recording of:
(Something Inside) So Strong
lyricist and composer:
Labi Siffre
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/Empire Music Ltd.
Labi Siffre5:37
13Patience of Angels
Eddi Reader4:01
14I’d Rather Be With You
recording of:
I’d Rather Be With You
lyricist and composer:
Joshua Radin
Joshua Radin2:43
15Bad Day
recording engineer:
David Boucher and Jeff Dawson
programming:
Jeff Dawson
producer:
Jeff Dawson and Mitchell Froom
mixer:
David Boucher
additional keyboard [keyboards]:
Mitchell Froom
bass:
Davey Faragher and Darren Parris
drums (drum set) [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander and Pete Thomas (drummer)
guitar [guitars]:
Jeff Dawson and Val McCallum (guitarist & singer-songwriter)
keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Area A. in Los Angeles, California, United States and Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bad Day
writer:
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.053:56
16I Don’t Know Why
Shawn Colvin4:36
17Sail Away
additional programming:
Marius de Vries and Steve Sidelnyk
producer:
Clune, David Gray (British singer/songwriter) and Iestyn Polson
bass, drums (drum set) and keyboard:
Clune
guitar, keyboard and piano:
David Gray (British singer/songwriter)
vocals:
Clune and David Gray (British singer/songwriter)
recording of:
Sail Away
lyricist and composer:
David Gray (British singer/songwriter)
publisher:
Chrysalis
David Gray45:16
18The Blower’s DaughterDamien Rice4.754:47
19Slow
producer:
Steve Brown (engineer/music producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
vocals:
Rumer
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
music videos:
Slow by Rumer
recording of:
Slow
lyricist and composer:
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher)
Rumer3.653:37
20Grenade
engineer:
Ari Levine
producer:
The Smeezingtons
assistant mixer:
Erik Madrid and Christian Plata
mixer:
Manny Marroquin
instruments:
Brody Brown, Ari Levine and Bruno Mars (US singer)
phonographic copyright (℗) by:
Elektra Entertainment Group, Inc. (not for release label use!) (in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2010)
mixed at:
Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
engineered at:
Levcon Studios in Hollywood, Los Angeles, California, United States
music videos:
Grenade by Bruno Mars (US singer)
recording of:
Grenade
writer:
Brody Brown, Claude Kelly, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) and Andrew Wyatt (US vocalist, songwriter)
publisher:
Art for Art's Sake Music, Bughouse, Concord Road (BMI), Downtown DMP Songs, Late 80’s Music, Mars Force Music, Roc Nation Music, Studio Beast Music (publishing company linked to Claude Kelly), Toy Plane Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Westside Independent Music Publishing
Bruno Mars4.23:42
21What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 6)
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd., Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye4.253:51
22I Need a Dollar
phonographic copyright (℗) by:
Stones Throw Records (in 2010)
music videos:
I Need a Dollar (second version) by Aloe Blacc
recording of:
I Need a Dollar
writer:
Egbert Nathaniel Dawkins, Leon Michels, Nick Movshon and Jeff Silverman (songwriter/producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Aloe Blacc3.64:06
23Bright Lights Big City
recording of:
Bright Lights Bigger City
writer:
Ben H. Allen, Tony Reyes (songwriter/producer/multi‐instrumentalist) and Thomas DeCarlo Callaway
CeeLo Green3.53:38
24I Say a Little Prayer
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
25By Your Side
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2000)
recording of:
By Your Side
lyricist:
Sade Adu
composer:
Sade Adu, Andrew Paul Hale (keyboardist/composer), Paul Spencer Denman and Stuart Colin Matthewman
Sade44:34
26Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music
Anita Baker3.254:27
27Ordinary People
recording of:
Ordinary People
writer:
John Stephens and Will Adams (American rapper and producer, part of Black Eyed Peas)
John Legend3.54:41
28Ain’t Go No I Got Life
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Nina Simone2:54
29Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:50
30People Get Ready
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:37
31Ain’t No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
arrangement of:
Ain’t No Content
Bill Withers4.452:04
32At Last
producer:
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 115)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.353:00
33I Wish I Knew (How It Would Feel to Be Free)
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
I Wish I Knew How It Would Feel to Be Free (in 1968)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Solomon Burke2:50
34This Woman’s Work
Maxwell4:00
35One Day I’ll Fly AwayRandy Crawford5:03
36My Funny Valentine
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (american bass trombone) (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (US jazz saxophonist) (from 1956-08-21 until 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (American jazz saxophonist) (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (american trombone player) (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
lead vocals:
Ella Fitzgerald
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger and orchestrator:
Buddy Bregman
cover recording of:
My Funny Valentine (from “Babes in Arms”) (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Ella Fitzgerald43:53
37That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
live recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
38A Song for YouDonny Hathaway45:28
39Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:50
40Me and Mr. Jones
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4.54:45
41She’s Always a Woman
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone
acoustic guitar:
Steve Burgh (in 1977) and Hugh McCracken (in 1977)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
piano and lead vocals:
Billy Joel (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
music videos:
She’s Always a Woman by Billy Joel
recording of:
She’s Always a Woman (in 1977)
lyricist and composer:
Billy Joel
publisher:
April Music Inc., ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
Billy Joel3.93:19
42Daniel
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
acoustic guitar:
Davey Johnstone
bass guitar:
Dee Murray
drums (drum set) and maracas:
Nigel Olsson
electric piano and mellotron and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
Ken Scott (UK record producer & engineer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
recording of:
Daniel
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International and Universal‐Songs of PolyGram International, Inc.
