Greatest Hits 1969–1999

~ Release by John Williams (see all versions of this release, 4 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1Saving Private Ryan: Hymn to the Fallen
choir vocals:
Tanglewood Festival Chorus (in 1998)
orchestra:
Boston Symphony Orchestra (in 1998)
conductor:
John Williams (American score composer) (in 1998)
recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
6:12
2Jurassic Park: Theme
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
5:33
3Schindler's List: Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (on 1996-12-10)
orchestra:
Pittsburgh Symphony Orchestra (on 1996-12-10)
conductor:
John Williams (American score composer) (on 1996-12-10)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (on 1996-12-10)
recording of:
Main Theme (Schindler’s List) (on 1996-12-10)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
3:35
4Hook: Flight to Neverland
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Flight to Neverland (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
4:45
5Seven Years in Tibet: Theme
recording engineer:
Shawn Murphy (producer/engineer) (from 1997-07-25 until 1997-07-31)
mixer:
Shawn Murphy (producer/engineer)
cello:
Yo‐Yo Ma (cellist) (from 1997-07-25 until 1997-07-31)
conductor:
John Williams (American score composer) (from 1997-07-25 until 1997-07-31)
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 1997-07-25 until 1997-07-31)
recording of:
Seven Years in Tibet (from 1997-07-25 until 1997-07-31)
composer:
John Williams (American score composer)
part of:
Seven Years in Tibet (1997 film score)
47:11
6JFK: Prologue
recording engineer and mixer:
Armin Steiner
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo French horn:
Jim Thatcher (in 1991)
trumpet:
Tim Morrison (trumpeter) (in 1991)
conductor:
John Williams (American score composer) (in 1991)
recording of:
Prologue (JFK) (in 1991)
orchestrator:
John Neufeld (in 1991)
composer:
John Williams (American score composer)
part of:
JFK (1991 film score)
44:02
7Stepmom: The Days Between
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg
solo guitar:
Christopher Parkening (guitarist)
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Days Between
composer:
John Williams (American score composer)
6:28
81941: March
recording of:
The March (1941)
composer:
John Williams (American score composer)
part of:
1941
4:15
9Home Alone: Somewhere in My Memory
engineer:
Armin Steiner (from 1990-09-22 until 1990-10-20)
producer:
John Williams (American score composer)
conductor:
John Williams (American score composer) (from 1990-09-22 until 1990-10-20)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States (from 1990-09-22 until 1990-10-20)
recording of:
Somewhere in My Memory (Home Alone)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
44:58
10Olympic Centennial: Summon the Heroes
recording engineer, engineer and producer:
Shawn Murphy (producer/engineer)
assistant engineer:
Darcy Proper, Todd Whitelock (engineer) and Robert Wolff (engineer)
orchestra:
Boston Pops Orchestra (on 1996-01-06, on 1996-01-10, on 1996-01-13)
conductor:
John Williams (American score composer) (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recording of:
Summon the Heroes (from 1996-01-06 until 1996-01-13)
composer:
John Williams (American score composer) (in 1995)
dedicated to:
Tim Morrison (trumpeter)
premiered at:
Turner Field in Atlanta, Georgia, United States (on 1996-07-19)
6:17
11Rosewood: Look Down, Lord
guitar:
Dean Parks (American session guitarist) (from 1996-12-01 until 1996-12-06)
harmonica:
Tommy Morgan (Harmonica player) (from 1996-12-01 until 1996-12-06)
conductor:
John Williams (American score composer) (from 1996-12-01 until 1996-12-06)
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 1996-12-01 until 1996-12-06)
recording of:
Look Down, Lord
composer:
John Williams (American score composer)
4:15
12Far and Away: Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (from 1996-12-09 until 1996-12-11)
orchestra:
Pittsburgh Symphony Orchestra (from 1996-12-09 until 1996-12-11)
conductor:
John Williams (American score composer) (from 1996-12-09 until 1996-12-11)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (from 1996-12-09 until 1996-12-11)
recording of:
Far & Away: Theme (Far and Away) (from 1996-12-09 until 1996-12-11)
composer:
John Williams (American score composer)
part of:
Far and Away (1992 film score)
5:37
13Born on the Fourth of July: Theme
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Born on the Fourth of July (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
6:22
14Star Wars Episode 1: The Phantom Menace: Duel of the Fates
choir vocals:
London Voices (from 1999-02-05 until 1999-02-18)
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-18)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-18)
composer:
John Williams (American score composer)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
44:15