Top of the Pops: Year by Year Collection 1964‒2006

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Exactly as on covers except belows, see edit history for questions
1.12 No "!" on back cover
2.7 Artist name mispelled in inlay
2.17 Correct name seems to be the one on back cover
2.19 "'" is set as different palce depending of inlay or back cover and pfficial release seems to have none
6.7 "-" appears only on back cover, not inlay
7.9 "," only on back cover and as original release
7.12 No "," like on original release and back cover
7.14 No "The" as in inlay and original release
8.5 Backcover shows is whereas 's in inlay
8.5 Back cover shows Turnaround whereas there is a space in inlay
9.16 Not "?" in inlay
14.7 "." on artist name only appear on back cover
15.11 Missing "," in artist name
16.16 Missing "," in artist name
16.2 Inlay shows The at start of tracname compare to back cover
16.3 "." in artist name are only shown on back cover
18.9 Applying guidelines on no.
23.3 Appears as Debbie Harry on the inlay and as Deborah Harry in the booklet
23.4 Appears as RUN-DMC Feat. Aerosmith on the inlay as as RUN DMC Featuring Aerosmith in the booklet
23.10 Appears as Mel And Kim on the inlay and as Mel & Kim in the booklet
25.15 "a" apears at start of trackname in booklet
26.9 feat. on back cover whereas featuring in booklet
27.11 feat. vs featuring in back cover/booklet
27.12 Rolling vs Rollin’ in back cover/booklet
29.3 "?" appears only in booklet
30.4 "." only appearing on back cover
30.9 "with you" is added to track name in booklet
30.12 "The" only appearing in booklet
31.12 The Reggae Revolution dont appear on back cover
38.13 Removing space next to "/"

Annotation last modified on 2020-12-19 12:11 UTC.

Tracklist

▶ CD 1: 1964
▶ CD 2: 1965
▶ CD 3: 1966
▶ CD 4: 1967
▶ CD 5: 1968
▶ CD 6: 1969
▶ CD 7: 1970
▶ CD 8: 1971
▶ CD 9: 1972
▶ CD 10: 1973
▶ CD 11: 1974
▶ CD 12: 1975
▶ CD 13: 1976
▶ CD 14: 1977
▶ CD 15: 1978
▶ CD 16: 1979
▶ CD 17: 1980
▼ CD 18: 1981
#TitleArtistRatingLength
1That’s Entertainment
engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers) and Alan Douglas (Scottish born engineer)
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
acoustic guitar, electric guitar [backwards] and lead vocals:
Paul Weller (on 1980-10-22)
bass guitar:
Bruce Foxton (on 1980-10-22)
snare drum and tambourine:
Rick Buckler (on 1980-10-22)
vocals:
Bruce Foxton (on 1980-10-22)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-10-22)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 306)
recording of:
That’s Entertainment (on 1980-10-22)
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and And Son Music Ltd. (from 1980 to present)
The Jam3.13:35
2Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.93:28
3Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.52:42
4Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Soft Cell3.92:42
5Favourite Shirts (Boy Meets Girl)
producer:
Bob Sargeant
part of:
TV Cream: Real 100 Best Singles Ever (number: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
lyricist and composer:
Nick Heyward
Haircut 10053:05
6Stand and Deliver
producer:
Chris Hughes (Producer. aka Merrick)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
music videos:
Stand and Deliver by Adam and the Ants (English new wave band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 10)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants53:35
7Spellbound
producer:
Nigel Gray (UK producer) and Siouxsie and the Banshees
recording of:
Spellbound
lyricist:
Steven Severin
composer:
John McGeoch, Peter Clarke (UK drummer Peter Clarke (The Banshees, The Creatures, etc.)), Steven Severin and Siouxsie Sioux
Siouxsie & the Banshees54:39
8Just Can’t Get Enough
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
producer:
Depeche Mode and Daniel Miller (British music producer and founder of Mute Records)
lead vocals:
Dave Gahan
phonographic copyright (℗) by:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) and Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
recorded at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 460)
recording of:
Just Can’t Get Enough
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002-today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部
Depeche Mode4.33:42
9Chant no. 1 (I Don’t Need This Pressure On)
producer:
Richard James Burgess
recording of:
Chant No. 1 (I Don't Need This Pressure On)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:05
10Souvenir
producer:
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
recording of:
Souvenir
writer:
Martin Cooper (OMD and The Listening Pool) and Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark33:35
11Labelled With Love
recording of:
Labelled With Love
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze4:34
12Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
The Specials3.93:42
13The Lunatics (Have Taken Over the Asylum)
recording of:
The Lunatics (Have Taken Over the Asylum)
lyricist and composer:
Lynval Golding, Terry Hall and Neville Staple
The Fun Boy Three43:14
14Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Germany
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox4.54:54
15Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and Taiyō Music
REO Speedwagon3.753:21
16Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:45
17Making Your Mind Up
producer:
Andy Hill (English producer & songwriter)
part of:
United Kingdom in the Eurovision Song Contest (number: 1981) and Winners of the Eurovision Song Contest (number: 1981)
recording of:
Making Your Mind Up
lyricist and composer:
John Danter and Andy Hill (English producer & songwriter)
publisher:
Intersong (publisher), Paper Music Ltd., Stave and Nickelodeon Ltd. and Universal Music Publishing MGB Ltd.
Bucks Fizz4.652:40
18It’s My Party
engineer:
Nick Bradford
producer:
Dave Stewart (Canterbury keyboardist, NOT the Eurythmics' Dave Stewart)
electronic drum set [SDS V], electronic instruments [claptrap], keyboard [keyboards] and vocoder:
Dave Stewart (Canterbury keyboardist, NOT the Eurythmics' Dave Stewart)
background vocals:
Amanda Parsons
lead vocals:
Barbara Gaskin
recorded at and mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1981-06 until 1981-07)
cover recording of:
It’s My Party
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:48
19Going Back to My Roots
producer:
Steve Tyrell (American producer and vocalist)
cover recording of:
Going Back to My Roots
lyricist and composer:
Lamont Dozier
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and フジパシフィックミュージック SBK事業部
Odyssey55:27
20Intuition
recording of:
Intuition
writer:
David Grant (pop singer) and Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
publisher:
RSM Music Ltd. and Solid Music Ltd.
Linx43:21
21Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie3.255:01
▶ CD 19: 1982
▶ CD 20: 1983
▶ CD 21: 1984
▶ CD 22: 1985
▶ CD 23: 1986
▶ CD 24: 1987
▶ CD 25: 1988
▶ CD 26: 1989
▶ CD 27: 1990
▶ CD 28: 1991
▶ CD 29: 1992
▶ CD 30: 1993
▶ CD 31: 1994
▶ CD 32: 1995
▶ CD 33: 1996
▶ CD 34: 1997
▶ CD 35: 1998
▶ CD 36: 1999
▶ CD 37: 2000
▶ CD 38: 2001
▶ CD 39: 2002
▶ CD 40: 2003
▶ CD 41: 2004
▶ CD 42: 2005
▶ CD 43: 2006

Credits

Release

ASIN:UK: B001AI93J0 [info]