Elton John3.93:50
43Your Song
recording engineer and mixer:
Matt Lawrence
producer:
Ben Lovett (member of Mumford & Sons)
acoustic guitar:
Ellie Goulding
bass drum [kick drum] and piano:
Ben Lovett (member of Mumford & Sons)
cello:
Ruth de Turberville
timpani:
Matt Wiggins (engineer, producer)
background vocals:
Ben Lovett (member of Mumford & Sons) and Ruth de Turberville
vocals:
Ellie Goulding
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 2010)
recorded at:
The Pool in Southwark, London (Greater London), England, United Kingdom and The Square (London)
cover recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal‐Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Moulin Rouge! (2001 film)
Ellie Goulding3.43:10
44You Give Me SomethingJames Morrison3.53:36
45Everybody’s Talkin’
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation and Third Palm Music
Harry Nilsson42:32
46Waiting On the World to Change
bass guitar:
Pino Palladino
brass:
Roy Hargrove
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
keyboard:
Ricky Peterson (American keyboardist)
background vocals:
Scotty Crowe, Ricky Cytonbaum, Steve Jordan (US drummer/multi-instrumentalist, composer & producer), Jeannie Martinez, Kristen Moss, Lee Padgett, Pino Palladino, Harley Pasternak, Maggie Slavonic and Sandy Vongdasy
background vocals and lead vocals:
John Mayer (US singer–songwriter)
phonographic copyright (℗) by:
Aware Records LLC (in 2006)
recording of:
Waiting on the World to Change
lyricist and composer:
John Mayer (US singer–songwriter)
publisher:
Milky Boy Music and Reach Music Publishing, Inc.
John Mayer3.653:20
47Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1970) and Universal Island Records Ltd. (not for release label use! UK record company) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom (in 1970-07)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., Island Music Ltd., Island Music, Inc. (work publisher - NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens4.253:37
48You’ve Got a Friend
engineer:
Hank Cicalo
producer:
Lou Adler
acoustic guitar:
James Taylor (singer-songwriter and guitarist) (in 1971)
cello:
Terry King (cellist) (in 1971)
congas:
Danny Kortchmar (in 1971)
double bass:
Charles Larkey (in 1971)
piano:
Carole King (in 1971)
viola:
David Campbell (US based Canadian violinist, composer, conductor and arranger) (in 1971)
violin:
Barry Socher (American violinist, composer) (in 1971)
vocals:
Carole King (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 60)
recording of:
You’ve Got a Friend (in 1971)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Carole King4.55:09
49New York
producer:
Jodi Marr (American songwriter and record producer), George Noriega (American songwriter and record producer) and Rob Wells (Canadian musician, pianist, songwriter and record producer)
recording of:
New York
writer:
Paloma Faith and Jodi Marr (American songwriter and record producer)
Paloma Faith3:38
50Coming Around Again
assistant engineer:
Noah Baron, Bill Miranda (engineer) and Scott Mabuchi
engineer:
George Massenburg and Frank Filipetti (in 1987)
associate producer:
Frank Filipetti and Carly Simon
producer:
Russ Kunkel, George Massenburg, Bill Payne and Paul Samwell-Smith
mixer:
Frank Filipetti
drums (drum set) [drums]:
Russ Kunkel
keyboard [keyboards]:
Scott Martin (backing vocals, keyboards, and synthesizers), Bill Payne and Carly Simon
background vocals:
Terry Homberg, Scott Martin (backing vocals, keyboards, and synthesizers), Paul Samwell-Smith and Carly Simon
recorded at:
Power Station in New York, New York, United States and Right Track Recording in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Coming Around Again (Carly Simon)
lyricist and composer:
Carly Simon
publisher:
Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) and Famous Music Publishing (in 1986)
Carly Simon3.53:38
51Hands
recording of:
Hands
writer:
Jewel Kilcher (singer-songwriter Jewel Kilcher) and Patrick Leonard (american producer, songwriter and pianist)
publisher:
No Tomato Music, WB Music Corp. (1929–2019) and Wiggly Tooth Music
Jewel43:54
52True Colors
engineer and mixer:
Bryan McGee (sound engineer)
lead vocals:
Cyndi Lauper
vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
recording of:
True Colors
writer:
Billy Steinberg and Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (ended), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC
Cyndi Lauper4.63:47
53When I’m Alone
recording engineer:
Brad Bivens and Jacquire King
additional producer:
Julian Emery (British musician, producer and songwriter)
producer:
Jacquire King
mixer:
Mark “Spike” Stent (producer, engineer)
recorded at:
Chickering Lane Studio in Nashville, Tennessee, United States
mixed at:
The Mix Suite LA in Los Angeles, California, United States
recording of:
When I'm Alone
writer:
Elisabeth Maurus, Julian Emery (British musician, producer and songwriter) and Jim Irvin
Lissie3:41
54Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Rickie Lee Jones4.653:28
55Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
Joan Armatrading4:28
56Walking In Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1991 to present) and Warner Music H.K. Ltd. (in 1997)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
Marc Cohn3.854:19
57From a DistanceNanci Griffith44:11
58One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne44:16
59Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen
publisher:
Bad Monk Publishing, SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:15
60Make You Feel My Love
assistant engineer:
Chris Carrol
engineer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
producer:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1997)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
El Teatro Studio in Oxnard, California, United States
recording of:
Make You Feel My Love
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Special Rider Music (from 1997 to present)
Bob Dylan3.43:31