| # | Title | Artist | Rating | Length |
|---|
| 1 | Ashes to Ashes- recording engineer:
- David Bowie (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
- assistant engineer:
- Larry Alexander (from 1980-02 until 1980-04) and Jeff Hendrickson (from 1980-02 until 1980-04)
- producer:
- David Bowie and Tony Visconti
- drums (drum set):
- Dennis Davis (from 1980-02-15 until 1980-06)
- electric bass guitar:
- George Murray (from 1980-02-15 until 1980-06)
- guitar:
- Carlos Alomar (from 1980-02-15 until 1980-06)
- guitar synthesizer [Roland GR-500 guitar synthesizer]:
- Chuck Hammer (from 1980-02-15 until 1980-06)
- Minimoog and analog synthesizer [Yamaha CS-80]:
- Andy Clark (from 1980-02-15 until 1980-06)
- percussion and shakers:
- Tony Visconti (from 1980-02-15 until 1980-06)
- piano [flanged piano]:
- Roy Bittan (from 1980-02-15 until 1980-06)
- background vocals and lead vocals:
- David Bowie (from 1980-04 until 1980-06)
- phonographic copyright (℗) by:
- RCA Records (in 1980), Mainman S.A. (in 1992) and Tintoretto Music (in 1992)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (from 1980-04 until 1980-06)
- recording of:
- Ashes to Ashes (from 1980-02-15 until 1980-06)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.3 | 4:24 |
| 2 | Chant No. 1 (Don’t Need This Pressure On) | Spandau Ballet | | 4:07 |
| 3 | Girls on Film | Duran Duran | 3.9 | 3:29 |
| 4 | Love Action (I Believe in Love) | The Human League | 3 | 3:51 |
| 5 | Enola Gay | Orchestral Manoeuvres in the Dark | 3.65 | 3:30 |
| 6 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.15 | 3:26 |
| 7 | Happy Birthday | Altered Images | 3 | 2:58 |
| 8 | Stand and Deliver | Adam and the Ants | 4 | 3:04 |
| 9 | It Ain’t What You Do, It’s the Way That You Do It | Fun Boy Three & Bananarama | | 2:42 |
| 10 | Oops, Upside Your Head | The Gap Band | | 3:27 |
| 11 | Body Talk | Imagination | | 3:35 |
| 12 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:24 |
| 13 | Kids in America- recording engineer:
- Jeo
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
- engineer:
- Steve Stewart
- producer:
- Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
- additional keyboard:
- Nick Priessnitz
- bass guitar:
- Derek von Krogh and Martin Russell (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn, Tobias Wörner and Chris North (from 1980 until 1981)
- guitar:
- Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI France (in 1993), EMI Records Ltd. (in 1996, in 2001) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio, RAK Studios in London , England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (in 1980)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- Finchley Music Corp.
| Kim Wilde | 4.45 | 3:26 |
| 14 | Mickey | Toni Basil | | 4:01 |
| 15 | Our House | Madness | 4.15 | 3:23 |
| 16 | Bad Boys | Wham! | | 3:21 |
| 17 | Two Tribes | Frankie Goes to Hollywood | 3.65 | 3:56 |
| 18 | The Riddle | Nik Kershaw | 3.35 | 3:53 |
| 19 | Wishing (If I Had a Photograph of You) | A Flock of Seagulls | | 4:11 |
| 20 | You’re the Best Thing | The Style Council | 3 | 4:21 |
| 21 | True | Spandau Ballet | 3.65 | 5:39 |
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