The EMI Years: Volume One, 1957-1960

~ Release by John Barry (see all versions of this release, 2 available)

Annotation

All tracks mono except 29, 30, 33, 34, 36, 37.
First stereo release for those tracks.

Annotation last modified on 2022-09-05 14:01 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Let’s Have a Wonderful Time
recording of:
Let’s Have a Wonderful Time (on 1957-10-20)
composer:
John Barry (English score composer)
The John Barry Seven1:57
2Rock-A-Billy Boogie
recording of:
Rock-A-Billy Boogie (on 1957-10-20)
composer:
John Barry (English score composer)
The John Barry Seven1:48
3Zip Zip
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-10-04)
bass guitar:
Fred Kirk (on 1957-10-04)
drums (drum set):
Ken Golder (JB7) (on 1957-10-04)
guitar:
Keith Kelly (John Barry Seven) (on 1957-10-04) and Ken Richards (on 1957-10-04)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-10-04)
trumpet:
John Barry (English score composer) (on 1957-10-04)
cover recording of:
Zip Zip (on 1957-10-04)
composer:
Harry Booros (wrote Zip Zip) and Barry Kaye (wrote Zip Zip)
The John Barry Seven2:05
4Three Little Fishes
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
bass guitar:
Fred Kirk (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
cover recording of:
Three Little Fishies (on 1957-11-14)
lyricist:
Josephine Carringer (writer of lyrics to "Three Little Fishies") and Bernice Idins (writer of lyrics to "Three Little Fishies")
composer:
Saxie Dowell
The John Barry Seven1:51
5Every Which Way
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
vocals:
John Barry (English score composer) (on 1957-11-14)
cover recording of:
Every Which Way (on 1957-11-14)
composer:
Mel Tormé ("The Velvet Fog")
The John Barry Seven2:34
6You’ve Gotta Way
alto saxophone:
Derek Myers (John Barry Seven) (on 1957-11-14)
drums (drum set):
Ken Golder (JB7) (on 1957-11-14)
guitar:
Keith Kelly (John Barry Seven) (on 1957-11-14) and Ken Richards (on 1957-11-14)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1957-11-14)
trumpet:
John Barry (English score composer) (on 1957-11-14)
vocals:
John Barry (English score composer) (on 1957-11-14)
recording of:
You’ve Gotta Way (on 1957-11-14)
composer:
John Barry (English score composer)
The John Barry Seven2:00
7Big Guitar
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-03-06)
bass guitar:
Fred Kirk (on 1958-03-06)
drums (drum set):
Ken Golder (JB7) (on 1958-03-06)
guitar:
Keith Kelly (John Barry Seven) (on 1958-03-06) and Ken Richards (on 1958-03-06)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-03-06)
trumpet:
John Barry (English score composer) (on 1958-03-06)
cover recording of:
Big Guitar (on 1958-03-06)
writer:
Robert Genovese and Frank De Rosa
The John Barry Seven2:53
8Rodeo
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-03-06)
bass guitar:
Fred Kirk (on 1958-03-06)
drums (drum set):
Ken Golder (JB7) (on 1958-03-06)
guitar:
Keith Kelly (John Barry Seven) (on 1958-03-06) and Ken Richards (on 1958-03-06)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-03-06)
trumpet:
John Barry (English score composer) (on 1958-03-06)
recording of:
Rodeo (on 1958-03-06)
composer:
John Barry (English score composer)
The John Barry Seven2:15
9Pancho
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-05-23)
bass guitar:
Fred Kirk (on 1958-05-23)
drums (drum set):
Ken Golder (JB7) (on 1958-05-23)
guitar:
Keith Kelly (John Barry Seven) (on 1958-05-23) and Ken Richards (on 1958-05-23)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-05-23)
trumpet:
John Barry (English score composer) (on 1958-05-23)
recording of:
Pancho (on 1958-05-23)
composer:
John Barry (English score composer)
The John Barry Seven With Latin American Rhythm Accompaniment2:04
10Hideaway
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-05-23)
bass guitar:
Fred Kirk (on 1958-05-23)
drums (drum set):
Ken Golder (JB7) (on 1958-05-23)
guitar:
Keith Kelly (John Barry Seven) (on 1958-05-23) and Ken Richards (on 1958-05-23)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-05-23)
trumpet:
John Barry (English score composer) (on 1958-05-23)
recording of:
Hideaway (on 1958-05-23)
composer:
John Barry (English score composer)
The John Barry Seven With Latin American Rhythm Accompaniment2:09
11Farrago
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-10-17)
bass guitar:
Fred Kirk (on 1958-10-17)
drums (drum set):
Ken Golder (JB7) (on 1958-10-17)
guitar:
Keith Kelly (John Barry Seven) (on 1958-10-17) and Ken Richards (on 1958-10-17)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-10-17)
trumpet:
John Barry (English score composer) (on 1958-10-17)
recording of:
Farrago (on 1958-10-17)
composer:
White (Leroy Small)
The John Barry Seven2:10
12Bee’s Knees
alto saxophone:
Derek Myers (John Barry Seven) (on 1958-10-17)
bass guitar:
Fred Kirk (on 1958-10-17)
drums (drum set):
Ken Golder (JB7) (on 1958-10-17)
guitar:
Keith Kelly (John Barry Seven) (on 1958-10-17) and Ken Richards (on 1958-10-17)
tenor saxophone:
Mike Cox (John Barry Seven) (on 1958-10-17)
trumpet:
John Barry (English score composer) (on 1958-10-17)
recording of:
Bee’s Knees (on 1958-10-17)
composer:
John Barry (English score composer)
The John Barry Seven2:08
13When the Saints Go Marching In
cover recording of:
When the Saints Go Marching In (Barry arrangement) (on 1958-10-19)
writer:
[traditional] (special purpose artist)
arranger:
John Barry (English score composer)
arrangement of:
When the Saints Go Marching In
The John Barry Seven1:48
14Pancho
recording of:
Pancho (on 1958-10-19)
