Mozart 100 capolavori

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 7 available)

Tracklist

▶ CD 1
▶ CD 2
▼ CD 3
#TitleRatingLength
1Der Schauspieldirektor K486: Overture
orchestra:
Academy of St Martin-in-the-Fields
conductor:
Neville Marriner (conductor)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
3:46
2Idomeneo K366: "Fuor del mar ho un mar in seno" (Idomeneo)
tenor vocals:
Ian Bostridge (tenor) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
6:16
3Idomeneo K366: "Zeffiretti lusinghieri" (Ilia)
soprano vocals:
Lisa Milne (soprano) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
4:54
4Die Entführung aus dem Serail K384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:01
5Die Entführung aus dem Serail K384: "Martern aller Arten" (Konstanze)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (in 1966-02)
conductor:
Josef Krips (conductor and violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien, Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:49
6Die Entführung aus dem Serail K384: "Welche Wonne, welche Lust" (Blonde)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:32
7Die Entführung aus dem Serail K384: "Vivat Bacchus" (Osmin & Pedrillo)
bass vocals:
Gottlob Frick (operatic bass) and Gerhard Unger (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:10
8Die Entführung aus dem Serail K384: "O, wie will ich triumphieren" (Osmin)
bass vocals:
Gottlob Frick (operatic bass)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:32
9Die Zauberflöte K620: Overture
choir vocals:
Chor des Bayerischen Rundfunks
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
6:50
10Die Zauberflöte K620: "Der Vogelfänger bin ich ja" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:50
11Die Zauberflöte K620: "Dies Bildnis ist bezaubernd schön" (Tamino)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
tenor vocals [Tamino]:
Siegfried Jerusalem (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:03
12Die Zauberflöte K620: "Bei Männern" (Pamina & Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
13Die Zauberflöte K620: "Schnelle Füße" (Pamina, Papageno & Monostatos)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
tenor vocals [Monostatos]:
Heinz Zednik (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
14Die Zauberflöte K620: "O Isis und Osiris" (Sarastro & Chorus)
bass vocals:
Roland Bracht (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:54
15Die Zauberflöte K620: "Der Hölle Rache" (Queen of Night)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:50
16Die Zauberflöte K620: "Ach, ich fühl's" (Pamina)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:14
17Die Zauberflöte K620: "Ein Mädchen oder Weibchen" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:12
18Die Zauberflöte K620: "Pa-pa-pa-pa-Papagena!" (Papagena & Papageno)
baritone vocals:
Wolfgang Brendel (baritone)
choir vocals:
Chor des Bayerischen Rundfunks
soprano vocals:
Brigitte Linder (soprano)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:38
19O du eselhafter Martin K560
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in F major, K. 560: "O du eselhafter Martin"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 560) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 560b)
2:46
20Bona nox, bist a rechta Ox K561
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 561) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 561)
1:22
21Essen und trinken K234
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
composer:
Wenzel Trnka
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 234) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 382e)
1:37
▶ CD 4
▶ CD 5
▶ CD 6

Credits

Release Group

part of:100 Best (EMI Classics) (order: 3)