# | Title | Artist | Rating | Length |
---|
1 | Save the Last Dance for Me- recorded in:
- New York, New York, United States (on 1960-05-19)
- guitar:
- Billy Davis (on 1960-05-19)
- baritone vocals:
- Dock Green and Doc Green (on 1960-05-19)
- bass vocals:
- Elsbeary Hobbs (on 1960-05-19)
- lead vocals:
- Benny Nelson (on 1960-05-19)
- tenor vocals:
- Charlie Thomas (on 1960-05-19) and Johnny Williams (on 1960-05-19)
- conductor:
- Stan Applebaum (on 1960-05-19)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 182)
- recording of:
- Save the Last Dance for Me (on 1960-05-19)
- writer:
- Doc Pomus and Mort Shuman
- publisher:
- Hill and Range Songs, Inc., Hill and Range Southwind Mus S A , Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (in 1974) and Trio Music (in 1974)
| The Drifters | 5 | 2:33 |
2 | Sweet Talking Guy | The Chiffons | | 2:14 |
3 | Let's Twist Again | Chubby Checker | 4.65 | 2:19 |
4 | It's in His Kiss | Betty Everett | | 2:12 |
5 | Let It Rock | Chuck Berry | | 1:47 |
6 | Surfin' Safari | The Beach Boys | | 2:00 |
7 | Blueberry Hill- sound engineer:
- Ron McMaster
- audio engineer:
- Dieter Dirks (on 1977-03-20), Martin Rushent (on 1977-03-20) and Peter Wolsey (on 1977-03-20)
- producer:
- Tim Read (in 1977-03) and Martin Rushent (in 1977-03)
- baritone saxophone:
- Roger Lewis (on 1977-03-20)
- bass guitar:
- Carlton McWilliams (on 1977-03-20)
- drums (drum set):
- Smokey Johnson (on 1977-03-20)
- guitar:
- David Douglas (on 1977-03-20) and Roy Montrell (on 1977-03-20)
- piano and lead vocals:
- Fats Domino (on 1977-03-20)
- tenor saxophone:
- Lee Allen (on 1977-03-20), Fred Kemp (on 1977-03-20) and Walter Kimble (on 1977-03-20)
- trumpet:
- Dave Bartholomew (on 1977-03-20) and Thomas Johnson (on 1977-03-20)
- conductor:
- Dave Bartholomew (on 1977-03-20)
- phonographic copyright (℗) by:
- United Artists Records Ltd. (from 1977 to present)
- recorded at:
- Deutsches Museum in München, Bayern, Germany (on 1977-03-20)
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London , England, United Kingdom (in 1977)
- engineered at:
- EMI Studio in Hollywood, Los Angeles, California, United States (in 1977)
- edit of:
- Blueberry Hill by Fats Domino
- live cover recording of:
- Blueberry Hill (on 1977-03-20)
- lyricist:
- Al Lewis and Larry Stock
- composer:
- Vincent Rose
- publisher:
- Chappell & Co., Inc. , Larry Stock Music Co., Redwood Music Ltd. , Sovereign Music Company and Victoria Music Publishing Co. Ltd.
- part of:
- 12 Monkeys Soundtrack
| Fats Domino | 5 | 3:04 |
8 | Ride the Wild Surf | Jan & Dean | | 2:13 |
9 | Every Beat of My Heart | Gladys Knight | | 2:03 |
10 | Hats Off to Larry | Del Shannon | | 2:01 |
11 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:59 |
12 | Venus | Frankie Avalon | 4.5 | 2:21 |
13 | Limbo Rock | Chubby Checker | | 2:23 |
14 | Then He Kissed Me- engineer:
- Larry Levine (in 1963-07)
- producer:
- Phil Spector
- lead vocals:
- LaLa Brooks (in 1963-07)
- arranger:
- Jack Nitzsche (in 1963-07)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 493)
- recording of:
- Then He Kissed Me (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal‐Songs of PolyGram International, Inc.
| The Crystals | 5 | 2:46 |
15 | Leader of the Pack | The Shangri‐Las | 5 | 2:51 |
16 | Venus in Blue Jeans | Jimmy Clanton | | 2:18 |
17 | Hold on I'm Coming | Sam & Dave | 5 | 2:37 |
18 | On Broadway | The Drifters | | 2:55 |
19 | 16 Candles | The Crests | 4 | 2:54 |
20 | Rubber Ball | Bobby Vee | 4 | 2:27 |
21 | Sugar Sugar | The Archies | 3.6 | 2:49 |
22 | My Guy | Mary Wells | | 2:44 |
23 | There's a Kind of Hush- engineer:
- Dave Siddle
- producer:
- Mickie Most
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (on 1966-12-07)
- cover recording of:
- There’s a Kind of Hush (on 1966-12-07)
- lyricist and composer:
- Les Reed and Geoff Stephens
- publisher:
- Donna Music Ltd. , Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. , Southern Music Publishing Co., Inc. , ピアーミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Herman’s Hermits | 4.5 | 2:34 |
24 | So Sad the Song | Gladys Knight | | 3:55 |
25 | Judy | The Beach Boys | | 2:13 |