Dis Here

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Spontaneous Combustion
▶ CD 2: Jubilation
▶ CD 3: Blue Funk
▼ CD 4: Hi-Fly
#TitleRatingLength
1Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
7:12
2The Sidewalks of New York
phonographic copyright (℗) by:
Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York
lyricist:
James W. Blake
composer:
Charles B. Lawlor
6:59
3Sounds for Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:26
4Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:48
5I’ve Told Ev’ry Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
3:37
6Cannonball’s Introduction - This Here
alto saxophone:
Cannonball Adderley
cornet:
Nat Adderley
double bass:
Sam Jones (jazz bassist)
drums (drum set):
Louis Hayes
piano:
Bobby Timmons
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
This Here
composer:
Bobby Timmons
12:30
7Spontaneous Combustion
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Spontaneous Combustion (in 1959-10)
composer:
Julian “Cannonball” Adderley
11:53
8Hi-Fly
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Hi Fly (in 1959-10)
composer:
Randy Weston
11:03
9You Got It!
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
5:05
10Bohemia After Dark
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Bohemia After Dark (in 1959-10)
composer:
Oscar Pettiford (in 1955)
8:03