composer:
John Barry (English score composer)
The John Barry Seven1:53
15Long John
recording of:
Long John (on 1959-02-04)
composer:
White (Leroy Small)
The John Barry Seven2:24
16Snap ’n’ Whistle
recording of:
Snap ’n’ Whistle (on 1959-02-04)
composer:
John Barry (English score composer)
The John Barry Seven2:06
17Little John
alto saxophone:
Jimmy Stead (on 1959-04-23)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-04-23)
drums (drum set):
Dougie Wright (on 1959-04-23)
electric piano:
Les Reed (on 1959-04-23)
guitar [lead guitar]:
Vic Flick (on 1959-04-23)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-04-23)
trumpet:
John Barry (English score composer) (on 1959-04-23)
recording of:
Little John (on 1959-04-23)
composer:
John Barry (English score composer)
The John Barry Seven1:43
18For Pete’s Sake
alto saxophone:
Jimmy Stead (on 1959-04-23)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-04-23)
drums (drum set):
Dougie Wright (on 1959-04-23)
electric piano:
Les Reed (on 1959-04-23)
guitar [lead guitar]:
Vic Flick (on 1959-04-23)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-04-23)
trumpet:
John Barry (English score composer) (on 1959-04-23)
recording of:
For Pete’s Sake (on 1959-04-23)
composer:
John Barry (English score composer)
The John Barry Seven1:44
19Bee’s Knees (‘Drumbeat’ version)
recording of:
Bee’s Knees (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven and Bob Miller & The Millermen2:09
20Little John
recording of:
Little John (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven1:41
21Rebel Rouser
cover recording of:
Rebel‐’Rouser (on 1959-05-10)
composer:
Duane Eddy and Lee Hazlewood
The John Barry Seven1:57
22Mab Mab
recording of:
Mab Mab (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven2:00
23Good Rockin’ TonightThe John Barry Seven and Bob Miller & The Millermen1:38
24Twelfth Street Rag
alto saxophone:
Jimmy Stead (on 1959-08-26)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-08-26)
drums (drum set):
Dougie Wright (on 1959-08-26)
electric piano:
Les Reed (on 1959-08-26)
guitar:
Vic Flick (on 1959-08-26)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-08-26)
trumpet:
John Barry (English score composer) (on 1959-08-26)
cover recording of:
Twelfth Street Rag (on 1959-08-26)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
The John Barry Seven1:36
25Christella
alto saxophone:
Jimmy Stead (on 1959-08-26)
bass guitar:
Mike Peters (John Barry Seven) (on 1959-08-26)
drums (drum set):
Dougie Wright (on 1959-08-26)
electric piano:
Les Reed (on 1959-08-26)
guitar:
Vic Flick (on 1959-08-26)
tenor saxophone:
Dennis King (John Barry Seven) (on 1959-08-26)
trumpet:
John Barry (English score composer) (on 1959-08-26)
recording of:
Christella (on 1959-08-26)
composer:
John Barry (English score composer)
The John Barry Seven2:03
26Beat Girl (main Title)
recording of:
Beat Girl (main title) (on 1959-12-28)
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:49
27Hit & Miss
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar [lead guitar]:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-01-14)
recording of:
Hit & Miss (on 1960-01-14)
composer:
John Barry (English score composer), Freddie Poser (English composer, publisher & producer) and Russell Turner (BBC Producer)
publisher:
EMI Mills Music Limited (PRS for Music-affiliated)
John Barry Seven Plus Four2:03
28Rockin’ Already
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
violin:
Bernard Monshin (session violinist)
recording of:
Rockin’ Already (on 1960-01-14)
composer:
John Barry (English score composer)
The John Barry Seven1:54
29Beat for Beatniks
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
instruments:
The John Barry Seven
saxophone:
Johnny Scott (saxophonist)
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
Dickie Hawdon
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Beat for Beatniks (on 1960-03-14)
composer:
John Barry (English score composer)
John Barry and His Orchestra2:09
30Big FellaJohn Barry and His Orchestra2:14
31Blueberry Hill
performer:
The John Barry Seven
cover recording of:
Blueberry Hill (on 1960-05-29)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
John Barry and His Orchestra1:45
32Never Let Go (From the Film)
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Never Let Go (From the Film) (on 1960-05-29)
composer:
John Barry (English score composer)
John Barry and His Orchestra2:10
33Walk Don’t Run
guitar [lead guitar]:
Vic Flick
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-05-29)
recording of:
Walk, Don’t Run (on 1960-05-29)
composer:
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) and Windswept Pacific Music Ltd.
John Barry and His Orchestra2:16
34I’m Movin’ On
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
cover recording of:
I’m Movin’ On No. 2 (on 1960-08-14)
writer:
Henry D. Haynes, Kenneth C. Burns and Hank Snow
parody version of:
I’m Moving On
John Barry Seven Plus Four1:51
35Saturday’s Child
recording of:
Saturday’s Child (on 1960-09-23)
composer:
John Barry (English score composer)
The John Barry Seven2:31
36Black Stockings
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Black Stockings (on 1960-11-11)
composer:
John Barry (English score composer)
The John Barry Seven With Accompaniment Directed by John Barry2:23
37Get Lost Jack Frost
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
recording of:
Get Lost Jack Frost (on 1960-11-11)
composer:
John Barry (English score composer)
The John Barry Seven With Accompaniment Directed by John Barry1:42